Movie |
Prosecution | Artificial Intelligence
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Best Performance in a Feature Film Supporting Young Actor | 2002 | Jake
Best SciFi Movie of the Year | 2001
Best Original Song | 2001 | John
Top Ten Films | 2001
2001 | Steven
2001 | John
Soundtrack Composer of the Year | 2001 | John
Best Science Fiction Film | 2002
Best Writing | 2002 | Steven
Best Music | 2002 | John
Best Special Effects | 2002 | Michael
Best Performance by a Younger Actor | 2002 | Haley Joel
2002 | John
Best Character Hair Styling Feature | 2002 | Terry
Best Original Score Motion Picture | 2002 | John
Best Director Motion Picture | 2002 | Steven
Best Performance by an Actor in a Supporting Role in a Motion Picture | 2002 | Jude
Best Achievement in Special Visual Effects | 2002 | Dennis
Best Score Soundtrack Album for a Motion Picture Television or Other Visual Media | 2002 | John
Best Archival Release of an Existing Score ReRelease | 2016
Best Edition of an Existing Score | 2015
Best Soundtrack | 2001 | John
Best Drama Soundtrack | 2001 | John
Best SciFiFantasy Soundtrack | 2001 | John
Best Film of the Decade | 2009
Best DVD Special Edition Release | 2003
Best Actress | 2002 | Frances
Best Director | 2002 | Steven
Best Overall New Extra Features New Release | 2003 | Laurent
Original Retrospective Documentary New Release | 2003 | Laurent
Featured Actor of the Year Female Movies | 2002 | Frances
Cinematographer of the Year | 2002 | Janusz
Production Designer of the Year | 2002 | Rick
Digital Effects Artist of the Year | 2002 | Dennis
Period or Fantasy Film | 2002
Fantasy Film | 2002 | Easton Michael
Best Foreign Film | 2002
Best Original Score | 2002 | John
Best Cinematography | 2002 | Janusz
Best Supporting Actor | 2002 | Jude
Best Young ActorActress | 2002 | Haley Joel
Best Composer For | 2002
Best Composer | 2002 | John
Best Film | 2002
Best Director | 2002 | Steven
Best Actor | 2002 | Haley Joel
Best Actress | 2002 | Frances
Best Sound Editing Effects Foley Domestic Feature Film | 2002 | Lindakay
Best Sound Editing Dialogue ADR Domestic Feature Film | 2002 | Lindakay
Best Supporting Actor | 2002 | Jude
Best Music Original Score | 2002 | John
Best Cinematography | 2002 | Janusz
Best Production Design | 2002 | Nancy
Best Makeup and Hairstyling | 2002 | Ve
Best Sound Mixing | 2002 | Gary
Best Sound Effects Editing | 2002 | Gwendolyn Yates
Best Visual Effects | 2002 | Michael
Best Supporting Actor | 2002 | Jude
Best Adapted Screenplay | 2002 | Steven
Best Cinematography | 2002 | Janusz
Best Original Score | 2002 | John
Best Actor in a Supporting Role | 2002 | Jude
Best Youth Performance | 2002 | Haley Joel
Best Production Design | 2002 | Rick
Best Makeup | 2002
Best Visual Effects | 2002
Best Foreign Film | 2002
Best Performance in a Feature Film Leading Young Actor | 2002 | Haley Joel
Best Cinematography | 2001 | Janusz
Best Original Score | 2001 | John
Best Visual Effects | 2001
Honorable Mentions | 2001
Favorite Movie of the Year | 2001
Most Underrated Movie of the Year | 2001
Best Special Effects of the Year | 2001
Best Actor of the Year | 2001 | Haley Joel
Best Supporting Actor of the Year | 2001 | Jude
Best Supporting Actress of the Year | 2001 | Frances
Most Overrated Movie of the Year | 2001
Best Music in a Movie | 2001
Best Film | 2001
Best Original Soundtrack of the Year | 2001 | John
Best Original Song Written for a Film | 2001
Budget 100,000,000 USD
Box Office Collection 235,926,552 USD
Stanley Kubrick worked on the project for two decades before his death, but along the way, he decided to ask Steven Spielberg to direct, saying it was "closer to his sensibilities". The two collaborated for several years, resulting in Kubrick giving Spielberg a complete story treatment and lots of conceptual art for the movie prior to his death, which Spielberg used to write his own scenario. Contrary to popular belief, Spielberg claims that he introduced many of the darker elements into the story, while Kubrick's main contribution consisted mostly of its "sweeter" parts. In a 2002 interview with movie critic Joe Leydon, Spielberg indicated that the middle part of the movie, including the Flesh Fair, was his idea, whereas the first forty minutes, the teddy bear, and the last twenty minutes were taken straight from Kubrick's story. Ian Watson, who wrote Kubrick's original treatment, confirmed that even the much-criticized ending, assumed by many to be a typical Spielberg addition, was "exactly what (he) wrote for Stanley, and exactly what he wanted, filmed faithfully by Spielberg."
The list of words that Monica Swinton (Frances O'Connor) says to David (Haley Joel Osment) to make him capable of love was the original list, written by Stanley Kubrick.
In order to further his non-human appearance, each day before filming, any of Haley Joel Osment's exposed skin (face, arms, hands, et cetera) was shaved to give him a more plastic look.
For the last seven minutes of this movie, composer John Williams wrote a piano concerto, and it went over the length of the movie. Director Steven Spielberg stopped the projector and told Williams to just let the music continue. Spielberg, along with editor Michael Kahn, then re-edited the last seven minutes of movie into Williams' piano concerto. Spielberg did a similar thing nineteen years before on E.T. the Extra-Terrestrial (1982), where he and Carol Littleton edited the last fifteen minutes into Williams' music.
Real-life amputees played some of the robots with missing limbs.
"[last lines] Narrator: [narrating, as David lays next to Monica in bed] That was the everlasting moment he had been waiting for. And the moment had passed, for Monica was sound asleep. More than merely asleep. Narrator: [David holds Monica's hand, closing his eyes] Should he shake her she would never rouse. So David went to sleep too. And for the first time in his life, he went to that place... where dreams are born."
"[Joe looks into David's eyes and tells him what he believes in about David being like the rest of the Mecha] Gigolo Joe: She loves what you do for her, as my customers love what it is I do for them. But she does not love you, David. She cannot love you. You are neither flesh nor blood. You are not a dog a cat or a canary. You were designed and built specific like the rest of us... and you are alone now only because they tired of you... or replaced you with a younger model... or were displeased with something you said or broke. They made us too smart, too quick and too many. We are suffering for the mistakes they made because when the end comes, all that will be left is us. That's why they hate us. And that is why you must stay here... with me. David: Goodbye, Joe."
