Movie |
Addiction | Sword And Sorcery
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Best Visual Effects | 2003 | Randall William Cook
Best Sound Editing | 2003 | Mike Hopkins
Best Achievement in Special Visual Effects | 2003 | Randall William Cook
Best Costume Design | 2003 | Ngila Dickson
Best Ensemble | 2003 | Christopher Lee
Best Director | 2003 | Peter Jackson
Best Visual Effects | 2003 | Jim Rygiel
Best Sound | 2003 | Mike Hopkins
Best Editing | 2003 | Michael Horton
Most Screen Actors Guild Awards nominations for Outstanding Performance by a Cast in a Motion Picture (individual) | 2022 | Cate Blanchett
Most Oscar nominations for Best Picture (female actor) | 2022 | Cate Blanchett
Best Acting Ensemble | 2003 | Christopher Lee
Best Screenplay Adapted | 2003 | Stephen Sinclair
Best Original Song | 2003 | Howard Shore
Best Visual Effects | 2003 | Joe Letteri
Best Cinematography | 2003 | Andrew Lesnie
Best Makeup | 2003 | Jeremy Woodhead
Best Production Design | 2003 | Grant Major
Best Performance by an Actor in an Effects Film | 2003 | Andy Serkis
Best Visual Effects in an Effects Driven Motion Picture | 2003 | Randall William Cook
Best Models and Miniatures in a Motion Picture | 2003 | Matt Aitken
Best Effects Art Direction in a Motion Picture | 2003 | Gino Acevedo
Best Special Effects in a Motion Picture | 2003 | Steve Ingram
Best Character Animation in a Live Action Motion Picture | 2003 | Eric Saindon
Best Visual Effects Photography in a Motion Picture | 2003 | Richard Bluck
Best Compositing in a Motion Picture | 2003 | Alex Lemke
Best OnScreen Team | 2003 | Sean Astin
Best SF or Fantasy Film Actor | 2003 | Viggo Mortensen
Best SF or Fantasy Film Director | 2003 | Peter Jackson
Best SF or Fantasy Film Music | 2003 | Howard Shore
Best Director | 2002 | Peter Jackson
Best Picture | 2003 | Barrie M. Osborne
Best Director | 2003 | Peter Jackson
Best Visual Effects | 2003 | Randall William Cook
Best Makeup and Hairstyling | 2003 | Peter Swords King
Best Costume Design | 2003 | Ngila Dickson
Best Sound Mixing | 2003 | Michael Hedges
Best Sound Effects Editing | 2003 | Mike Hopkins
Best Film Editing | 2003 | Michael Horton
Best Script | 2004 | Stephen Sinclair
Best Director | 2002 | Peter Jackson
Best Actor in a Supporting Role | 2002 | Andy Serkis
Best Original Score | 2002 | Howard Shore
Best Achievement in Costume Design | 2002 | Ngila Dickson
Best Achievement in Cinematography | 2002 | Andrew Lesnie
Best Achievement in Art Direction | 2002 | Grant Major
Best Achievement in Film Editing | 2002 | Michael Horton
Director | 2003 | Peter Jackson
Breakthrough Performance | 2003 | Andy Serkis
Visual Effects | 2003 | Jim Rygiel
Art Direction | 2003 | Grant Major
Best Director | 2002 | Peter Jackson
Best Visual Effects | 2002 | Randall William Cook
Best Costume Design | 2002 | Ngila Dickson
Best Editing | 2002 | Michael Horton
Best Dramatic Presentation Long Form | 2003 | Stephen Sinclair
Best Genre Film | 2002 | Peter Jackson
Best New Movie Scenes FinishedEdited Into Movie or StandAlone | 2003 | Peter Jackson
Best Overall DVD New Movie Including All Extra Features | 2003 | Michael Pellerin
Best Adapted Screenplay | 2003 | Stephen Sinclair
2003 | Barrie M. Osborne
Best Director | 2003 | Peter Jackson
Best Director of the Year | 2002 | Peter Jackson
Best Supporting Actor of the Year | 2002 | Andy Serkis
Best Supporting Actor | 2003 | Andy Serkis
Best Costumes | 2003 | Ngila Dickson
Best MakeUp | 2003 | Peter Swords King
Best Digital Acting Performance | 2003 | Andy Serkis
Best Visual Effects | 2003 | Randall William Cook
Best Sound Editing | 2003 | Mike Hopkins
Best Visual Effects | 2003 | Randall William Cook
Best Original Score Miglior colonna sonora originale | 2003 | Howard Shore
Best Soundtrack | 2002 | Howard Shore
Best Score Soundtrack Album for a Motion Picture Television or Other Visual Media | 2004 | Howard Shore
Top Box Office Films For | 2003 | Howard Shore
Top Box Office Films | 2003 | Howard Shore
Period or Fantasy Film | 2003 | Philip Ivey
Best Special Makeup Effects Feature | 2003 | Gino Acevedo
