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Family Relationships | Family History
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Best Documentary Screenplay | 2014 | Sarah
Best Documentary Film | 2014
Outstanding Achievement in Direction | 2014 | Sarah
The Unforgettables | 2014 | Michael
Best Documentary Picture | 2014 | Silva
Best Documentary International Competition | 2014 | Sarah
Best Documentary (Local or International) | 2014
Best Documentary | 2014 | Sarah
Best Documentary Film | 2014
Allan King Award For Excellence in Documentary | 2013 | Sarah
Best DocumentaryNonFiction Film | 2013 | Sarah
Best NonFiction Film | 2013
Best Documentary | 2013
Best Documentary | 2013
Best Feature Length Documentary | 2013 | Sarah
2013 | Sarah
Best Documentary by or About Women | 2013
Best Documentary Feature Film | 2013 | Sarah
Special Jury Award | 2012 | Sarah
Best Canadian Film | 2012 | Sarah
Feature Film | 2012 | Sarah
Special Mention | 2014 | Sarah
Best Documentary Film | 2014
Best Motion Picture Documentary | 2014
Outstanding Directorial Achievement in Documentary | 2014 | Sarah
Outstanding Achievement in Nonfiction Feature Filmmaking | 2014 | Sarah
2014 | Sarah
Best Documentary | 2014 | Sarah
Documentary Feature | 2014 | Sarah
Best Documentary | 2014
Best Documentary | 2014
Documentary of the Year | 2014
Best Documentary Feature | 2014
International Competition | 2014 | Sarah
Best Documentary | 2013
Best Documentary | 2013
Best Documentary | 2013
Best Documentary | 2013
Best Screenplay Canadian Film | 2013 | Sarah
Best Director Canadian Film | 2013 | Sarah
Best Film Canadian | 2013
Best Documentary Film | 2013
Best Documentary | 2013
Best Documentary Feature Film | 2013
Best Documentary Feature Film | 2013
Best Documentary Feature | 2013
Best Documentary | 2013
Best Documentary | 2013
Best Documentary | 2013
Best Documentary | 2013
Best Feature | 2013 | Sarah
2013 | Sarah
Best Foreign Documentary Trailer | 2013
Best Film | 2013 | Sarah
Best Director | 2013 | Sarah
Best Film | 2013 | Sarah
Best Film (Venice Days) | 2012 | Sarah
Best Documentary Feature | 2012 | Sarah
Sarah collected all the stories first. She went through all the period footage she had available. After that, she hired actors to recreate and reenact bits filmed on 8mm to complete the missing period footage. This explains why there is always "proof" of all the raconteurs stories. It works rather as flashbacks to place us in situation.
"Michael Polley - Storyteller: When you're in the middle of a story, it isn't a story at all but rather a confusion, a dark roaring, a blindness, a wreckage of shattered glass and splintered wood, like a house in a whirlwind or else a boat crushed by the icebergs or swept over the rapids, and all aboard are powerless to stop it. It's only afterwards that it becomes anything like a story at all, when you're telling it to yourself or someone else."
"Himself - Storyteller: The crucial function of art is to find the truth."
