Movie |
Integrity | Austria
The Austrian Blessed Franz Jägerstätter, a conscientious objector, refuses to fight for the Nazis in World War II.
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The Austrian Blessed Franz Jägerstätter, a conscientious objector, refuses to fight for the Nazis in World War II.
7.4/10
IMDbBest Foreign Film Mejor Pelcula Extranjera | 2021 | Terrence
Best Original Score | 2020 | James Newton
Best Achievement in Directing | 2020 | Terrence
Best Adapted Screenplay | 2020 | Terrence
Best Film International Competition | 2020 | Dario
2020 | Terrence
Top Ten Independent Films | 2019
Best MusicScore | 2019 | James Newton
2019 | Terrence
2019 | Terrence
Best Cinematography | 2020 | Jörg
Best English Language Film rets engelsksprogede film | 2021 | Terrence
Most Inspiring Movie | 2020
Best Original Score for a Drama Film | 2020 | James Newton
Film Music Composition of the Year | 2020 | James Newton
Outstanding Locations in a Period Film | 2020
Outstanding Achievement in Sound Editing Sound Effects and Foley for Feature Film | 2020
Best Movie for Mature Audiences | 2020
Best Cinematography | 2020 | Jörg
Favorite Actress (Beliebteste Schauspielerin) | 2020 | Valerie
Favorite Actress Beliebteste Schauspielerin For | 2020
Cinema for Peace Award for The Most Valuable Film of the Year | 2020 | Terrence
Most Valuable Film of the Year | 2020 | Terrence
Actress Feature Film | 2020 | Valerie
Best Visual And Sound Effects | 2020
Best Cinematography | 2020 | Jörg
Best Motion Picture of the Year | 2020 | Terrence
Best Performance by an Actress in a Leading Role | 2020 | Valerie
Best Production Design | 2020 | Sebastian T.
Best Actress International Competition | 2020 | Valerie
Best Actor International Competition | 2020 | August
Best Adapted Screenplay | 2020 | Terrence
Best Feature Film | 2020 | Terrence
Best Picture | 2020
Best Feature | 2020
Best Cinematography | 2020 | Jörg
Drama Feature Film | 2020 | Terrence
Best Cinematography | 2019 | Jörg
Best Cinematography | 2019 | Jörg
Budget 9,000,000 USD
Box Office Collection 4,600,000 USD
Terrence Malick spent almost three years editing this film.
While shooting in Radegund, at the actual house of Jägerstätters, both August Diehl and Valerie Pachner met with the daughters of Franz and Fani - Maria, Rosalia and Aloisa - who still live in the same village where their parents had lived.
The story was little known outside St. Radegund, and might never have been discovered, were it not for the research of Gordon Zahn, an American, who visited the village in the 1970s.
Artificial lights only used on rare occasions during shooting. For all the other sets, including the prison cells, the team simply used the right time of the day to shoot it until they lost the light.
A couple of days before the world premiere of the film at the Cannes Film Festival, there was a special screening for the daughters of Jägerstätters at their home. According to Valerie Pachner, the three sisters satisfiedly liked the film.
"Closing Title Card: ...the growing good of the world is partly dependent on unhistoric acts; and that things are not so ill with you and me as they might have been, is half owing to the number who lived faithfully a hidden life, and rest in unvisited tombs. -George Eliot"
"Lorenz Schwaninger: [Talking to his daughter Fani, who is also Franz Jägerstätter's wife, about Franz's imprisonment and the resultant mistreatment that the family is facing] Better to suffer injustice than to do it."