Comma Boat

Comma Boat

Movie

  • :
  • Genre(s): Comedy
  • Language(s): English
  • Director(s): Ryan Trecartin
  • Cast(s): Ryan Trecartin, Irina Cocimarov, Analisa Teachworth, Simon Castets, Lee Kyle See all Cast & Crew
  • Duration: 33min
  • Music: Telfar Clemens,Akeem Smith,Ian Isiah,Kevin Goold,Andrew Aged
  • Similar To: Eternity, People We Meet on Vacation
  • Story:
    In Comma Boat, we're stuck in a mock-authoritarian fantasy--a power trip. The film centers around a director-character played by Trecartin who oscillates between feelings of omnipotence and self-doubt. As if a post-human, post-gendered reincarnation of the Fellini character in 8 ½, the director gloats and frets about professional and ethical transgressions. "I know I lied to get ahead," he admits at one point. "I've made up so many different alphabets just to get ahead in my field." The director is fancier now, but the fear nags that he might be "repeating" himself "like a dumb soldier ova and ova and ova and ova." The meta-connection to the artist's own career, while obvious, is also a decoy. All art, at some level, is about the artist. Here, reflexivity is the surface level, providing a decodable veneer that encases something more unsettling and complex. Single-channel and 3-channel versions.
    Full Story

Comma Boat - Where to Stream?

Unfortunately, the movie Comma Boat is not available to stream/stream on any of the streaming platforms in India. It is not available to buy/ rent online on any platforms right now.

Disclaimer: All content and media belong to original content streaming platforms/owners like Netflix, Disney+ Hotstar, Amazon Prime Videos, JioCinema, SonyLIV etc. 91mobiles entertainment does not claim any rights to the content and only aggregate the content along with the service providers links.

Comma Boat - Cast

Comma Boat - Crew

Comma Boat - IMAGE GALLERY

STORY

Story
In Comma Boat, we're stuck in a mock-authoritarian fantasy--a power trip. The film centers around a director-character played by Trecartin who oscillates between feelings of omnipotence and self-doubt. As if a post-human, post-gendered reincarnation of the Fellini character in 8 ½, the director gloats and frets about professional and ethical transgressions. "I know I lied to get ahead," he admits at one point. "I've made up so many different alphabets just to get ahead in my field." The director is fancier now, but the fear nags that he might be "repeating" himself "like a dumb soldier ova and ova and ova and ova." The meta-connection to the artist's own career, while obvious, is also a decoy. All art, at some level, is about the artist. Here, reflexivity is the surface level, providing a decodable veneer that encases something more unsettling and complex. Single-channel and 3-channel versions.