Movie |
Mission Of Murder | Washington Dc, Usa
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Best Screenplay | 1998 | Warren
Best Writing Screenplay Written Directly for the Screen | 1999 | Jeremy
Best Screenplay Motion Picture | 1999 | Warren
Best Motion Picture Comedy or Musical | 1999
Best Performance by an Actor in a Motion Picture Comedy or Musical | 1999 | Warren
Best Instrumental Composition Written for a Motion Picture or for Television | 1999 | Ennio
Best Rap Performance by a Duo or Group | 1999 | Mýa
1998 | Warren
Best Screenplay | 1999 | Jeremy
Best Sound Editing Dialogue ADR | 1999
Best Sound Editing Music Foreign Domestic | 1999
Outstanding Lead Actress in a Motion Picture | 1999 | Halle
Outstanding Supporting Actor in a Motion Picture | 1999 | Don
Best Screenplay Written Directly for the Screen | 1999 | Warren
Soundtrack of the Year | 1999
Best Picture | 1999
Best Actor in a Motion Picture Comedy or Musical | 1999 | Warren
Expos | 1999
Best Music Original ComedyMusical Score | 1999 | Ennio
Best ComedyMusical Actor | 1999 | Warren
Budget 30,000,000 USD
Box Office Collection 29,202,884 USD
Many objected against Warren Beatty hiring Composer Ennio Morricone to write the score for the film. One of the reasons was his hefty fee of about a million dollars and Beatty eventually won out over his producers. Despite all of this, Morricone only has a little more than ten minutes of his complete score featured in the final cut of the film which largely dominated by rap music and other source music. Morricone was not pleased with the end results of the film and what Beatty had done to his score.
Warren Beatty held a private screening of this film for Professor Cornel West. Beatty was unsure if he wanted to release the film and asked West's opinion. West praised the film and told Beatty that it needed to be seen.
Aaron Sorkin and James Toback did a great deal of uncredited work on the script.
Co-screenwriter Warren Beatty was described by writing partner Jeremy Pikser and biographer Peter Biskind as so insecure about his script that he went to former collaborator Elaine May with the script. She told him it wasn't any good but Beatty suspected that because May was writing the script to a rival political satire, Primary Colors (1998), that she was looking out for her own interests.
There was a sequel in development named, "Bulworth 2000," satirizing the 2000 Presidential Election, that was canceled.
"Sen. Jay Billington Bulworth: Obscenity? The rich is getting richer and richer and richer while the middle class is getting more poor/ Making billions and billions and billions of bucks/ well my friend if you weren't already rich at the start well that situation just sucks/cause the riches mother fucker in five of us is getting ninety fuckin eight percent of it/ and every other motherfucker in the world is left to wonder where the fuck we went with it/ Obscenity?/ I'm a Senator/ I gotta raise $10,000 a day every day I'm in Washington/ I ain't getting it in South Central/ I'm gettin it in Beverly Hills/ So I'm votin from them in the Senate the way they want me too/ and-and-and I'm sending them my bills/ But we got babies in South Central dying as young as they do in Peru/ We got public schools that are nightmares/ We got a Congress that ain't got a clue/We got kids with submachine guns/ We got militias throwing bombs/ We got Bill just gettin all weepy/ We got Newt blaming teenage moms/We got factories closing down/ Where the hell did all the good jobs go? Well, I'll tell you where they went/My contributors make more profits makin, makin, makin, Hirin' kids in Mexico/ Oh a brother can work in fast food/ If he can't invent computer games/ But what we used to call America/ That's going down the drains/How's a young man gonna meet his financial responsibilities workin and motherfuckin Burger King? He ain't! And please don't even start with that school shit/ There aint no education going on up in that motherfucker/ Obscenity? We got a million brothers in prison/ I mean, the walls are really rockin/But you can bet your ass they'd all be out/If they could pay for Johnny Cochran/ The constitution is supposed to give them an equal chance/ Well, that ain't gonna happen for sure/ Ain't it time to take a little from the rich motherfucker and give a little to the poor? I mean, those boys over there on the monitor/ they want a government smaller and weak/ but the be speakin for the riches 20 percent when they pretend they're defendin the meek/ Now, shit, fuck, cocksuker, that's the real obscenity/ Black folks livin with every day/ Trying to believe a mothefuckin word Democrats and Republicans say/ Obscenity? I'm Jay Billington Bulworth And I've come to say/ The Democratic party's got some shit to pay/ It's gonna pay it in the ghetto/ It's gonna pay it in the... [talks a little] Sen. Jay Billington Bulworth: You know the guy in the booth who's talking to you in that tiny little earphone? He's afraid the guys at network are gonna tell him that he's through/ If he lets a guy keep talking like I'm talking to you/ Cause the corporations got the networks and they get to say who gets to talk about the country and who's crazy today/ I would cut to a commercial if you still want this job/ Because you may not be back tomorrow with this cooperate mob/Cut to commercial, cut to commercial, cut to commercial. Ok ok I got a simple question that I'd like to ask of this network/ That pays you for performing this task/ How come they got the airwaves? They're the peoples aren't they? Wouldn't they be worth 70 billion to the public today? If some money-grubbin Congress didn't give them away for big campaign money? It's hopeless you see/ If you're runnin for office with out no TV/If you don't get big money/ You get a defeat/ Corporations and broadcasters make you dead meat/ You been taught in this country there's speech that is free/ But free don't get you no spots on TV/If you want to have senators not on the take/ Then give them free air time/ They won't have to fake/ Telecommunications is the name of the beast/that, that, that, that, that's eating up the world from the west to the east/ The movies, the tabloids, TV and magazines/ they tell us what to think and do/ And all our hopes and dreams/ All this information makes America phat/ But if the company's outta the country/ How American is that? But we got Americans with families that can't even buy a meal/ Ask a brother who's been downsized if he's getting any deal/ Or a white boy bustin ass til they put him in his grave/ He ain't gotta be a black boy to be livin like a slave/ Rich people have always stayed on top by dividing white people from colored people/ but white people got more in common with colored people then they do with rich people/ we just gotta eliminate them. White people, black people, brown people, yellow people, get rid of 'em all/ All we need is a voluntary, free spirited, open-ended program of procreative racial deconstruction/ Everybody just gotta keep fuckin' everybody til they're all the same color"
"Angry black woman: Are you sayin' the Democratic Party don't care about the African-American community? Sen. Jay Billington Bulworth: Isn't that OBVIOUS? You got half your kids are out of work and the other half are in jail. Do you see ANY Democrat doing anything about it? Certainly not me! So what're you gonna do, vote Republican? Come on! Come on, you're not gonna vote Republican! Let's call a spade a spade! [Loud, angry booing] Sen. Jay Billington Bulworth: I mean - come on! You can have a Billion Man March! If you don't put down that malt liquor and chicken wings, and get behind someone other than a running back who stabs his wife, you're NEVER gonna get rid of somebody like me!"
