Movie |
Submarine | Sea
The world's most highly qualified crew of archaeologists and explorers is led by historian Milo Thatch as they board the incredible 1,000-foot submarine Ulysses and head deep into the mysteries of the sea.
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The world's most highly qualified crew of archaeologists and explorers is led by historian Milo Thatch as they board the incredible 1,000-foot submarine Ulysses and head deep into the mysteries of the sea.
Best Animated Soundtrack | 2001 | James Newton Howard
Best Sound Editing Animated Feature Film Domestic and Foreign | 2002 | John K. Carr
Outstanding Individual Achievement for Voice Acting by a Male Performer in an Animated Feature Production | 2001 | Leonard Nimoy
Outstanding Individual Achievement for Music Score an Animated Feature Production | 2001 | James Newton Howard
Outstanding Individual Achievement for Voice Acting by a Female Performer in an Animated Feature Production | 2001 | Florence Stanley
Outstanding Individual Achievement for Storyboarding in an Animated Feature Production | 2001 | Chris Ure
Outstanding Individual Achievement for Effects Animation | 2001 | Marlon West
Best Original Song Written for a Film | 2001 | Diane Warren
Best Animated Picture | 2002 | Don Hahn
Original Retrospective Documentary New Release | 2003 | Michael Pellerin
Budget 120,000,000 USD
Box Office Collection 186,053,725 USD
Jim Varney (Cookie) died just before finishing the film. The "I ain't so good at speechifying" line near the end is the only line not spoken by Varney. Steven Barr did the voice for that scene.
Marc Okrand, who created the Atlantean language, also created the Vulcan and Klingon languages for the "Star Trek" franchise. Coincidentally, Star Trek (1966) cast member Leonard Nimoy is in this movie as Kida's father, the King of Atlantis.
Because the movie was planned out as an action-adventure, the production crew wore t-shirts to work that read "ATLANTIS - Fewer songs, more explosions".
The filmmakers noted that the vast majority of their research about Atlantis was primarily done through the Internet. Sifting through all of the information they could find, both plausible and fictitious, to pick out what would work to facilitate the story they were telling, as well as the mythology and world-building they were creating. For the visual design, directors Kirk Wise and Gary Trousdale immediately did not want Atlantis to be heavily influenced by the commonly used Greek look. Art director David Goetz noted that, as part of the desire to illustrate the Atlantean civilization as being the "mother culture" of all of the civilizations on Earth, they looked into the unusual architectural designs used in Southeast Asia, notably Cambodia, as well as the Mayan architecture found in South America. Further refinements were done in an effort to emulate the art style of production designer Mike Mignola. The core production team took a trip to the Carlsbad Caverns National Park in southeastern New Mexico during the pre-production stages of the film. This was done for research to get a better feel of what it is like to live underground. It also provided inspiration towards the development of the caverns the Whitmore Expedition journeys through towards Atlantis.
After Milo gets seasick on the first ship, his line, "Carrots? Why are there always carrots? I didn't even eat carrots!" was ad-libbed by Michael J. Fox, who is allergic to carrots.
"Vinny: We done a lot of things we're not proud of. Robbing graves, eh, plundering tombs, double parking. But, nobody got hurt. Well, maybe somebody got hurt, but nobody we knew."
"Milo: Will you look at the size of this? It's gotta be half a mile high, at least. It-It must have taken hundred- No, thousands of years to carve this thing. [Vinny blows it up, and it falls down over a chasm] Vinny: Hey, look, I made a bridge. It only took me like, what? Ten seconds? Eleven, tops."