Best Character Hair Styling Feature | 2003 | Peter Swords King
Best Character Makeup Feature | 2003 | Peter Swords King
Best Cinematography | 2003 | Andrew Lesnie
Best Dubbing (Migliore Doppiaggio) | 2003 | Pino Insegno
Best Dubbing Migliore Doppiaggio For | 2003 | Pino Insegno
Outstanding Screenplay for a Synchronization | 2003 | Andreas Fröhlich
Best Picture | 2003 | Barrie M. Osborne
Best Sound | 2003 | Michael Hedges
Best Art DirectionSet Decoration | 2003 | Grant Major
Best Film Editing | 2003 | Michael Horton
Best Director Motion Picture | 2003 | Peter Jackson
Best Film | 2003 | Barrie M. Osborne
Best Make UpHair | 2003 | Peter Swords King
Best Cinematography | 2003 | Andrew Lesnie
Best Sound | 2003 | Michael Hedges
Best Production Design | 2003 | Grant Major
Best Editing | 2003 | Michael Horton
Outstanding Performance by the Cast of a Theatrical Motion Picture | 2003 | Christopher Lee
Ensemble Cast | 2003 | Christopher Lee
Motion Picture | 2003 | Barrie M. Osborne
Adapted Screenplay | 2003 | Philippa Boyens
Original Song | 2003 | Howard Shore
Original Score | 2003 | Howard Shore
Costume Design | 2003 | Ngila Dickson
Cinematography | 2003 | Andrew Lesnie
Film Editing | 2003 | Michael Horton
Best Cast Ensemble | 2002 | Christopher Lee
Best Motion Picture | 2002 | Barrie M. Osborne
Best Adapted Screenplay | 2002 | Stephen Sinclair
Choice Movie Actor DramaAction Adventure | 2003 | Elijah Wood
Best Audio Commentary New for DVD | 2003 | Philippa Boyens
Best BehindtheScenes Program New for DVD | 2003 | Michael Pellerin
Best Games and Interactivities | 2003 | Richard Ross
Favorite Male Butt Kicker | 2003 | Elijah Wood
Best SF or Fantasy Film Actor | 2003 | Ian McKellen
Best Performance by a Younger Actor | 2003 | Elijah Wood
Best Actor | 2003 | Viggo Mortensen
Best Director | 2003 | Peter Jackson
Best Writing | 2003 | Stephen Sinclair
Best Special Effects | 2003 | Randall William Cook
Best Music | 2003 | Howard Shore
Best Actor in a Supporting Role Drama | 2003 | Viggo Mortensen
Best Director | 2003 | Peter Jackson
Best Screenplay Adapted | 2003 | Stephen Sinclair
Best Cinematography | 2003 | Andrew Lesnie
Best Sound | 2003 | Michael Hedges
Best Film Editing | 2003 | Michael Horton
Best Actor | 2003 | Viggo Mortensen
Best British Actor | 2003 | Andy Serkis
Best Director | 2003 | Peter Jackson
Best Actress | 2003 | Miranda Otto
Best Male Performance | 2003 | Viggo Mortensen
Best Adapted Screenplay | 2003 | Stephen Sinclair
Best American Film rets amerikanske film | 2003 | Peter Jackson
Best Director Miglior regia | 2003 | Peter Jackson
Best Screenplay Miglior sceneggiatura | 2003 | Stephen Sinclair
Best Cinematography Miglior fotografia | 2003 | Andrew Lesnie
Best Editing Miglior montaggio | 2003 | Michael Horton
Outstanding Directorial Achievement in Motion Pictures | 2003 | Peter Jackson
Best Director | 2002 | Peter Jackson
Best Screenplay Adapted | 2002 | Stephen Sinclair
Best Film Editing | 2002 | Michael Horton
Best Foreign Feature Film rets utenlandske spillefilm | 2003 | Peter Jackson
Director of the Year | 2003 | Peter Jackson
Best Adapted Screenplay | 2003 | Stephen Sinclair
Best Director | 2003 | Peter Jackson
Best Supporting Actor | 2003 | Andy Serkis
Best Original Song | 2003 | Howard Shore
Best Original Score | 2003 | Howard Shore
Best Costume Design | 2003 | Ngila Dickson
Best Cinematography | 2003 | Andrew Lesnie
Best Sound Mixing | 2003 | Michael Hedges
Best Art Direction | 2003 | Grant Major
Best Film Editing | 2003 | Michael Horton
2003 | Peter Jackson
Best Director | 2002 | Peter Jackson
Outstanding Producer of Theatrical Motion Pictures | 2003 | Barrie M. Osborne
Best Director | 2002 | Peter Jackson
Best Director | 2003 | Peter Jackson
Best Original Score | 2003 | Howard Shore
Best Costume Design | 2003 | Ngila Dickson
Best Film Editing | 2003 | Michael Horton
Best Writing Screenplay Based on Material from Another Medium | 2003 | Stephen Sinclair
Best Supporting Actor | 2003 | Andy Serkis
Best Music Original Song | 2003 | Howard Shore
Best Music Original Score | 2003 | Howard Shore
Best Production Design | 2003 | Philip Ivey
Best Cinematography | 2003 | Andrew Lesnie
