Movie |
Cave | Cave Painting
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7.4/10
IMDbDocumentary | 2013 | Werner
Best D Documentary International | 2011 | James E.D.
Documentary Feature | 2012 | Werner
2013 | Peter
Outstanding Achievement in Original Music Score | 2012
Outstanding Achievement in Production | 2012 | Erik
Best Documentary Feature | 2012
Documentary of the Year | 2012
Documentary of the Year | 2012
Best Documentary Feature Film | 2012
Best Edited Documentary | 2012 | Joe
Best Sound Editing Sound Effects Foley Dialogue ADR and Music in a Feature Documentary | 2012 | Eric
Best Documentary | 2012 | Werner
2012 | Werner
Best Cinematography | 2012 | Peter
Best Documentary Feature Film | 2012 | Werner
Best Documentary Feature Film | 2011
Best Documentary | 2011
Best Motion Picture Documentary | 2011
Best Documentary Feature | 2011
Best Documentary | 2011
Best Documentary | 2011
Best Documentary Feature | 2011
Box Office Collection 6,467,348 USD
According to cinematographer Peter Zeitlinger in his talk at the Berlinale Talents 2015, the first 20 minutes of the film are shot with two GoPro Hero cameras taped side-to-side (one upside down), because at the time of shooting no 3D-system small enough for the cave shoot was available. The rest of the film was shot on professional, higher-quality 2k 3D-cameras with follow-focus, when they later became available.
The tap dance by Fred Astaire with his shadow is from the movie "Swing Time".
The highest-grossing independently released documentary of the year 2011 in the USA.
"Werner Herzog: In a forbidden recess of the cave, there's a footprint of an eight-year-old boy next to the footprint of a wolf. Did a hungry wolf stalk the boy? Or did they walk together as friends? Or were their tracks made thousands of years apart? We'll never know."
"Werner Herzog: The artist painted this bison with eight legs, suggesting movement - almost a form of proto-cinema."