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6.1/10
IMDbBest Actor in a Motion Picture Comedy or Musical | 1980 | Dudley
Best Actress in a Motion Picture Comedy or Musical | 1980 | Julie
Best Original Score Motion Picture | 1980 | Henry
Best Motion Picture Comedy or Musical | 1980
New Star of the Year in a Motion Picture Female | 1980 | Bo
Best Comedy Written Directly for the Screen | 1980 | Blake
Best International Actress | 1980 | Bo
Budget 7,000,000 USD
Box Office Collection 107,000,000 USD
George Segal originally was cast in the lead role but walked off the set shortly after filming began. Rumor had it that this was because Dame Julie Andrews' role had been built up. Allegedly, after the movie had been released, Segal was asked if he had seen it, and he replied by giving "the finger". This marks the first time that George was replaced by Dudley Moore. This happened again for the title role of Arthur (1981). Conversely, in The Mirror Has Two Faces (1996), Moore was replaced by Segal.
Because of this movie, Maurice Ravel's "Bolero" remains one of the most expensive songs to use for movies and television. The rights cost more than $25,000. According to SACEM, the French equivalent of ASCAP, Ravel's estate earns more royalties than any other French composer.
Dudley Moore's character is a composer. Moore also was a composer and pianist and actually played the piano in this movie. On movie sets, Moore often would entertain the crew by playing the piano during breaks in filming.
Bo Derek's cornrow hairstyle took two women ten hours to braid, and required the use of Elmer's glue to stay in place during filming.
Peter Sellers turned down numerous offers to play the lead role, but made a cameo appearance as a jazz drummer in a restaurant scene. The scene was cut from the movie.
"[the dog runs out of the room after Mrs. Kissel farts] Reverend: Whenever Mrs. Kissel breaks wind, we beat the dog."
"George Webber: If you were dancing with your wife, or girlfriend you knew in high school, and you said to her, Darling, they're playing our song, do you know what they'd be playing? Don: What? George Webber: Why Don't We Do It In The Road. Fuckin' hell kind of era is that?"