Best Casting | 2003 | Amy Hubbard
Best Adapted Screenplay | 2003 | Stephen Sinclair
Best Supporting Actor | 2003 | Andy Serkis
Best Original Score | 2003 | Howard Shore
Best Costume Design | 2003 | Ngila Dickson
Best Cinematography | 2003 | Andrew Lesnie
Best Director | 2003 | Peter Jackson
Best Original Score | 2003 | Howard Shore
Best Cinematography | 2003 | Andrew Lesnie
Breakthrough Performance of the Year | 2002 | Andy Serkis
Best Original Song Written for a Film | 2003 | David Long
Best Composer | 2003 | Howard Shore
2002 | Andrew Lesnie
Outstanding Sound Mixing for Motion Pictures | 2003 | Michael Hedges
Best Sound Editing in Foreign Features | 2003 | Nigel Stone
Best Sound Editing in a Feature Music Feature Film | 2003 | Michael Price
Best Sound Editing Foreign Feature | 2003 | Martin Oswin
Excellence in PeriodFantasy Film | 2003 | Ngila Dickson
Best Matte Painting in a Motion Picture | 2003 | Mathieu Raynault
Best Edited Feature Film Dramatic | 2003 | Michael Horton
Budget 79,000,000 USD
Box Office Collection 926,287,400 USD
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Gollum is a CGI character, but Sir Peter Jackson wanted the character to be performer-oriented, so Andy Serkis, the voice of Gollum, played the character in a motion capture suit. Serkis also played scenes with Elijah Wood (Frodo) and Sean Astin (Sam) on-set to give the actors a focal point. On those occasions, when Serkis was actually in the shot, Gollum was composited over him in post-production.
The filming of the Helm's Deep sequences was so grueling and went on for so many months, that Jackson gave all the extras a free T-shirt to commemorate the experience. There were so many extras that they would often recognize each other other extras in New Zealand's main cities, by wearing the shirts. On the front of the shirt was the statement "I Survived Helm's Deep", with the letter M is struck out, indicating "hell" of the experience. Two versions existed. One was in black, with red printing on the back that read "Lord of the Rings Uruk-Hai Battalion", The other was in blue with silver printing on the back that read "The Lord of the Rings "Elf Regiment".
They couldn't recruit enough men in the six foot height area to play Uruk-hai, so men from five foot high were cast as well. They were affectionately nicknamed the Uruk-Low.
When Frodo (Elijah Wood) and Sam (Sean Astin) are in Osgiliath, Sam says, "By rights, we shouldn't even be here." This was a nod to the deviation the screenplay had taken from the book's storyline. In the book, Sam and Frodo never passed through Osgiliath.
Viggo Mortensen was so impressed with the horse his character rode that he purchased him from the owners. The horse was shipped back to New Zealand for the additional shots that were filmed in 2002.
"Frodo: I can't do this, Sam. Sam: I know. It's all wrong. By rights we shouldn't even be here. But we are. It's like in the great stories, Mr. Frodo. The ones that really mattered. Full of darkness and danger, they were. And sometimes you didn't want to know the end. Because how could the end be happy? How could the world go back to the way it was when so much bad had happened? But in the end, it's only a passing thing, this shadow. Even darkness must pass. A new day will come. And when the sun shines it will shine out the clearer. Those were the stories that stayed with you. That meant something, even if you were too small to understand why. But I think, Mr. Frodo, I do understand. I know now. Folk in those stories had lots of chances of turning back, only they didn't. They kept going. Because they were holding on to something. Frodo: What are we holding onto, Sam? Sam: That there's some good in this world, Mr. Frodo... and it's worth fighting for."
"[Aragorn and Gimli are looking at the Uruk-hai, but are separated from them by a gap] Gimli: Oh come on, we can take 'em. Aragorn: It's a long way. Gimli: Toss me. Aragorn: What? Gimli: I cannot jump the distance, you'll have to toss me. Gimli: [pauses, looks up at Aragorn] Gimli: Don't tell the Elf. Aragorn: Not a word."
