The Death of a Composer: Rosa  a Horse Drama

The Death of a Composer: Rosa, a Horse Drama

Movie |

Opera

  • :
  • Genre(s): TV Movie, Drama, Musical, Western
  • Language(s): English
  • Director(s): Peter Greenaway, Peter Greenaway
  • Cast(s): Peter Greenaway, Lyndon Terracini, Miranda van Kralingen, Marie Angel, Roger Smeets See all Cast & Crew
  • Duration: 1h 30min
  • Music: Louis Andriessen,Winfried Maczewski,Reinbert de Leeuw
  • Award(s): Banff Rockie 2001 (Won) Awards List
  • Similar To: Bobbi Kristina, Bessie
  • Story:
    "Rosa", with a libretto by Peter Greenaway and score by Louis Andriessen, is the first in a projected series of 10 operas, each dealing with the death of a famous composer - some real, others fictional. "Rosa" falls into the latter category; it tells the story of Juan Manuel de Rosa, a Brazilian who went to study music in America but spent most of his time in the cinema instead, becoming particularly entranced by Westerns. Now 32 years old and residing in an abandoned Uruguayan slaughterhouse, Rosa has become one of Hollywood's foremost composers, specialising in Westerns. He also has a beautiful 19-year-old fiancee, Esmeralda, but he pays her little heed, instead lavishing his attentions on a black mare named Bola. One day, a group of men attired as cowboys arrive at the abattoir and kill both Rosa and Bola; an investigation is conducted, with particular suspicion!
    Full Story

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The Death Of A Composer: Rosa, A Horse Drama - Cast

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STORY

Story
"Rosa", with a libretto by Peter Greenaway and score by Louis Andriessen, is the first in a projected series of 10 operas, each dealing with the death of a famous composer - some real, others fictional. "Rosa" falls into the latter category; it tells the story of Juan Manuel de Rosa, a Brazilian who went to study music in America but spent most of his time in the cinema instead, becoming particularly entranced by Westerns. Now 32 years old and residing in an abandoned Uruguayan slaughterhouse, Rosa has become one of Hollywood's foremost composers, specialising in Westerns. He also has a beautiful 19-year-old fiancee, Esmeralda, but he pays her little heed, instead lavishing his attentions on a black mare named Bola. One day, a group of men attired as cowboys arrive at the abattoir and kill both Rosa and Bola; an investigation is conducted, with particular suspicion!

AWARDS

Won
Banff Rockie Award

Best Performance Program | 2001

TRIVIA

Trivia

'Death of a composer' opera was premiered at the Netherlands Opera in 1994. This filmed performance is from June 1998.

In "Who's My Bottom?" book, Christopher Gillett recalled his experience in acting in this opera, playing one of two bad guys required to rape the soprano in the disembowelled carcass of a horse. "After lying successfully about my riding abilities I was shown a sort of screenplay, which was to be the basis of the opera that was yet to be written. One stage direction stood out: 'They fuck her inside the horse'. That's not a line you often see in opera I must say," Gillett wrote. Then talking with Peter Greenaway about the rape scene, the director asked Gillett how far he's willing to go. "My fellow bad guy, Roger, asks: 'How does it work that we actually fuck her inside the horse?' Roger is Dutch you see. He's quite happy to start saying 'fuck' from the get-go. Peter explains that Marie, the soprano, will be inside the disembowelled abdominal area of a (fake) horse and we will climb up the back and take her/them from behind." During the rehearsal, Gillett realizes that the director was not kidding. "I climb the ladder while Greenaway looks on. I lift the tail and notice that the mare is - how can I put it? - anatomically correct. I could, if I so desired, reach through the horse's vagina into the inside of the cavity where Marie will be stuffed. I remember our earlier meeting.[...]The only reason I can fathom that the vagina is functional, so to speak, is just in case we had told Greenaway that we were willing to go the whole hog'. " Gillett wrote that when Marie Angel knew Greenaway's intentions, "she tells him: 'well, no-one is sticking anything in!'.

Australian soprano Marie Angel, as Esmeralda, not only spends most of the time on stage in the nude, but she also gets spanked and groped. Angel said she saw the sexual violence and humiliation suffered by Esmeralda as a form of denunciation. "Taking your clothes off on stage shouldn't be shocking," she said of her role. "But we should be shocked by what happens to Esmeralda."

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