Movie |
Marriage Crisis | Melancholy
Hong Kong, 1962: Chow Mo-Wan (Tony Leung Chiu Wai) and Su Li-Zhen (Maggie Cheung Man Yuk) move into neighboring apartments on the same day. Their encounters are formal and polite—until a discovery about their spouses creates an intimate bond between them. Directed by Wong Kar-wai. Starring Tony Leung Chiu-wai, Maggie Cheung, Rebecca Pan in the lead roles.
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Hong Kong, 1962: Chow Mo-Wan (Tony Leung Chiu Wai) and Su Li-Zhen (Maggie Cheung Man Yuk) move into neighboring apartments on the same day. Their encounters are formal and polite—until a discovery about their spouses creates an intimate bond between them. Directed by Wong Kar-wai. Starring Tony Leung Chiu-wai, Maggie Cheung, Rebecca Pan in the lead roles.
Best Foreign Film Mejor Pelcula Extranjera | 2002
Best Foreign Film Mejor Pelcula Extranjera | 2002 | Wong
Best Foreign Film Melhor Filme Estrangeiro | 2002 | Wong
Best Foreign Director Melhor Diretor Estrangeiro | 2002 | Wong
Best Foreign Actress Melhor Atriz Estrangeira | 2002 | Maggie
Best Actor | 2000 | Tony Leung
Best Film | 2000
Best Foreign Film Melhor Filme Estrangeiro | 2002 | Wong
Best Foreign Director Melhor Diretor Estrangeiro | 2002 | Wong
Best Foreign Film | 2002
Best Foreign Independent Film Foreign Language | 2001
Best Actor | 2001 | Tony Leung
Best Actress | 2001 | Maggie
Best Cinematography | 2001 | Mark Lee
Best Foreign Film Meilleur film tranger | 2001 | Wong
2001 | Maggie
2001 | Wong
Best Cinematography | 2001 | Christopher
Best Actor | 2001 | Tony Leung
Best Actress | 2001 | Maggie
Best Film Editing | 2001 | William
Best Art Direction | 2001 | William
Best Costume Make Up Design | 2001 | William
2001
Best Director | 2001 | Wong
Best Foreign Language Film | 2001
Best Film | 2001
2001 | Wong
Best Cinematography | 2001 | Mark Lee
2000 | Tony Leung
2000 | William
2000 | Wong
Best Leading Actress | 2000 | Maggie
Best Cinematography | 2000 | Mark Lee
Best Makeup Costume Design | 2000 | William
2000 | Wong
Best Foreign Film Mejor Pelcula Extranjera | 2002 | Wong
Best Film not in the English Language | 2001 | Wong
Best Film of the Decade | 2009
Best Film of the Decade | 2009
Best NonAmerican Film Bedste ikke amerikanske film | 2002 | Wong
Best Foreign Language Film | 2002
Best Original Score | 2002 | Shigeru
Best Cinematography | 2002 | Mark Lee
Best Actor | 2002 | Tony Leung
Best Actress | 2002 | Maggie
Best Director | 2002 | Wong
Best Original Screenplay | 2002 | Wong
Best ForeignLanguage Film | 2002
Best Foreign Language Film | 2002
2001 | Wong
Best Foreign Language Film | 2000
Best Foreign Film Miglior Film Straniero | 2001 | Wong
Best Foreign Film | 2001 | Wong
Best Picture | 2001
Best Director | 2001 | Wong
Best Actor | 2001 | Tony Leung
Best Actress | 2001 | Maggie
Best Supporting Actress | 2001 | Rebecca
Best Picture | 2001
Best Director | 2001 | Wong
Best Screenplay | 2001 | Wong
Best Supporting Actress | 2001
Best New Performer | 2001 | Siu
Best Cinematography | 2001 | Mark Lee
Best Original Film Score | 2001 | Michael
Foreign Language Film of the Year | 2001
Best Foreign Film | 2001 | Wong
Best Film | 2000
Best Film | 2000 | Wong
2000 | Wong
Best Feature Film | 2000
Best Leading Actor | 2000 | Tony Leung
Best Director | 2000 | Wong
Best Original Screenplay | 2000 | Wong
Best Art Direction | 2000 | William
Best Original Film Score | 2000 | Michael
Budget 3,000,000 USD
Box Office Collection 15,867,968 USD
Director Kar-Wai Wong was shooting the ending and editing the film a little over a week before its debut at Cannes.
Filming was shifted from Beijing to Macau after Chinese authorities demanded to see the completed script. Director Kar-Wai Wong never used scripts.
Maggie Cheung wears a different cheongsam dress in each scene. There were 46 dresses in total, though not all made it to the final cut.
Maggie Cheung's hair and makeup took five hours each day to apply.
Though Alejandro G. Iñárritu and his wife saw this film at the Cannes Film Festival in 2000, 20 years later he was still so moved by that he describes how after viewing it they "walked in complete silence for almost 10 minutes. We suddenly stopped by the sea. Maria hugged me and started crying inconsolably on my shoulder. And I did the same on hers. 'In the Mood for Love' had left us speechless and deeply moved. It was that moment that reminded me why... I wanted to become filmmaker."
"Caption: He remembers those vanished years. As though looking through a dusty window pane, the past is something he could see, but not touch. And everything he sees is blurred and indistinct."
"Chow Mo-wan: In the old days, if someone had a secret they didn't want to share... you know what they did? Ah Ping: Have no idea. Chow Mo-wan: They went up a mountain, found a tree, carved a hole in it, and whispered the secret into the hole. Then they covered it with mud. And leave the secret there forever. Ah Ping: What a pain! I'd just go to get laid. Chow Mo-wan: Not everyone's like you."
