Movie |
Long Take | Robbery
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Best Editing | 2018 | Jonathan
Best Editing | 2018 | Paul
2018 | Edgar
Best Sound Mixing | 2018 | Mary H.
Best Film Editing | 2018 | Paul
Best Stunt Coordination | 2018 | Darrin
Best Titles Sequence | 2018
Feature Film | 2018 | Roberto De
Best Work with a Vehicle | 2018 | Chris
Best Stunt Ensemble | 2017
Honorable Mentions | 2017 | Edgar
Best Editing | 2017 | Paul
Best Editing | 2017 | Paul
Best Use of Music | 2017
Best Music in a Movie | 2017
Best Film Editing | 2017 | Jonathan
Best Sound Mixing | 2017 | Mary H.
Best Sound Editing | 2017 | Julian
Best Film Editing | 2017 | Jonathan
Top Films | 2017
Best Use of Music | 2017
Best Film Editing | 2017 | Jonathan
Headliners | 2017 | Edgar
Best Editing | 2017 | Jonathan
Best Drama Feature | 2019
Excellence in Sound for a Feature Film | 2018 | Tim
Commendable Imported Film | 2018 | Tim
Best Film Editing | 2018 | Paul
Best Achievement in Sound Editing | 2018 | Julian
Best Achievement in Film Editing | 2018 | Jonathan
Best Achievement in Sound Mixing | 2018 | Julian
Best Performance by an Actor in a Motion Picture - Musical or Comedy | 2018 | Ansel
Best Sound | 2018 | Jeremy
Best Compilation Soundtrack for Visual Media | 2018 | Edgar
Outstanding Action Performance by a Stunt Ensemble in a Motion Picture | 2018
Film Editing of the Decade | 2020 | Jonathan
Sound of the Decade | 2020 | Julian
Motion Picture | 2018 | Nira
Film Editing | 2018 | Jonathan
Sound | 2018 | Julian
Best Action/Adventure Film | 2018
Best Film Editing | 2018 | Paul
Best Edited Feature Film - Comedy | 2018 | Paul
Outstanding Supporting Actor, Motion Picture | 2018 | Jamie
Outstanding Achievement in Casting - Big Budget Feature - Drama | 2018 | Meagan
Outstanding Achievement in Sound Mixing for Motion Pictures - Live Action | 2018 | Glen
Best Action Movie | 2018
Most Original Trailer | 2018
Best Sound Editing | 2018
Best Sound Editing in a TV Spot | 2018
Best Motion/Title Graphics | 2017
Best Contemporary Makeup - Feature-Length Motion Picture | 2018
Motion Picture | 2018
Best Sound Editing | 2018 | Julian
Technical Achievement of the Year | 2018 | Darrin
Outstanding Achievement in Sound Editing - Music Score for Feature Film | 2018
Outstanding Achievement in Sound Editing - Dialogue and ADR for Feature Film | 2018 | Dan
Outstanding Achievement in Sound Editing - Sound Effects and Foley for Feature Film | 2018 | Peter
Best Performance in a Movie | 2018 | Ansel
Best Film Editing | 2018 | Jonathan
Best Performance in a Feature Film Supporting Young Actor | 2018 | Brogan
Best Film | 2017
Feature | 2017 | Roberto De
Most Memorable Scene in a Movie | 2017
Most Underrated Movie of the Year | 2017
Best Action Sequence of the Year | 2017
Biggest Surprise of the Year | 2017
Favorite Movie Poster of the Year | 2017
Best DVD/Blu-Ray of the Year | 2017
Coolest Character of the Year | 2017
Best Action Movie | 2017
Best Picture | 2017
Best Editing | 2017 | Jonathan
Best Director | 2017 | Edgar
Best Film Editing | 2017 | Jonathan
Best Film Editing | 2017 | Jonathan
Special Merit for best scene cinematic technique or other memorable aspect or moment | 2017
Choice Summer Movie Star Male | 2017 | Ansel
Feature Film | 2017 | Roberto De
Most Anticipated of 2017 | 2016
Budget 34,000,000 USD
Box Office Collection 226,945,087 USD
Director Edgar Wright once parked his car in a parking garage, only to realize that, by complete coincidence, the car next to him had a stylized "BABY ON BOARD" sign, with Baby's (Ansel Elgort) face taken from the movie poster. Wright left a note on the car's windshield that read, "From the director of Baby Driver, I approve!!!", complete with autograph.
The Mike Myers masks actually were supposed to be the masks of Michael Myers from the Halloween series but the producers were unable to obtain legal permission. Edgar Wright then reached out to the comedian Mike Myers about using masks of his likeness instead, who thought the scene was funny and gave his blessing. This is ironic because the original Michael Meyers masks were also masks obtained without getting the proper permission. John Carpenter bought a William Shatner/Captain Kirk mask from a Halloween store, and painted it white to give it a creepy look.
The studio pressured Edgar Wright to cut the foot chase scene because the movie was starting to go over-budget. Wright deferred a portion of his directing fee to ensure the scene was completed.
Director of photography Bill Pope called the movie "a postmodern musical", stating that "there's not singing and dancing in the street but the world acts to music."
The song "Easy" by The Commodores was requested for the movie by Ansel Elgort after Edgar Wright asked him if there were any songs he knew by heart.
"Baby: You and I are a team, Doc. Doc: Don't feed me any more lines from Monsters Inc. It pisses me off. Doc: It's one of Samm 's favourite."
"Griff: If you don't see me again, it's because I'm dead."
