Movie |
Fashion Show | London, England
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Best Achievement in Costume Design | 2018 | Mark
Best Costume Design | 2018 | Mark
Best Actress | 2018 | Vicky
Best Supporting Actress | 2018 | Lesley
Best Original Screenplay | 2018 | Paul Thomas
Best Original Score | 2018 | Jonny
Best Director | 2018 | Paul Thomas
Film Score of the Year | 2018 | Jonny
Best Original Score for a Drama Film | 2018 | Jonny
Best Director | 2018 | Paul Thomas
Best Costume Design | 2018 | Mark
Best Original Score | 2018 | Jonny
Best Original Score Grand Prix | 2018 | Jonny
Supporting Actress of the Year | 2018 | Lesley
Best Costume Design | 2018 | Mark
2018 | Paul Thomas
Best Costume Design | 2018 | Mark
Best Costume Design | 2017 | Mark
Best Original Score | 2017 | Jonny
Best Director | 2017 | Paul Thomas
Best Music | 2017 | Jonny
Best Screenplay | 2017 | Paul Thomas
Top Films of the Year | 2017
Best Actor | 2017 | Daniel
Best Score | 2017 | Jonny
Best Costume Design | 2017 | Mark
Best Original Score | 2017 | Jonny
Best Actor | 2017 | Daniel
Best Costume Design | 2017 | Mark
Best Original Score | 2017 | Jonny
Best Score | 2017 | Jonny
Best Actor | 2017 | Daniel
Best Film | 2019 | Paul Thomas
Best Foreign Film | 2019 | Paul Thomas
Best Foreign Actor Melhor Ator Estrangeiro | 2019 | Daniel
Best Costume Design | 2018 | Mark
Best Performance by an Actor in a Leading Role | 2018 | Daniel
Best Motion Picture of the Year | 2018
Best Screenplay | 2018 | Paul Thomas
Most Wanted Movie | 2018
Costume Design | 2018 | Mark
Best Romance TV Spot | 2018
Best Actress in a Foreign Film Millor actriu en pellcula estrangera | 2019 | Vicky
Best Male Voice | 2018
Best Motion Picture of the Year | 2018 | Daniel
Best Performance by an Actor in a Leading Role | 2018 | Daniel
Best Performance by an Actress in a Supporting Role | 2018 | Lesley
Best Achievement in Music Written for Motion Pictures Original Score | 2018 | Jonny
Best Achievement in Directing | 2018 | Paul Thomas
Best Original Score Motion Picture | 2018 | Jonny
Best Performance by an Actor in a Motion Picture Drama | 2018 | Daniel
Original Music | 2018 | Jonny
Best Supporting Actress | 2018 | Lesley
Best Leading Actor | 2018 | Daniel
Best Screenplay | 2018 | Paul Thomas
Best Director | 2018 | Paul Thomas
Best Actress | 2018 | Vicky
Best Actor | 2018 | Daniel
Costume Design of the Decade | 2020 | Mark
Original Score of the Decade | 2020 | Jonny
Lead Actor | 2018 | Daniel
Original Score | 2018 | Jonny
Best Foreign Film Not in the Spanish Language Mejor Pelcula Extranjera | 2019 | Paul Thomas
2019 | Paul Thomas
Best Foreign Film Mejor Pelcula Extranjera | 2019 | Paul Thomas
Best Costume Design International Competition | 2019 | Mark
Best Foreign Film Meilleur Film tranger | 2019
Best Foreign Film Miglior Film Straniero | 2019 | Paul Thomas
Best European Film Millor Pellcula Europea | 2019 | Paul Thomas
Best European Film Mejor Pelcula Europea | 2019 | Paul Thomas
Best Foreign Film | 2019 | Paul Thomas
Best Foreign Film Millor pellcula estrangera | 2019 | Paul Thomas
Best Lead Actor | 2018 | Daniel
Best Film | 2018 | Paul Thomas
Main Competition | 2018 | Paul Thomas
Best Use of Music in a Film | 2018 | Linda
Excellence in Period Film | 2018 | Mark
Best Actor | 2018 | Daniel
Best Score | 2018 | Jonny
Best Production Design | 2018 | Véronique
Best Actor | 2017 | Daniel
Best Original Score | 2018 | Jonny
Best Director | 2017 | Paul Thomas
Best Use of Music | 2017
Best Achievement in Directing | 2018 | Paul Thomas
Best Performance by an Actress in a Leading Role | 2018 | Vicky
Best Performance by an Actress in a Supporting Role | 2018 | Lesley
Best Production Design | 2018 | Mark
