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![PHANTOM THREAD - Official Trailer [HD] - In Select Theaters Christmas](https://img.youtube.com/vi/xNsiQMeSvMk/mqdefault.jpg)
Best Achievement in Costume Design | 2018 | Mark Bridges
Best Costume Design | 2018 | Mark Bridges
Supporting Actress of the Year | 2018 | Lesley Manville
Best Supporting Actress | 2018 | Lesley Manville
Best Director | 2018 | Paul Thomas Anderson
Best Original Screenplay | 2018 | Paul Thomas Anderson
Best Actress | 2018 | Vicky Krieps
Best Original Score | 2018 | Jonny Greenwood
Best Foreign Actor Melhor Ator Estrangeiro | 2019 | Daniel Day-Lewis
Best Foreign Film | 2019 | Paul Thomas Anderson
Best Actor | 2017 | Daniel Day-Lewis
Best Original Score | 2017 | Jonny Greenwood
Best Costume Design | 2017 | Mark Bridges
Best Performance by an Actor in a Leading Role | 2018 | Daniel Day-Lewis
Best Screenplay | 2018 | Paul Thomas Anderson
Best Actor | 2017 | Daniel Day-Lewis
Best Actor | 2017 | Daniel Day-Lewis
Best Film | 2019 | Paul Thomas Anderson
2018 | Paul Thomas Anderson
Best Director | 2017 | Paul Thomas Anderson
Best Director | 2017 | Paul Thomas Anderson
Best Original Score | 2017 | Jonny Greenwood
Best Screenplay | 2017 | Paul Thomas Anderson
Best Director | 2018 | Paul Thomas Anderson
Best Original Score | 2018 | Jonny Greenwood
Best Costume Design | 2018 | Mark Bridges
Best Director | 2017 | Paul Thomas Anderson
Best Original Screenplay | 2017 | Paul Thomas Anderson
Best Actress in a Foreign Film Millor actriu en pellcula estrangera | 2019 | Vicky Krieps
Best Original Score | 2017 | Jonny Greenwood
Best Score | 2017 | Jonny Greenwood
Film Score of the Year | 2018 | Jonny Greenwood
Best Original Score for a Drama Film | 2018 | Jonny Greenwood
Best Original Score | 2017 | Jonny Greenwood
Best Score | 2017 | Jonny Greenwood
Best Original Score Grand Prix | 2018 | Jonny Greenwood
Best Music | 2017 | Jonny Greenwood
Best Original Score | 2017 | Jonny Greenwood
Best Costume Design and Makeup | 2017 | Mark Bridges
Costume Design | 2018 | Mark Bridges
Best Costume Design | 2017 | Mark Bridges
Best Costume Design | 2018 | Mark Bridges
Best Costume Design | 2018 | Mark Bridges
Best Costume Design | 2018 | Mark Bridges
Best Costume Design | 2017 | Mark Bridges
Best Performance by an Actress in a Supporting Role | 2018 | Lesley Manville
Best Performance by an Actor in a Leading Role | 2018 | Daniel Day-Lewis
Best Achievement in Directing | 2018 | Paul Thomas Anderson
Best Motion Picture of the Year | 2018 | Daniel Lupi
Best Achievement in Music Written for Motion Pictures Original Score | 2018 | Jonny Greenwood
Best Performance by an Actor in a Motion Picture Drama | 2018 | Daniel Day-Lewis
Best Original Score Motion Picture | 2018 | Jonny Greenwood
Best Supporting Actress | 2018 | Lesley Manville
Best Leading Actor | 2018 | Daniel Day-Lewis
Original Music | 2018 | Jonny Greenwood
Best Supporting Actress | 2018 | Lesley Manville
Best Actor | 2018 | Daniel Day-Lewis
Best Screenplay | 2018 | Paul Thomas Anderson
Best Director | 2018 | Paul Thomas Anderson
Best Supporting Actress | 2017 | Lesley Manville
Best Production Design | 2017 | Mark Tildesley
Best Supporting Actress | 2018 | Lesley Manville
Best Actor | 2018 | Daniel Day-Lewis
Best Original Screenplay | 2018 | Paul Thomas Anderson
Best Actress | 2018 | Vicky Krieps
Best Production Design | 2018 | Mark Tildesley
Best Supporting Actress | 2017 | Lesley Manville
Best Actor | 2017 | Daniel Day-Lewis
Best Original Screenplay | 2017 | Paul Thomas Anderson
Best Actress | 2017 | Vicky Krieps
Best Supporting Actress | 2017 | Lesley Manville
Best Lead Actor | 2017 | Daniel Day-Lewis
Best Screenplay | 2017 | Paul Thomas Anderson
Best Cinematography | 2017 | Paul Thomas Anderson
Best Supporting Actress | 2017 | Lesley Manville
Best Supporting Actress | 2017 | Lesley Manville
Best Production Design | 2017 | Véronique Melery
Best Ensemble Performance | 2018 | Camilla Rutherford
Best Performance by an Actress in a Supporting Role | 2018 | Lesley Manville
Best Achievement in Directing | 2018 | Paul Thomas Anderson
Best Performance by an Actress in a Leading Role | 2018 | Vicky Krieps
Best Production Design | 2018 | Véronique Melery
Best Support Actress | 2018 | Lesley Manville
Best Supporting Actress | 2017 | Lesley Manville
Best Director | 2017 | Paul Thomas Anderson
Best Supporting Actress | 2018 | Lesley Manville
