Movie |
Nazi | Musical
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Best Writing Story and Screenplay Written Directly for the Screen | 1969 | Mel
Motion Picture | 2023
Best Written American Original Screenplay | 1969 | Mel
Best Actor in a Supporting Role | 1969 | Gene
Best DVD Extra | 2003
Best Written American Comedy | 1969 | Mel
Budget 947,000 USD
Roger Ebert recounted how he was in an elevator with Mel Brooks and Anne Bancroft in New York City after the film premiered. A woman got onto the elevator, recognized him and said, "I have to tell you, Mr. Brooks, that your movie is vulgar." Brooks replied, "Lady", he said, "it rose below vulgarity."
Mel Brooks cannot read music. "Springtime for Hitler" and "Prisoners of Love" (as were all the songs Brooks writes for his films) were hummed into a tape recorder and transcribed by an expert. When Brooks adapted the movie into a stage musical, he wrote the entire score by himself using the same method.
Gene Wilder said in an interview on TCM that at the first reading of the script, he excused himself to leave for a dentist appointment he could not miss, when in fact he had to go to the unemployment office to collect a check for $55 he desperately needed at the time.
Mel Brooks related the following in an interview with Larry Siegel in Playboy Magazine in 1966: PLAYBOY: What else are you working on? BROOKS: Springtime for Hitler. PLAYBOY: You're putting us on. BROOKS: No, it's the God's honest truth. It's going to be a play within a play, or a play within a film, I haven't decided yet. It's a romp with Adolf Hitler and Eva Braun at Berchtesgaden. There was a whole nice side of Hitler. He was a good dancer, no one knows that. He loved a parakeet named Bob, no one knows that either. It's all brought out in the play.
Mel Brooks has said that one of his "lifelong jobs" is "to make the world laugh at Adolf Hitler." The film was a way to enact vengeance through comedy. "The only real way I could get even with Hitler and company was to bring them down with laughter", Brooks said.
"Leo Bloom: I'm hysterical! I'm having hysterics. I'm hysterical. I can't stop when I get like this. I can't stop. I'm hysterical. [Max throws a glass of water on him] Leo Bloom: I'm wet! I'm wet! I'm hysterical, and I'm wet! [Max slaps him] Leo Bloom: I'm in pain! And I'm wet! And I'm still hysterical!"
"Max Bialystock: How could this happen? I was so careful. I picked the wrong play, the wrong director, the wrong cast. Where did I go right?"
