Movie |
Robbery | Waitress
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Best Editing | 2018 | Paul Machliss
Best Drama Feature | 2019 | Edgar Wright
2018 | Edgar Wright
Headliners | 2017 | Edgar Wright
Honorable Mentions | 2017 | Edgar Wright
Best Work with a Vehicle | 2018 | Robert Nagle
Commendable Imported Film | 2018 | Nira Park
Best Stunt Coordination | 2018 | Robert Nagle
Best Film Editing | 2018 | Paul Machliss
Excellence in Sound for a Feature Film | 2018 | Mary H. Ellis
Best Sound Mixing | 2017 | Mary H. Ellis
Best Sound Editing | 2017 | Julian Slater
Best Film Editing | 2017 | Paul Machliss
Best Sound Mixing | 2018 | Mary H. Ellis
Best Use of Music | 2017 | Steven Price
Best Editing | 2018 | Paul Machliss
Best Editing | 2017 | Paul Machliss
Best Editing | 2017 | Paul Machliss
Best Film Editing | 2017 | Paul Machliss
Best Editing | 2017 | Paul Machliss
Best Editing | 2017 | Paul Machliss
Best Film Editing | 2017 | Paul Machliss
Best Editing | 2017 | Paul Machliss
Best Film Editing | 2018 | Paul Machliss
Best Editing | 2017 | Paul Machliss
Outstanding Locations in a Contemporary Film | 2018 | Douglas Dresser
Feature Film | 2018 | Roberto De Angelis
Best Achievement in Sound Mixing | 2018 | Mary H. Ellis
Best Achievement in Sound Editing | 2018 | Julian Slater
Best Achievement in Film Editing | 2018 | Paul Machliss
Best Performance by an Actor in a Motion Picture - Musical or Comedy | 2018 | Ansel Elgort
Best Sound | 2018 | Jeremy Price
Best Compilation Soundtrack for Visual Media | 2018 | Edgar Wright
Outstanding Supporting Actor, Motion Picture | 2018 | Jamie Foxx
Best Performance in a Movie | 2018 | Ansel Elgort
Choice Summer Movie Star Male | 2017 | Ansel Elgort
Best Director | 2018 | Edgar Wright
Best Director | 2017 | Edgar Wright
Outstanding Action Performance by a Stunt Ensemble in a Motion Picture | 2018 | Matthew Austin Murray
Motion Picture | 2018 | Nira Park
Sound of the Decade | 2020 | Jeremy Price
Sound | 2018 | Mary H. Ellis
Film Editing | 2018 | Paul Machliss
Film Editing of the Decade | 2020 | Paul Machliss
Outstanding Achievement in Casting - Big Budget Feature - Drama | 2018 | Meagan Lewis
Best Cinematography | 2019 | Bill Pope
Best Stunts | 2019 | Robert Nagle
Outstanding Achievement in Sound Editing - Sound Effects and Foley for Feature Film | 2018 | Jeremy Price
Outstanding Achievement in Sound Editing - Music Score for Feature Film | 2018 | Julian Slater
Outstanding Achievement in Sound Editing - Dialogue and ADR for Feature Film | 2018 | Dan Morgan
Best Sound Mixing | 2018 | Mary H. Ellis
Best Sound Effects Editing | 2018 | Julian Slater
Outstanding Achievement in Sound Mixing for Motion Pictures - Live Action | 2018 | Mark Appleby
Best Sound Editing | 2018 | Julian Slater
Best Achievement in Sound | 2017 | Mary H. Ellis
Best Film Editing | 2017 | Paul Machliss
Technical Achievement of the Year | 2018 | Darrin Prescott
Best Film Editing | 2017 | Paul Machliss
Best Film Editing | 2017 | Paul Machliss
Best Edited Feature Film - Comedy | 2018 | Paul Machliss
Best Editing | 2017 | Paul Machliss
Best Film Editing | 2018 | Paul Machliss
Best Film Editing | 2018 | Paul Machliss
Best Editing | 2018 | Paul Machliss
Best Contemporary Makeup - Feature-Length Motion Picture | 2018 | Fionagh Cush
Feature | 2017 | Roberto De Angelis
Feature Film | 2017 | Roberto De Angelis
Best Performance in a Feature Film Supporting Young Actor | 2018 | Brogan Hall
Budget 34,000,000 USD
Box Office Collection 226,945,087 USD
Director Edgar Wright once parked his car in a parking garage, only to realize that, by complete coincidence, the car next to him had a stylized "BABY ON BOARD" sign, with Baby's (Ansel Elgort) face taken from the movie poster. Wright left a note on the car's windshield that read, "From the director of Baby Driver, I approve!!!", complete with autograph.
The Mike Myers masks actually were supposed to be the masks of Michael Myers from the Halloween series but the producers were unable to obtain legal permission. Edgar Wright then reached out to the comedian Mike Myers about using masks of his likeness instead, who thought the scene was funny and gave his blessing. This is ironic because the original Michael Meyers masks were also masks obtained without getting the proper permission. John Carpenter bought a William Shatner/Captain Kirk mask from a Halloween store, and painted it white to give it a creepy look.
The studio pressured Edgar Wright to cut the foot chase scene because the movie was starting to go over-budget. Wright deferred a portion of his directing fee to ensure the scene was completed.
Director of photography Bill Pope called the movie "a postmodern musical", stating that "there's not singing and dancing in the street but the world acts to music."
The song "Easy" by The Commodores was requested for the movie by Ansel Elgort after Edgar Wright asked him if there were any songs he knew by heart.
"Baby: You and I are a team, Doc. Doc: Don't feed me any more lines from Monsters Inc. It pisses me off. Doc: It's one of Samm 's favourite."
"Griff: If you don't see me again, it's because I'm dead."