Best Actor | 2018 | Daniel Day-Lewis
Best Supporting Performance | 2017 | Lesley Manville
Best Lead Performance | 2017 | Vicky Krieps
Best Screenplay | 2017 | Paul Thomas Anderson
Best Actress in a Supporting Role | 2017 | Lesley Manville
Best Actor in a Leading Role | 2017 | Daniel Day-Lewis
Best Motion Picture | 2017 | Daniel Lupi
Best Original Score | 2017 | Jonny Greenwood
Best Production Design | 2017 | Véronique Melery
Best Actor | 2017 | Daniel Day-Lewis
Best Actor | 2017 | Daniel Day-Lewis
Best Actor | 2018 | Daniel Day-Lewis
Best Screenplay | 2018 | Paul Thomas Anderson
Best Director | 2018 | Paul Thomas Anderson
Best Actress | 2018 | Vicky Krieps
Lead Actor | 2018 | Daniel Day-Lewis
Original Score of the Decade | 2020 | Jonny Greenwood
Original Score | 2018 | Jonny Greenwood
Costume Design of the Decade | 2020 | Mark Bridges
Best Actor | 2017 | Daniel Day-Lewis
Best Director | 2017 | Paul Thomas Anderson
Best Original Score | 2018 | Jonny Greenwood
Actor of the Year | 2018 | Daniel Day-Lewis
BritishIrish Actor of the Year | 2018 | Daniel Day-Lewis
Screenwriter of the Year | 2018 | Paul Thomas Anderson
Technical Achievement of the Year | 2018 | Mark Bridges
Best Lead Actor | 2018 | Daniel Day-Lewis
Best Actor | 2018 | Daniel Day-Lewis
Best Score | 2018 | Jonny Greenwood
Best Production Design | 2018 | Véronique Melery
Best Actor | 2017 | Daniel Day-Lewis
Best Actor | 2018 | Daniel Day-Lewis
Best Music Original Score | 2018 | Jonny Greenwood
Best Actor in a Motion Picture | 2018 | Daniel Day-Lewis
Best Foreign Film Mejor Pelcula Extranjera | 2019 | Paul Thomas Anderson
Best Director | 2017 | Paul Thomas Anderson
Best Original Screenplay | 2017 | Paul Thomas Anderson
Best Foreign Film Miglior Film Straniero | 2019 | Paul Thomas Anderson
Best Film | 2018 | Paul Thomas Anderson
Main Competition | 2018 | Paul Thomas Anderson
2019 | Paul Thomas Anderson
Best European Film Millor Pellcula Europea | 2019 | Paul Thomas Anderson
Best Foreign Film Millor pellcula estrangera | 2019 | Paul Thomas Anderson
Best European Film Mejor Pelcula Europea | 2019 | Paul Thomas Anderson
Best Foreign Film | 2019 | Paul Thomas Anderson
Best Foreign Film Not in the Spanish Language Mejor Pelcula Extranjera | 2019 | Paul Thomas Anderson
Best Actress | 2017 | Vicky Krieps
Best Score | 2018 | Jonny Greenwood
Film Composer of the Year | 2018 | Jonny Greenwood
Best Score | 2017 | Jonny Greenwood
Best Art DirectionProduction Design | 2017 | Véronique Melery
Best Original Score | 2018 | Jonny Greenwood
Best Score | 2017 | Jonny Greenwood
Best Use of Music in a Film | 2018 | Linda Cohen
Feature Film | 2018 | Colin Anderson
Best Costume Design International Competition | 2019 | Mark Bridges
Excellence in Period Film | 2018 | Mark Bridges
Outstanding Locations in a Period Film | 2018 | Jason Wheeler
Budget 35,000,000 USD
Box Office Collection 47,756,590 USD
Director Paul Thomas Anderson got the initial idea for the film while he was sick in bed one day. His wife, Maya Rudolph, was tending to him and gave him a look that made him realize that she had not looked at him with such tenderness and love in a long time.
Director Paul Thomas Anderson said his favorite line in the film was "The tea is going out; the interruption is staying right here with me."
The Spanish fashion designer Cristóbal Balenciaga's relation with his work and the way he led his life, with director Paul Thomas Anderson's words, "monastic life," inspired the character of Reynolds Woodcock.
In preparation for the film, Daniel Day-Lewis watched archival footage of 1940s and 1950s fashion shows, studied famous designers, consulted with the curator of fashion and textiles at the Victoria and Albert Museum in London, and apprenticed under Marc Happel, head of the costume department at the New York City Ballet. He also learned how to sew, and he practiced on his wife Rebecca Miller, trying to recreate a Balenciaga sheath dress that was inspired by a school uniform.
Vicky Krieps did not meet Daniel Day-Lewis until her first day on set. As Day-Lewis famously stays in character during production of his films, Krieps was instructed to refer to him as "Reynolds" for the duration of filming. In multiple interviews promoting the film, Krieps still referred to Day-Lewis as "Reynolds."
"Reynolds Woodcock: Kiss me, my girl, before I'm sick."
"Reynolds Woodcock: The tea is going out. The interruption is staying right here with me."
