Rose Marie

Rose Marie

Movie |

Native American | Mountie (rcmp)

  • :
  • Genre(s): Comedy, Adventure
  • Language(s): English
  • Director(s): Mervyn LeRoy, Arvid Griffen
  • Cast(s): Ann Blyth, Howard Keel, Fernando Lamas, Bert Lahr, Marjorie Main See all Cast & Crew
  • Duration: 1h 44min
  • Music: Douglas Shearer,George Stoll,Herbert Stothart,Van Allen James,Rudolf Friml
  • Similar To: The Bad Guys 2, The Fall Guy
  • Story:
    Tomboy Rose Marie Lemaitre, the orphaned ward of Mountie Mike Malone, falls in love with him, and he with her. But when she goes to "learn to be a lady", she meets outlaw trapper James Duval, who also falls in love with her. But Duval is in a dispute with the local Native American chief Black Eagle, and soon Black Eagle is murdered.
    Full Story

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Rose Marie - Cast

Rose Marie - Crew

STORY

Story
Tomboy Rose Marie Lemaitre, the orphaned ward of Mountie Mike Malone, falls in love with him, and he with her. But when she goes to "learn to be a lady", she meets outlaw trapper James Duval, who also falls in love with her. But Duval is in a dispute with the local Native American chief Black Eagle, and soon Black Eagle is murdered.

TRIVIA

Trivia

Joan Crawford, who played Ann Blyth's mother in Mildred Pierce (1945), played the title role in the original 1928 version of this film, which is now considered lost.

A comic duet by Bert Lahr and Marjorie Main, "Love and Kisses" (music by Rudolf Friml, lyrics by Paul Francis Webster) was deleted from the release print. The filmed number is included on the 2011 DVD from Warner Bros. The Lahr-Main audio was first presented on the 1954 soundtrack LP from MGM Records, and a CD track is available on a 2011 import from the 101 Distribution label.

A testament to the many ways a studio could constantly reconfigure its constellation of contract stars: Howard Keel pines romantically for Ann Blyth in this film; one year later, the two would be re-teamed as father and daughter in Kismet (1955).

This version differs widely from both the earlier versions and the stage play.

In her autobiography, Esther Williams, who was Fernando Lamas' last wife, related that Lamas was especially proud of the size and shape of his manhood, and would often greet visitors semi-erect for the shock value. Whether or not it was deliberate, proof of this can be found in Rose Marie (1954), in which Lamas wears tight slacks and is clearly dressing to the left, particularly in the scene in which he is captured by the Indian tribe and tied shirtless to the totem pole. As the camera closes in on Howard Keel cuffing Lamas, it's also apparent that Lamas isn't wearing underwear beneath his costume.