Movie |
House Fire | Based On Novel Or Book
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Campy Film of the Year | 2017
Best Actress in a Supporting Role | 2016 | Judy
Best Actress | 2016 | Kate
Best Actor in a Supporting Role | 2016 | Hugo
Best Film | 2016 | Jocelyn
Best Costume Design | 2015 | Margot
Best Supporting Actress | 2015 | Judy
Best Supporting Actor | 2015 | Hugo
Best Achievement in Sound for Film Sound Mixing | 2015 | Chris
Favourite Film of the Decade | 2020
Excellence in Period Film | 2017 | Marion
BritishIrish Actress of the Year For and | 2016 | Kate
BritishIrish Actress of the Year | 2016 | Kate
Best Direction in a Feature Film | 2016 | Jocelyn
Best Film | 2016 | Sue
Best Director | 2016 | Jocelyn
Best Actress Supporting Role | 2016 | Sarah
Best Soundtrack Album | 2016 | David
Feature Film Score of the Year | 2016 | David
Best Comedic Actress | 2016 | Judy
Womens WorkBest Ensemble | 2016
Best Movie by a Woman | 2016 | Jocelyn
Best Theatrically Unreleased Movie by or About Women | 2015
Best Casting in a Feature Film | 2016 | Christine
Best Supporting Actress | 2016 | Judy
Best Supporting Actress | 2016 | Judy
Best Achievement in Sound for Film Sound Design | 2015 | Glenn
Mind the Gap | 2015 | Jocelyn
Best Film | 2015 | Sue
Budget 11,930,000 USD
Box Office Collection 25,003,426 USD
Kate Winslet and Judy Davis had a hard time keeping a straight face while filming the scene where Liam Hemsworth strips off to get a measurement.
Kate Winslet learned to sew for her part. Following this, she assisted Margot Wilson in creating the costumes for her character. Wilson was exclusively hired to create the outfits for Tilly.
Production was pushed back a year to accommodate Kate Winslet's pregnancy. Filming commenced 3 months after she gave birth.
Tilly's sewing machine is a Singer 201K2. They were incredibly sturdy and very expensive, costing the equivalent of up to 6 months wages for a working woman. They are still considered one of the best sewing machines by professional dressmakers and tailors.
The fictional town of Dungatar was built from scratch as no town in Victoria, Australia, matched production designer Roger Ford's wish to achieve a Western town with Australian characteristics. Director Jocelyn Moorhouse, producer Sue Maslin, cinematographer Donald McAlpine and production designer Ford searched over Victoria, New South Wales and South Australia for three years, looking for the location for Dungatar. Out of the blue, they received a call from the location department at Film Victoria, suggesting to go look at the You Yangs. Once there, at the Mt Rothwell Biodiversity Centre, they chose to set Dungatar there, ultimately having to build the sets themselves.
"Myrtle 'Tilly' Dunnage: Take your clothes off Molly Dunnage: A murderer... and a lesbian..."
"Molly Dunnage: You could be married in this suit... snapped up by some eligible spinster... or hag..."
