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Street scenes and special points in Los Angeles played a major role in the film, but with a limited budget and not always the opportunity or time to apply for permission to film at a rare corner, the team applied so-called guerrilla filmmaking to pimp the images and scenes just right.
Peter Bogdanovich's character session codas, layered over the narrative through-out the movie, embody the very voice of the New Age-tinged mindset driving most of the city's millennials.
The canvas in which Priscilla (Arielle Brachfeld) wanders is an atmospheric one, where the look, writing and tone create the sort of eerie yet addictive experience of a David Lynch film.
