Movie |
Labor Rights | Graffiti
A story exploring the issue of hardship in modern-day Britain through a young couple scraping to get by in a casual jobs market. A hard-up delivery driver and his carer wife are pushed to breaking point as they struggle to keep their family afloat in a world of zero-hour contracts and gig work.
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A story exploring the issue of hardship in modern-day Britain through a young couple scraping to get by in a casual jobs market. A hard-up delivery driver and his carer wife are pushed to breaking point as they struggle to keep their family afloat in a world of zero-hour contracts and gig work.
Best European Film Cel mai bun film european | 2021
Best European Film Millor Pellcula Europea | 2021
Best Foreign Film in CoProduction Meilleur film tranger en coproduction | 2020
Best Writer FilmTelevision | 2020
Best Narrative Feature | 2019
Best Feature | 2019
Best European Film | 2019
Best Actress | 2019
Outstanding British Film of the Year | 2020
Outstanding Performance | 2020
Best Foreign Film Miglior Film Straniero | 2021
Best Foreign Film Melhor Filme Estrangeiro | 2021
Best Foreign Film | 2021
Best NonAmerican Film Bedste ikkeamerikanske film | 2020
Best Foreign Film | 2020
Best Foreign Film | 2020
Best Foreign Film | 2019
City of Donostia Audience Award | 2019
Best Film | 2019
Best Feature | 2019
Best Feature | 2019
Best Film | 2019
Box Office Collection 8,766,149 USD
Kris Hitchen took inspiration for his part from his time working as a plumber in the years between acting jobs.
Like certain other Ken Loach movies, the cast is made up of unknown actors and non-actors. The absence of recognizable stars makes it easier for audiences to believe that the characters are everyday people with relatable struggles.
This was a sequel to Ken's film 'I Daniel Bake' which was also filmed in Newcastle.
The song sung by Abbie's patient, when Abbie is having her hair combed is 'goodnight irene', which is the song sung by Bristol Rovers football club fans.
Film debut of Rhys Mcgowan.
"Abbie Turner: This is my family, and I'm telling you now, nobody messes with my family."
"Ricky: I don't know what's got into you, I really don't. You're a smart kid just like Liza. You used to be in all the top sets. What is going on? Just give yourself some choices mate. Abbie Turner: Seb? Seb: Hmm-mm? Abbie Turner: We've talked about this. You could go to uni. Seb: Go to uni? What, and be like Harpoon's brother? £57 grand in debt and what? Working in a call centre now, getting smashed every weekend just to forget his problems. Of course. Ricky: Yeah, but it doesn't have to be like that does it? There's some good jobs out there. Seb: Good jobs? What good jobs? Ricky: Well there is if you just knuckle down. Give yourself some options. Otherwise you're just going to end up like... Seb: What, like you? Ricky: Oh fucking nice! Abbie Turner: Seb... Seb: Do you really think I want that? Really? Ricky: Yeah... Seb: Well yeah of course I do don't I? I want to be like you. Ricky: Yeah, going from shit job to shit job, working 14 hours a day, having to put up with everyone else's shit. Going from one shit job to another shit job. You're just going to end up a skivvy. Seb: A skivvy? It's your choice to be a skivvy isn't it? A skivvy doesn't come to, you, you go to it - right? Ricky: I'm doing my best Seb. Seb: Maybe your best isn't good enough, is it?"
