Movie |
Fugitive | Beach
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Best SciFiFantasyHorror Ensemble | 1999
Best SciFiFantasyHorror Picture | 1999 | Alex
Best Production Design | 1999 | Michelle
Best Screenplay Original | 1999
Best Science Fiction Film | 1999
1999 | Alex
Screenplay | 1998 | Alex
1998 | Alex
Best Makeup and Hairstyling | 1999 | Lesley
Best Sound Mixing | 1999
Best Sound Effects Editing | 1999 | Gareth
Best SciFiFantasyHorror Actor | 1999 | Rufus
Best SciFiFantasyHorror Actress | 1999 | Jennifer
Best Music Original SciFiFantasyHorror Score | 1999 | Trevor
Best DVD Special Edition Release | 2009
Best Writer | 1999
Best Director | 1999 | Alex
Best Special Effects | 1999 | Mara
Best MakeUp | 1999 | Bob
Best Costumes | 1999 | Liz
Best Foreign Film | 1999
Best Supporting Actor | 1999 | Richard
Best Supporting Actress | 1999 | Jennifer
Best Score | 1999 | Trevor
Best Dramatic Presentation | 1999
Best Movie | 1999
Best Original Score for a HorrorThriller Film | 1998 | Trevor
Budget 27,000,000 USD
Box Office Collection 27,200,316 USD
A number of pieces of the set, including those used for the rooftop chase, were sold to the production of The Matrix (1999) at the end of shooting.
There were many deliberate anachronisms to give the viewer a feeling of confusion about the time period of the film.
New Line Cinema forced Alex Proyas to include the opening narration by Kiefer Sutherland, which gives away several plot reveals. Proyas objected to it, saying it was unnecessary, and he subsequently removed the narration from his director's cut.
Has one of the shortest Average shot lengths (ASL) of any modern narrative production at 1.8 seconds. This means there is a cut almost every 2 seconds.
An over-sized version of Dr. Schreber's syringe (roughly a yard long) was built for the close up shots of the needle being extended so that its surface details would be visible in the focal plane of the camera lens.
"Dr. Schreber: I call them the Strangers. They abducted us and brought us here. This city, everyone in it... is their experiment. They mix and match our memories as they see fit, trying to divine what makes us unique. One day, a man might be an inspector. The next, someone entirely different. When they want to study a murderer, for instance, they simply imprint one of their citizens with a new personality. Arrange a family for him, friends, an entire history... even a lost wallet. Then they observe the results. Will a man, given the history of a killer, continue in that vein? Or are we, in fact, more than the sum of our memories?"
"John Murdoch: When was the last time you remember doing something during the day? Inspector Frank Bumstead: What do you mean? John Murdoch: I just mean during the day. Daylight. When was the last time you remember seeing it? And I'm not talking about some distant, half-forgotten childhood memory, I mean like yesterday. Last week. Can you come up with a single memory? You can't, can you? You know something, I don't think the sun even... exists... in this place. 'Cause I've been up for hours, and hours, and hours, and the night never ends here."
