Movie |
Son | Sibling Relationship
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Best Screenplay | 2008 | Tamara
Actor of the Year For and | 2008 | Philip Seymour
Actor of the Year | 2008 | Philip Seymour
Best Movie for Grownups | 2008
Movie of the Year | 2008
2007 | Tamara
Best Screenplay | 2007 | Tamara
Top Independent Films | 2007
2007 | Tamara
Best Woman Screenwriter | 2007 | Tamara
Best Original Screenplay | 2007 | Tamara
Best Actress | 2007 | Laura
Best Foreign Actor Mejor Actor Extranjero For and | 2009
Best Foreign Actor (Mejor Actor Extranjero) | 2009 | Philip Seymour
Best Writing Original Screenplay | 2008 | Tamara
Best Performance by an Actress in a Leading Role | 2008 | Laura
Best Performance by an Actor in a Motion Picture Comedy or Musical | 2008 | Philip Seymour
Actress of the Year | 2008 | Laura
Best Actress | 2008 | Laura
Best Actress | 2008 | Laura
Best Original Screenplay | 2008 | Tamara
Best Supporting Actor | 2008 | Philip
Original Screenplay | 2008 | Tamara
Best Actress | 2007 | Laura
Best Ensemble Performance | 2007 | Philip
Best Feature Film | 2007 | Tamara
Best Original Screenplay | 2007 | Tamara
Best Actress in a Motion Picture Drama | 2007 | Laura
Best Actress | 2007 | Laura
Best Actress | 2007 | Laura
2007 | Tamara
2007
Box Office Collection 10,653,221 USD
Director Tamara Jenkins contacted Carter Burwell to score the movie. Burwell had already committed himself to score No Country for Old Men (2007), so he refused, but recommended Stephen Trask to Jenkins.
Jon (Philip Seymour Hoffman) is older brother to Wendy (Laura Linney). In real life, Linney is older than Hoffman.
One of two films released in the same year co-starring Philip Seymour Hoffman which center around sibling relationships. The other is Before the Devil Knows You're Dead (2007)
At one point, Jon says to Wendy, "We're not in a Sam Shepard play." In 2000, Philip Seymour Hoffman co-starred on Broadway in "True West," written by Sam Shepard.
David Harbour cited Philip Seymour Hoffman's performance as being an influence on his role as Alexei Shostakov in Black Widow (2021).
"Jon Savage: Dad's not the one that has a problem with the Valley View. There's nothing wrong with Dad's situation. Dad's situation is fine. He's never gonna adjust to it if we keep yanking him outta there. And, actually, this upward mobility fixation of yours, it's counterproductive and, frankly, pretty selfish. Because it's not about Dad, it's about you and your guilt. That's what these places prey upon. Wendy Savage: I happen to think it's nicer here. Jon Savage: Of course you do, because you are the consumer they want to target. You are the guilty demographic. The landscaping, the neighborhoods of care; they're not for the residents, they're for the relatives. People like you and me who don't want to admit to what's really going on here. Wendy Savage: Which is what, Jon? Jon Savage: People are dying, Wendy! Right inside that beautiful building right now, it's a fucking horror show! And all this wellness propaganda and the landscaping, it's just there to obscure the miserable fact that people die! And death is gaseous and gruesome and it's filled with shit and piss and rotten stink!"
"Jon Savage: We don't have to go after him Wendy; we're not in a Sam Shepard play."
