Movie |
Memory Loss | Artificial Intelligence
Disclaimer: All content and media belong to original content streaming platforms/owners like Netflix, Disney+ Hotstar, Amazon Prime Videos, JioCinema, SonyLIV etc. 91mobiles entertainment does not claim any rights to the content and only aggregate the content along with the service providers links.
Production Design | 2017
Sound Design | 2017
Screenplay | 2017
Cinematography | 2017
ArtsEntertainment ProgramSpecial | 2019
Best Short Film Emerging Filmmaker | 2018
Best Supporting Actress Short | 2018
Best Short Film | 2018
Best SciFi Fantasy Short | 2017
The Tobe Award Best Genre Filmmaker | 2017 | Cameo
Best SciFi Short Film | 2017
Best Film | 2017
Best Writing | 2017
Best Film | 2018
Best SciFi | 2018
2017 | Cameo
Honorable Mentions | 2017
Best Visual Effects | 2017
Best Short Film | 2017
Best Director | 2017 | Cameo
Best Scifi | 2017 | Cameo
Best SciFi | 2017
Best SciFi Short | 2017
Visual FX | 2017
Outstanding Narrative Short Film | 2017
Best Jury Film | 2017
Festival Winner | 2016
Best Short | 2016
Best Screenplay | 2020
Best Animated Sequence | 2018
Originality in Cinema | 2018
Narrative | 2017 | Cameo
Best Short Film | 2017 | Cameo
Best FantasySciFi Short | 2018
Best Short Script | 2017 | Cameo
Best US Actress Short | 2017 | Tamlyn
Best FX Short | 2017
Best Director Short | 2017
Best Poster | 2017
Female Filmmaker of the Year | 2017 | Cameo
Tostevin Award | 2017 | Cameo
Best in Show Short | 2017 | Cameo
The Minerva Award Female Filmmaker Prize | 2017
Best Supporting Actress Short | 2017 | Cameo
Best Short Film Screenplay | 2017
Best Unproduced Script | 2017 | Cameo
Best SciFi Short Film | 2017
Best Poster | 2017
Best SciFi Short Film | 2017
Best Supporting Actress Short | 2017
The Minerva Award Female Filmmaker Prize | 2017
2017 | Cameo
Best Short | 2017 | Cameo
Best Cinematography Short Film | 2017 | Cameo
Best Short Film | 2017 | Cameo
Best Narrative Short | 2017 | Cameo
Best Short Script | 2016 | Cameo
Budget 15,000 USD
Real Artists premiered at Cinequest in 2017.
The voice of Big Semi is voiced by video game designer Tim Schafer's daughter, Lili Schafer.
Director Cameo Wood first read the short story by Ken Liu in MIT's Technology Review Science Fiction. She immediately emailed him from the plane she was on to ask about optioning it.
Cameo Wood started working on the script as early as 2013, and Tamlyn Tomita was the first person brought onto the project.
The majority of the wardrobe in the film was designed and provided by BCBGMAXAZRIA.
"Anne Palladon: In film school you probably learned that a movie is an intricate emotion-generation machine. We offer our audiences a perfectly crafted experience. We give them moments of laughter, perfectly oriented against occasions for pity. There must be exhilarating highs followed by terrifying, precipitous drops. We call these responses the "Emotional Chord". So, Sophia - how do you think we make sure our movies get the desired response? Sophia Baker: You try and empathize with the audience... And wouldn't you try to do test screenings, and use the results to... see what needs tweaking? Anne Palladon: But how do you know if your test audiences are giving you useful feedback? Too often, they tell you what they think you want to hear. Sophia Baker: You collect biological feedback from the test screenings? Anne Palladon: Oh, we do more than that. Our secret is Big Semi; the greatest auteur in the history of filmmaking. Sophia Baker: Big Semi? Anne Palladon: It's short for Big Semiotics - and this is why you had to sign the NDA. When we start to make a movie, Big Semi generates a thousand concepts by randomly picking out ideas out of a database. Sophie looks at Palladon thoughtfully. The video screen has graphic diagrams to illustrate Palladon's dialogue. Big Semi then generates a basic plot for each concept, by randomizing existing storylines - anything from classic films like Jane Eyre to current memes. It then renders a rough film based on that plot, using stock characters and dialogue, and we screen the thousand resulting films, and measure the audience response. Then Big Semi iterates on it, and we screen it again. On 1000 screens, for 200 people, 12 times a day, 365 days a year. Until it is perfect. as close as we can get to it - your edit of 'Mythos' proved we still have room to improve. Sophia Baker: I'm sorry but... all of Semaphore's films are essentially made by an AI? Anne Palladon: Its a process that works. Nudging responses to fit a known Chord is nothing more than an optimization problem, and Big Semi is very good at solving those."
"Sophia Baker: Who is that? Anne Palladon: John Henry. He built railroads in the nineteenth century. When steam-powered hammers were introduced to replace the building crews, John Henry challenged a steam hammer to a race to see who could finish faster. Sophia Baker: Did he win? Anne Palladon: Yes, He won, but as soon as the race ended he died of exhaustion. The steam hammers got faster every year, and no one ever challenged them again."