Where the Sun Beats

Where the Sun Beats

Movie |

Gay Theme | Gay

  • :
  • Genre(s): Drama
  • Language(s): Português (Portuguese)
  • Director(s): Joaquim Pinto, Inês de Medeiros
  • Cast(s): Laura Morante, António Pedro Figueiredo, Luís Miguel Cintra, Inês de Medeiros, Marcello Urgeghe See all Cast & Crew
  • Duration: 1h 28min
  • Music: Francisco Veloso,Stephan Konken
  • Similar To: State of Fear, Nosferatu
  • Story:
    Pinto’s sophomore feature patiently investigates the everyday life and psychosexual vacillations of Laura (Laura Morante), a woman caught in a web of verboten romance and incestuous desire. Pinto elliptically and delicately portrays the small farming community that serves as the backdrop for the impossible relationships pursued by Laura and her brother, Nuno. The alluring cast also features Inês de Medeiros (of Jacques Rivette’s The Gang of Four and several films by Pedro Costa) as Graça, a key player in the film’s game of libidinal cat-and-mouse. A strongly atmospheric work in which torrid intrigues emerge through allusion and insinuation, Where the Sun Beats finds Pinto exploring the self-thwarting ways of desire and the expressive potential of the unspoken. - FilmLinc
    Full Story

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Where The Sun Beats - Cast

Where The Sun Beats - Crew

Where the Sun Beats - IMAGE GALLERY

STORY

Story
Pinto’s sophomore feature patiently investigates the everyday life and psychosexual vacillations of Laura (Laura Morante), a woman caught in a web of verboten romance and incestuous desire. Pinto elliptically and delicately portrays the small farming community that serves as the backdrop for the impossible relationships pursued by Laura and her brother, Nuno. The alluring cast also features Inês de Medeiros (of Jacques Rivette’s The Gang of Four and several films by Pedro Costa) as Graça, a key player in the film’s game of libidinal cat-and-mouse. A strongly atmospheric work in which torrid intrigues emerge through allusion and insinuation, Where the Sun Beats finds Pinto exploring the self-thwarting ways of desire and the expressive potential of the unspoken. - FilmLinc