Movie
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Outstanding Achievement in Editing in a Nonfiction Film or Series for Broadcast | 2021
Bold Innovative Filmmaking | 2019 | Martin
Outstanding Editing Theatrical Feature | 2019
Outstanding Achievement in Broadcast Nonfiction Filmmaking | 2021 | Martin
Outstanding Achievement in Sound Editing Sound Effects Foley Dialogue and ADR for Documentary Feature Film | 2020 | Philip
Outstanding Achievement in Sound Editing Musical for Feature Film | 2020
Best Documentary Film | 2019 | Martin
Best Documentary | 2019
Best Music DocumentarySpecial Program | 2019
Best Documentary | 2019
"Stefan van Dorp" does not exist in real life and was created for this movie. He is played by Bette Midler's husband, Martin von Haselberg.
According to the New York Times, several of the interviews are staged, fake or scripted, including multiple clips featuring Sharon Stone and Michael Murphy, playing his character from the HBO Miniseries Tanner '88 (1988).
The movie in the beginning is The Conjuring of a Woman at the House of Robert Houdin (1896) (also known as "The Vanishing Lady") by Georges Méliès.
The bulk of the film is compiled of outtakes from Bob Dylan's film Renaldo and Clara (1978), which was filmed in conjunction with the tour.
The project came from Bob Dylan's manager, Jeff Rosen, who approached Scorsese with some of the tour's footage shortly after the completion of American Masters: No Direction Home: Bob Dylan (2005).
"Interviewer: What were the audiences like that you played to? The Balladeer: Well, they would all be hysterically happy. So, I mean, you can't really judge much from saying "What would the audiences be like?" They would all be people who would've slit each other's throats to get there."