Best Ensemble Performance | 2018 | Brian
Best Original Score | 2018 | Jonny
Best Picture | 2018
Best Actor | 2018 | Daniel
Best Actress | 2018 | Vicky
Best Supporting Actress | 2018 | Lesley
Best Original Screenplay | 2018 | Paul Thomas
Best Production Design | 2018 | Mark
Outstanding Locations in a Period Film | 2018 | Jason
Film of the Year | 2018
Screenwriter of the Year | 2018 | Paul Thomas
Actor of the Year | 2018 | Daniel
BritishIrish Actor of the Year | 2018 | Daniel
Technical Achievement of the Year | 2018 | Mark
Best Supporting Actress | 2018 | Lesley
Best Actor | 2018 | Daniel
Best Screenplay | 2018 | Paul Thomas
Best Film | 2018
Best Director | 2018 | Paul Thomas
Best Support Actress | 2018 | Lesley
Best Actor in a Motion Picture | 2018 | Daniel
Best Art Direction Production Design | 2018
Feature Film | 2018 | Colin
Best Foreign Film | 2018
Film Composer of the Year | 2018 | Jonny
Best Motion Picture | 2017 | Daniel
Best Actor in a Leading Role | 2017 | Daniel
Best Actress in a Supporting Role | 2017 | Lesley
Best Production Design | 2017 | Véronique
Best Original Score | 2017 | Jonny
Best Film | 2017
Best Actress | 2017 | Vicky
Best Actress | 2017 | Vicky
Best Actor | 2017 | Daniel
Best Supporting Actress | 2017 | Lesley
Best Original Screenplay | 2017 | Paul Thomas
Best Art DirectionProduction Design | 2017
Best Actor | 2017 | Daniel
Best Film | 2017
Best Lead Actor | 2017 | Daniel
Best Screenplay | 2017 | Paul Thomas
Best Cinematography | 2017 | Paul Thomas
Best Supporting Actress | 2017 | Lesley
Most Anticipated of | 2016
Best Score | 2017 | Jonny
Best Picture | 2017
Best Director | 2017 | Paul Thomas
Best Original Screenplay | 2017 | Paul Thomas
Best Actor | 2017 | Daniel
Best Supporting Actress | 2017 | Lesley
Best Picture | 2017
Best Production Design | 2017 | Véronique
Best Picture | 2017
Best Supporting Actress | 2017 | Lesley
Best Director | 2017 | Paul Thomas
Best Lead Performance | 2017 | Vicky
Best Supporting Performance | 2017 | Lesley
Best Screenplay | 2017 | Paul Thomas
Best Actor | 2017 | Daniel
Budget 35,000,000 USD
Box Office Collection 47,756,590 USD
Director Paul Thomas Anderson got the initial idea for the film while he was sick in bed one day. His wife, Maya Rudolph, was tending to him and gave him a look that made him realize that she had not looked at him with such tenderness and love in a long time.
Director Paul Thomas Anderson said his favorite line in the film was "The tea is going out; the interruption is staying right here with me."
The Spanish fashion designer Cristóbal Balenciaga's relation with his work and the way he led his life, with director Paul Thomas Anderson's words, "monastic life," inspired the character of Reynolds Woodcock.
In preparation for the film, Daniel Day-Lewis watched archival footage of 1940s and 1950s fashion shows, studied famous designers, consulted with the curator of fashion and textiles at the Victoria and Albert Museum in London, and apprenticed under Marc Happel, head of the costume department at the New York City Ballet. He also learned how to sew, and he practiced on his wife Rebecca Miller, trying to recreate a Balenciaga sheath dress that was inspired by a school uniform.
Vicky Krieps did not meet Daniel Day-Lewis until her first day on set. As Day-Lewis famously stays in character during production of his films, Krieps was instructed to refer to him as "Reynolds" for the duration of filming. In multiple interviews promoting the film, Krieps still referred to Day-Lewis as "Reynolds."
"Reynolds Woodcock: Kiss me, my girl, before I'm sick."
"Reynolds Woodcock: The tea is going out. The interruption is staying right here with me."
