Movie |
Loss Of Loved One | Moon
Army Corps engineer Roy McBride embarks on a mission across the galaxy to discover the truth about his father, who disappeared in space 20 years ago while searching for signs of alien life. Though he was once presumed dead, new evidence suggests Roy's father may still be alive, hiding within an abandoned power plant on a distant planet - and that he could potentially pose a dangerous threat to the entire universe.
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Army Corps engineer Roy McBride embarks on a mission across the galaxy to discover the truth about his father, who disappeared in space 20 years ago while searching for signs of alien life. Though he was once presumed dead, new evidence suggests Roy's father may still be alive, hiding within an abandoned power plant on a distant planet - and that he could potentially pose a dangerous threat to the entire universe.
Best Visual And Sound Effects | 2020
Best Motion Picture of the Year | 2020 | James
Best Performance by an Actor in a Leading Role | 2020 | Brad
Best Sound Design | 2020 | Mark
Best Sound Editing | 2020 | Brad
Best Sound Mixing | 2020 | Mark
Best Visual Effects | 2020 | Scott R.
Best Visual Effects | 2020
Best Use of Visual Effects | 2019
Best Cinematography | 2019 | Hoyte van
Best Science Fiction Film | 2019
Best Visual Effects | 2019
Best Visual Effects | 2019 | Scott R.
Best Visual Effects | 2020
Best Achievement in Sound Mixing | 2020 | Mark
Best Score Soundtrack For Visual Media | 2021 | Max
Best Film | 2019 | James
Best Production Design | 2020 | Kevin
Best Achievement in Directing | 2020 | James
Best Cinematography | 2020 | Hoyte van
Best Science Fiction Film | 2021
Best Costume | 2021 | Albert
Best Special Effects | 2021 | Allen
Fantasy Film | 2020 | Karen
Best Cinematography | 2020 | Hoyte van
Best Sound | 2020 | Mark
Best Cinematography | 2020 | Hoyte van
Best Production Design | 2020 | Kevin
Best Visual Effects | 2020
Best Actor International Competition | 2020 | Brad
Best Foreign Film Meilleur Film tranger | 2020 | James
Best Cinematography | 2020 | Hoyte van
Actor of the Year for an exemplary body of work For | 2020
Actor of the Year (for an exemplary body of work) | 2020 | Brad
Best ScienceFictionHorror Film | 2020
Best Science Fiction or Fantasy Movie | 2020 | James
Best Cinematography | 2020 | Hoyte van
Best Visual Effects | 2020 | Scott R.
Outstanding Color Grading Theatrical Feature | 2020
Best Original Score | 2020 | Max
Best Actor | 2020 | Brad
Best International Film | 2020
Technical Achievement of the Year | 2020 | Allen
Outstanding Achievement in Sound Editing Music Score for Feature Film | 2020 | Richard
Best Actor in a Foreign Film Millor actor en pellcula estrangera For | 2020
Best Actor in a Foreign Film (Millor actor en pellcula estrangera) | 2020 | Brad
Best High Work | 2020
Best Motion Picture | 2019
Best Film Actor | 2019 | Brad
Best Original Score | 2019 | Max
Best Sound Mixing | 2019
Best Actor | 2019 | Brad
Best Film | 2019
Best Cinematography | 2019 | Hoyte van
Best Visual Effects | 2019
Best Art DirectionProduction Design | 2019 | Gary
Best Score | 2019 | Max
Best Picture | 2019
Best Director | 2019 | James
Best Actor | 2019 | Brad
Best Cinematography | 2019 | Hoyte van
Best Score | 2019 | Max
Best Actor | 2019 | Brad
Best Lead Actor | 2019 | Brad
Best Supporting Actor | 2019 | Tommy Lee
Best Cinematography | 2019 | Hoyte van
Best Lead Actor | 2019 | Brad
Best Film | 2019
Best Editing | 2019
Best Visual Effects | 2019
Best ScoreSoundtrack | 2019 | Max
Best Cinematography | 2019 | Hoyte van
Best Cinematography | 2019 | Hoyte van
Best Cinematography | 2019 | Hoyte van
Budget 87,500,000 USD
Box Office Collection 127,461,872 USD
Director James Gray admitted to Empire magazine that he had to compromise with the studio on the ending of the movie to get the film green-lit and even with a major star/producer like Brad Pitt on board they still struggled for years to get it made.
Unlike several contemporary films where CGI is used to depict the spacecraft and the vast space, director James Gray decided to use practical effects like models and props for the spacecraft exterior shots. Also, instead of using CGI for planets, he decided to use still images to portray the surface of the planets. This same technique was used in 2001: A Space Odyssey (1968).
Clifford McBride says that he has cataracts and has trouble seeing. Cataracts are one of the projected health problems linked to exposure to solar radiation during an extended period in space.
When Roy reviews the Top Secret message given to him by Colonel Pruitt, the filename is shown as 6EQUJ5. Astronomy fans will immediately recognize this as the character string representing the so-called "Wow!" signal heard by a radio telescope listening in the direction of the constellation Sagittarius in 1977.The real-life Wow! signal, which was similar to what might be expected from an intelligent extraterrestrial source, has never been explained - and has never been heard again.
The title means "to the stars" in Latin. It is often used as a shorthand for "Per Aspera Ad Astra" (Through adversity to the stars); less often for "Per Ardua Ad Astra (same meaning), which is the motto of the Royal Air Force. This phrase lingers from the sentence ("Humanity looks *to the stars* for intelligent life and the promise of progress.") just before film's title (emphasis added) appears.
"Roy McBride: [Last lines] I'm steady, calm. I slept well, no bad dreams. I am active and engaged. I'm aware of my surroundings and those in my immediate sphere. I'm attentive. I am focused on the essentials, to the exclusion of all else. I'm unsure of the future but I'm not concerned. I will rely on those closest to me, and I will share their burdens, as they share mine. I will live and love."
"H. Clifford McBride: We need to find what science tells us is impossible. I can't have failed. Roy McBride: Dad, you haven't. Now we know. We're all we've got."
