Movie |
Jealousy | Small Town
Disclaimer: All content and media belong to original content streaming platforms/owners like Netflix, Disney+ Hotstar, Amazon Prime Videos, JioCinema, SonyLIV etc. 91mobiles entertainment does not claim any rights to the content and only aggregate the content along with the service providers links.
Best Picture | 1943
Best Actress in a Supporting Role | 1943
Best Cinematography BlackandWhite | 1943
Best Art DirectionInterior Decoration BlackandWhite | 1943
One of former silent star Dolores Costello's last roles. She was forced to retire from the film business as her face had become badly scarred by early film makeup, which was highly caustic.
The re-cutting of this film caused a deep rift in Orson Welles' friendships with Robert Wise and Joseph Cotten. Cotten later wrote several letters of apology to Welles, and the two later reconciled. Welles and Wise, however, remained on acrimonious terms for some 42 years until Wise was invited to come to the stage by Gilbert Cates when the Directors Guild of America honored Welles with its Lifetime Achievement Award in 1984. The former rivals ended up shaking hands as the crowd rewarded them with a standing ovation.
The consensus of opinion according to nearly everyone who saw the original conclusion - which included a tour of the decaying Amberson mansion - was that it was much more powerful than the tacked-on "happy" ending.
Composer Bernard Herrmann had his name removed from the credits to protest the way RKO tampered with his work.
Twenty years later, Orson Welles was still planning an epilogue starring the older Joseph Cotten, Anne Baxter, Agnes Moorehead and Tim Holt.
"Jack: My gosh, the old times are certainly starting all over again. Eugene: Old times, not a bit. There aren't any old times. When times are gone, they're not old, they're dead. There aren't any times but new times."
"Eugene: I know what your son is to you and it frightens me. Let me explain a little. I don't think he'll change. At twenty-one or twenty-two, so many things appear solid and permanent and terrible. Which forty sees are nothing but disappearing miasma. Forty can't tell twenty about this. Twenty can find out only by getting to be forty."
