Two-Lane Blacktop

According to the director's commentary on the first DVD release, the reason the movie took so long to release on DVD was Jim Morrison. Two Lane Blacktop's sound track has scenes in the movie where Doors music is playing in the background. Monte Hellman and the producers had trouble initially securing permission from Morrison's estate to release the film with its original content of Doors music on to the medium of DVD. For obvious reasons, such DVD permission was not part of the original agreement with the Doors in 1972. Eventually, the studio got permission to use the Doors music again and the DVD was released.

A drummer for the rock band The Beach Boys, Dennis Wilson gave his only acting performance in this film.

As of the 2007 Criterion DVD release, James Taylor had never seen the film. He says he would now like to see it.

No one wore makeup in this film.

Richard Linklater counts sixteen reasons as to why he loves Two-Lane Blacktop: (01) Because it's the purest American road movie ever. (02) Because it's like a drive-in movie directed by a French new wave director. (03) Because the only thing that can get between a boy and his car obsession is a girl, and Laurie Bird perfectly messes up the oneness between the Driver, the Mechanic, and their car. (04) Because Dennis Wilson gives the greatest performance ever . . . by a drummer. (05) Because James Taylor seems like a refugee from a Robert Bresson movie, and has the chiseled looks of Artaud from Dreyer's The Passion of Joan of Arc. (06) Because there was once a god who walked the earth named Warren Oates. (07) Because there's a continuing controversy over who is the actual lead in this movie. There are different camps. Some say it's the '55 Chevy, some say it's the GTO. But I'm Goat man, I have a GTO-'68. (08) Because it has the most purely cinematic ending in film history. (09) Because it's like a western. The guys are like old-time gunfighters, ready to outdraw the quickest gun in town. And they don't talk about the old flames they've had, but rather old cars they've had. (10) Because Warren Oates has a different cashmere sweater for every occasion. And of course the wet bar in the trunk. (11) Because unlike other films of the era, with the designer alienation of the drug culture and the war protesters, this movie is about the alienation of everybody else, like Robert Frank's The Americans come alive. (12) Because Warren Oates, as GTO, orders a hamburger and an Alka-Seltzer and says things like "Everything is going too fast and not fast enough." (13) Because it's both the last film of the sixties-even though it came out in '71-and also the first film of the seventies. You know, that great era of "How the hell did they ever get that film made at a studio?/Hollywood would never do that today" type of films. (14) Because engines have never sounded better in a movie. (15) Because these two young men on their trip to nowhere don't really know how to talk. The Driver doesn't really converse when he's behind the wheel, and the Mechanic doesn't really talk when he's working on the car. So this is primarily a visual, atmospheric experience. To watch this movie correctly is to become absorbed into it. (16) And, above all else, because Two-Lane Blacktop goes all the way with its idea. And that's a rare thing in this world: a completely honest movie.