Movie |
Social Services | Race Politics
Los Angeles citizens with vastly separate lives collide in interweaving stories of race, loss and redemption.
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Los Angeles citizens with vastly separate lives collide in interweaving stories of race, loss and redemption.
7.7/10
IMDbBest Writing Original Screenplay | 2006
Best Achievement in Film Editing | 2006
Best Motion Picture of the Year | 2006 | Paul
Best Performance by an Actress in a Supporting Role | 2006
Best Screenplay Original | 2006 | Paul
Ensemble of the Year | 2005
For and | 2006 | Terrence
Movie of the Year | 2006
Outstanding Performance by a Cast in a Motion Picture | 2006 | Ludacris
Best Foreign Film Mejor Pelcula Extranjera | 2007
Best Original Screenplay | 2006 | Paul
Outstanding Supporting Actor in a Motion Picture | 2006
Outstanding Motion Picture | 2006
Feature Film Category | 2006
Outstanding Actor in a Motion Picture | 2006 | Michael
Best Edited Feature Film Dramatic | 2006 | Hughes
2006 | Bobby
Best Foreign Film Miglior Film Straniero | 2006 | Paul
Overall PSP | 2006
Best Actress | 2006 | Thandie
Best Breakthrough Filmmaker | 2006 | Paul
Best Supporting Actor | 2006 | Terrence
Best Original Screenplay | 2005 | Paul
Best Ensemble Motion Picture | 2005
Breakout Performance Behind the Camera | 2005
Best Ensemble Cast | 2005
Best Screenplay Written Directly for the Screen | 2005 | Paul
Top Films of the Year | 2005
Breakthrough Performance For and | 2005
Best Debut as Director | 2005
Best Screenplay | 2005 | Paul
Breakthrough Performance | 2005 | Terrence
Top Ten Films | 2005
Breakthrough Performance by an Actor For and | 2005 | Terrence
Breakthrough Performance by an Actor | 2005 | Terrence
Best Screenplay of the Year | 2005 | Paul
For | 2005 | Terrence
Best Feature Film Casting Drama | 2005 | Sarah
Outstanding Motion Picture | 2005 | Don
Best Film Editing | 2005
Best Cast Ensemble | 2005
Best Original Screenplay | 2005 | Paul
Best Picture | 2005
Best Supporting Actor | 2005 | Matt
2005 | Paul
Breakthrough Directing | 2005 | Paul
Best Achievement in Music Written for Motion Pictures Original Song | 2006
Best Achievement in Directing | 2006
Best Performance by an Actor in a Supporting Role | 2006 | Matt
Best Screenplay Motion Picture | 2006
Best Performance by an Actor in a Supporting Role in a Motion Picture | 2006 | Matt
Best Editing | 2006
Best Cinematography | 2006
Best Performance by an Actor in a Supporting Role | 2006
Best Sound | 2006
Best Film | 2006 | Cathy
Best ForeignLanguage Film Melhor Filme Estrangeiro | 2007
Best Foreign Language Film | 2007
Best Foreign Film | 2006
Movies Choice Actor DramaAction Adventure For | 2006
Movies Choice Actor DramaAction Adventure | 2006 | Ludacris
Choice Rap Artist in a Movie | 2005 | Ludacris
Expos | 2006
Outstanding Producer of Theatrical Motion Pictures | 2006 | Paul
Best Music Original Song | 2006
Best Writing Screenplay Written Directly for the Screen | 2006
Best Ensemble | 2006
Best Supporting Actor | 2006 | Matt
Best Sound Editing in Feature Film Dialogue and Automated Dialogue Replacement | 2006 | Sandy
Director of the Year | 2006
Actor of the Year For | 2006
Film of the Year | 2006
Actor of the Year | 2006 | Don
Best Cast Miglior cast | 2006
Best Editing Miglior montaggio | 2006
Best Original Screenplay Miglior sceneggiatura originale | 2006
Best Supporting Actress Miglior attrice non protagonista | 2006
Best Supporting Actor Miglior attore non protagonista | 2006 | Matt
Best Original Song | 2006
Best Film Editing | 2006
Best Supporting Actress | 2006
Best Supporting Actor | 2006
Best Picture | 2006
Outstanding Supporting Actress in a Motion Picture | 2006
Outstanding Supporting Actor in a Motion Picture | 2006 | Don
Original Song | 2006
Film Editing | 2006
Supporting Actress | 2006
Supporting Actor | 2006
Motion Picture | 2006 | Paul
Best Motion Picture Screenplay | 2006 | Paul
Outstanding Achievement in Sound Mixing for Motion Pictures | 2006 | Marc
Best Picture | 2006
Actor of the Year For and | 2006 | Terrence
Actor of the Year | 2006 | Terrence
Best Supporting Actor | 2006
Best Actor | 2006
Best Supporting Actress | 2006 | Thandie
Contemporary Film | 2006 | Laurence
Outstanding Performance by a Male Actor in a Supporting Role | 2006 | Don
2006 | Paul
Best American Film rets amerikanske film | 2006 | Paul
Outstanding Directorial Achievement in Motion Pictures | 2006 | Paul
Best Overall DVD New Movie | 2006
Best Supporting Actor | 2006 | Matt
Best Screenplay | 2005 | Paul
Best Picture | 2005
Outstanding DVD Extras | 2005
Outstanding Original Song | 2005
Outstanding Screenplay Original | 2005 | Paul
Best Picture | 2005
International Film Award | 2005
Best Ensemble Performance | 2005 | Sandra
Most Memorable Scene in a Movie | 2005
Breakthrough Performance of the Year | 2005
Best Supporting Actress of the Year | 2005
Best Supporting Actor of the Year | 2005
Biggest Surprise of the Year | 2005
Favorite Movie of the Year | 2005
Best Foreign Independent Film | 2005
Outstanding Performance by an Actress in a Supporting Role | 2005
Outstanding Performance by an Actor in a Supporting Role | 2005
Outstanding Performance by an Actor in a Leading Role | 2005 | Don
Best Actress in a Supporting Role | 2005
Best Actor in a Supporting Role | 2005
Best Motion Picture | 2005 | Don
2005 | Paul
Budget 6,500,000 USD
Box Office Collection 98,400,000 USD
Paul Haggis holds the distinction of being the only person ever to write the screenplay for two consecutive Best Picture winners. He also wrote the previous year's Best Picture winner, Million Dollar Baby (2004).
One of the things that inspired the movie was that director Paul Haggis was carjacked himself.
With only a budget of $6 million for this film, director Paul Haggis had to cut the costs by using his own house for scenes and even his own car for other scenes.
The Cabot house was actually director Paul Haggis' own house.
For the scene in which Daniel is trying to convince his daughter to get out from under the bed, director Paul Haggis directed Michael Peña, who plays Daniel, to talk to her like he would talk to a guy in a bar.
"[first lines] Graham: It's the sense of touch. In any real city, you walk, you know? You brush past people, people bump into you. In L.A., nobody touches you. We're always behind this metal and glass. I think we miss that touch so much, that we crash into each other, just so we can feel something."
"Anthony: Look around! You couldn't find a whiter, safer or better lit part of this city. But this white woman sees two black guys, who look like UCLA students, strolling down the sidewalk and her reaction is blind fear. I mean, look at us! Are we dressed like gang-bangers? Huh? No. Do we look threatening? No. Fact, if anybody should be scared around here, it's us: We're the only two black faces surrounded by a sea of over-caffeinated white people, patrolled by the triggerhappy LAPD. So you tell me, why aren't we scared? Peter: Because we have guns? Anthony: You could be right."