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7.4/10
IMDbBest Editing | 2013 | Alexander
Best Makeup | 2013
Best Production Design (Bestes Szenenbild) | 2013 | Hugh
Best Editing Bester Schnitt | 2013 | Alexander
Best Original Score | 2013 | Reinhold
Best Score | 2012 | Tom
Best Production Design | 2012 | Uli
Best Art Direction | 2012 | Rebecca
Worst Film | 2012
Best Production Produzentenpreis | 2013 | Stefan
Best Original Score Motion Picture | 2013 | Tom
Fantasy Film | 2013 | David
Best Film Editing | 2013 | Alexander
Best Actress | 2013 | Halle
Best Score | 2013 | Reinhold
Best Film International Competition | 2013 | Lana
Best Supporting Actor International Competition | 2013 | Ben
Best Supporting Actress International Competition | 2013 | Halle
Excellence in Fantasy Film | 2013 | Pierre-Yves
Outstanding Feature Film Bester Spielfilm | 2013 | Stefan
Outstanding Feature Film (Bester Spielfilm) | 2013 | Lana
Best Direction (Beste Regie) | 2013 | Lana
Best Music Supervision for a Trailer | 2013
Outstanding Actress in a Motion Picture | 2013 | Halle
Film Score of the Year | 2013 | Reinhold
Best Original Score for a FantasyScience FictionHorror Film | 2013 | Reinhold
Film Music Composition of the Year | 2013 | Reinhold
Best Supporting Actress | 2013 | Bae
Best Makeup and Hairstyling | 2013
Best Original Score | 2013 | Johnny
Best Film Editing | 2013 | Alexander
Best Production Design | 2013 | Uli
Best Editing Miglior montaggio | 2013 | Alexander
Best Special Effects (Migliori effetti speciali) | 2013
Best Music Original Score | 2013 | Reinhold
Best Makeup and Hairstyling | 2013 | Jeremy
Best Visual Effects | 2013 | Stephane
Best Adapted Screenplay | 2013 | Lilly
Best Performance in a Feature Film Supporting Young Actress Ten and Under | 2013 | Raevan Lee
Outstanding Film Wide Release | 2013
Best Science Fiction Film | 2013
Best Production Design | 2013 | Uli
Best Costumes | 2013 | Pierre-Yves
Best Foreign Language Film (Nejleps zahranicn film) | 2013
German Film of the Year | 2013
Movie You Wanted to Love But Just Couldnt | 2013
Best Costume Design International Competition | 2013
Best Foreign Drama of the Year | 2013
Best Production Design | 2012 | Uli
Best Costume Design | 2012 | Pierre-Yves
Best Film Editing | 2012 | Alexander
Best Visual Effects | 2012
Best Original Score | 2012 | Reinhold
Best Editing | 2012 | Alexander
Best Film | 2012 | Lilly
Best Costume Design | 2012 | Pierre-Yves
Best Visual Effects | 2012 | Stephane
Best Film Editing | 2012 | Alexander
Best Cinematography | 2012 | John
Best Music | 2012 | Reinhold
Best Visual Effects | 2012 | Stephane
Best Film | 2012
Best SciFi Movie | 2012
Most Underrated Movie of the Year | 2012
Trippiest Movie of the Year | 2012
Best SciFi Movie of the Year | 2012
Best Film | 2012
Budget 102,000,000 USD
Box Office Collection 130,482,868 USD
In 2005, while on the London set of V for Vendetta (2005), Natalie Portman gave a copy of the original novel to Lana Wachowski, who became deeply interested in it. A year later, both Wachowski siblings wrote a first draft of the screenplay. Tom Tykwer, a friend of the Wachowskis, was invited to co-author several subsequent drafts with them in the following two years, constantly keeping in mind observations by the book's author himself, David Mitchell, while looking for international investors. In all those years, Portman was promised the role of Sonmi-451, but had to turn down the role at the last minute after becoming pregnant in 2010; however, she is given a special thanks in the closing credits.
Tom Hanks claims that this is one of the few films of his own that he likes to rewatch.
Lilly Wachowski and Lana Wachowski directed the 1849, 2144, and 2321 segments of the film. Tom Tykwer directed the 1936, 1973, and 2012 segments.
With a budget of over $100 million, Cloud Atlas is one of the most expensive independent films to date.
The whole film was shot with two parallel filming units, one under the helm of Tom Tykwer and the other under the direction of Lilly Wachowski and Lana Wachowski, sharing no crew members beside the cast and the directors themselves.