Movie |
Sandstorm | Cairo
In the 1930s, Count Almásy is a Hungarian map maker employed by the Royal Geographical Society to chart the vast expanses of the Sahara Desert along with several other prominent explorers. As World War II unfolds, Almásy enters into a world of love, betrayal, and politics.
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In the 1930s, Count Almásy is a Hungarian map maker employed by the Royal Geographical Society to chart the vast expanses of the Sahara Desert along with several other prominent explorers. As World War II unfolds, Almásy enters into a world of love, betrayal, and politics.
Best Sound | 1997
Best Actress in a Supporting Role | 1997
Best Picture | 1997 | Saul
Best Director | 1997
Best Cinematography | 1997
Best Art DirectionSet Decoration | 1997
Best Costume Design | 1997
Best Music Original Dramatic Score | 1997
Best Film Editing | 1997
Best Screenplay Adapted | 1997
Best Performance by an Actress in a Supporting Role | 1997
Best Film | 1997
Best Editing | 1997
Best Cinematography | 1997
European Cinematographer of the Year | 1997
European Actress of the Year | 1997 | Juliette
Best Actress | 1997 | Juliette
1997 | Juliette
Best Cinematography | 1997 | John
Best Supporting Actress | 1997 | Juliette
Outstanding Achievement in Sound Mixing for Feature Films | 1997
Outstanding Directorial Achievement in Motion Pictures | 1997
Best Writing Screenplay Based on Material from Another Medium | 1997
Best Picture | 1997 | Saul
Best Drama Picture | 1997
Best Cinematography | 1997
Best Cinematography | 1997 | John
Foreign Film Auslndischer Film | 1997 | Anthony
Outstanding Producer of Theatrical Motion Pictures | 1997 | Saul
Theatrical Motion Pictures | 1997 | Saul
Best Screenplay Adapted | 1997 | Anthony
Best Cinematography | 1997
Best Original Score | 1997
Best Screenplay | 1997 | Anthony
Best Actress in a Supporting Role | 1996 | Juliette
Best Cinematography | 1996 | John
Best Cinematography | 1996 | John
Best Screenplay Adapted | 1996 | Anthony
Best Foreign Film | 1997
Motion Picture Feature Films Music Editing | 1997
1997
Best Foreign Film | 1998 | Anthony
Best British Director | 1998 | Anthony
Best Instrumental Composition Written for a Motion Picture or for Television | 1998 | Gabriel
British Director of the Year | 1998 | Anthony
Feature Film | 1997 | Stuart
Best Foreign Language Film | 1998 | Anthony
1997 | Gabriel
Best Edited Feature Film | 1997 | Walter
Outstanding Achievement in Cinematography in Theatrical Releases | 1997 | John
Best Writing Screenplay Based on Material Previously Produced or Published | 1997
Best Actress in a Leading Role | 1997
Best Actor in a Leading Role | 1997 | Ralph
Best Screenplay Motion Picture | 1997
Best Performance by an Actress in a Motion Picture Drama | 1997
Best Performance by an Actress in a Supporting Role in a Motion Picture | 1997
Best Performance by an Actor in a Motion Picture Drama | 1997
Best Director Motion Picture | 1997 | Anthony
Best Production Design | 1997
Best Sound | 1997
Best Make UpHair | 1997
Best Costume Design | 1997
Best Performance by an Actor in a Leading Role | 1997
Best Performance by an Actress in a Leading Role | 1997 | Kristin Scott
European Film of the Year | 1997 | Saul
Best Foreign Language Film Nejleps zahranicn film | 1998 | Anthony
Best Actress | 2017
Best Editing | 2017
Best Costume Design | 2017
Best Makeup | 2017
Best Cinematography | 2017
Best Art Direction | 2017
Best Sound Design | 2017
Best Adapted Screenplay | 2017
Best Actor | 2017
Best Director | 2017 | Anthony
Best Foreign Film | 1998
Best Foreign Film Meilleur film tranger | 1998 | Anthony
Best European Film Mejor Pelcula Europea | 1998 | Anthony
Best Foreign Film | 1997
Best Art Direction | 1997
Best Film Editing | 1997
Best Director | 1997
Best Actress in a Motion Picture Drama | 1997
Best Actor in a Motion Picture Drama | 1997
Best Motion Picture Drama | 1997 | Saul
Best Makeup and Hairstyling | 1997
Best Production Design | 1997
Best Film Editing | 1997
Best Score | 1997
Best Director | 1997
Best Drama Actress | 1997
Best Drama Actor | 1997
Best Supporting Actress | 1997
Best Actress | 1997
Best Actor | 1997 | Ralph
Best Picture | 1997
Best Picture | 1997
Outstanding Performance by a Cast | 1997
Outstanding Performance by a Female Actor in a Supporting Role | 1997
Outstanding Performance by a Female Actor in a Leading Role | 1997
Outstanding Performance by a Male Actor in a Leading Role | 1997 | Ralph
1997 | Anthony
1997 | Saul
Best Film | 1997 | Anthony
Best Casting for Feature Film Drama | 1997 | David
Best Supporting Actor | 1997 | Naveen
Best Screenplay Based on Material Previously Produced or Published | 1997 | Anthony
Best Original Score | 1996
Best Sound | 1996
Best Film Editing | 1996
Best Costume Design | 1996
Best Cinematography | 1996
Best Art Direction | 1996
Best Adapted Screenplay | 1996
Best Director | 1996
Best Actress in a Leading Role | 1996
Best Actor in a Leading Role | 1996
Best Motion Picture | 1996 | Paul
1996 | John
Budget 27,000,000 USD
Box Office Collection 231,976,425 USD
The Germans who shoot at Almásy's plane at the beginning were actually tourists roped into the production because they couldn't afford any more extras.
Ralph Fiennes' burn make-up took five hours to apply every day. Fiennes insisted that the full body make-up be applied even for the scenes where only his head would be filmed.
Juliette Binoche knew she wanted to be in this movie the minute she read the scene where Kip Singh shows Hana the fresco paintings on the walls of a church.
Dame Kristin Scott Thomas was cast after writing a letter to writer and director Anthony Minghella, which included the statement "I am 'K' in your film."
Originally, Twentieth Century Fox was to finance this movie, but disputes arose between the studio and the producers over casting. In particular, Fox preferred a more well-known actress to play Katharine Clifton instead of Dame Kristin Scott Thomas. Demi Moore was lobbying particularly hard for the role. After the producers refused to give in on a series of casting choices, Fox backed out of the movie, and the project was uncertain just as production was about to begin. However, within a few weeks - during which the cast and crew stayed on in Italy without knowing if this movie would be made - the movie was picked up by Miramax Films.
"Katharine Clifton: My darling. I'm waiting for you. How long is the day in the dark? Or a week? The fire is gone, and I'm horribly cold. I really should drag myself outside but then there'd be the sun. I'm afraid I waste the light on the paintings, not writing these words. We die. We die rich with lovers and tribes, tastes we have swallowed, bodies we've entered and swum up like rivers. Fears we've hidden in - like this wretched cave. I want all this marked on my body. We are the real countries. Not boundaries drawn on maps with the names of powerful men. I know you'll come carry me out to the Palace of Winds. That's what I've wanted: to walk in such a place with you. With friends, on an earth without maps. The lamp has gone out and I'm writing in the darkness."
"Madox: I have to teach myself not to read too much into everything. It comes from too long having to read so much into hardly anything at all."
