Movie |
Mentor Protégé Relationship | Cheerful
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Best Achievement in Music Written for Motion Pictures Original Score | 2015 | Alexandre Desplat
Best Achievement in Makeup and Hairstyling | 2015 | Frances Hannon
Best Achievement in Costume Design | 2015 | Milena Canonero
Best Achievement in Production Design | 2015 | Anna Pinnock
Best Original Screenplay | 2015 | Wes Anderson
Best Original Music | 2015 | Alexandre Desplat
Best Make Up Hair | 2015 | Frances Hannon
Best Costume Design | 2015 | Milena Canonero
Best Production Design | 2015 | Anna Pinnock
Best Ensemble | 2014 | Tom Wilkinson
Best Original Screenplay | 2014 | Wes Anderson
Best Art DirectionProduction Design | 2014 | Anna Pinnock
Best Ensemble | 2015 | Tom Wilkinson
Best Score | 2015 | Alexandre Desplat
Best Cinematography | 2015 | Robert D. Yeoman
Best Actor | 2015 | Ralph Fiennes
Best Director | 2015 | Wes Anderson
Best Original Screenplay | 2015 | Hugo Guinness
Best Costume Design | 2015 | Milena Canonero
Best Production Design | 2015 | Adam Stockhausen
Best Body of Work For and | 2014 | Willem Dafoe
Best Production Design | 2014 | Anna Pinnock
Best Supporting Actress International Competition For | 2015 | Tilda Swinton
Best Supporting Actress International Competition | 2015 | Tilda Swinton
Best Art Direction International Competition | 2015 | Adam Stockhausen
Grand Jury Prize | 2014 | Wes Anderson
Original Screenplay | 2015 | Hugo Guinness
Costume Design | 2015 | Milena Canonero
Production Design of the Decade | 2020 | Anna Pinnock
Production Design | 2015 | Adam Stockhausen
Main Competition | 2014 | Wes Anderson
Best Original Screenplay | 2015 | Hugo Guinness
Best Screenplay | 2014 | Wes Anderson
Best Original Screenplay Miglior sceneggiatura originale | 2015 | Hugo Guinness
Best Original Score Miglior colonna sonora | 2015 | Alexandre Desplat
Best Costume Design Migliori costumi | 2015 | Milena Canonero
Best Art Direction Miglior scenografia | 2015 | Adam Stockhausen
Best Cinematography Miglior fotografia | 2015 | Robert D. Yeoman
Best Original Screenplay | 2014 | Wes Anderson
Best Cinematography | 2014 | Robert D. Yeoman
Best Screenplay | 2015 | Wes Anderson
Best Film Melhor Filme | 2015 | Wes Anderson
Best Director Melhor Realizador | 2015 | Wes Anderson
Best Cinematography Melhor Fotografia | 2015 | Robert D. Yeoman
Best Screenplay | 2014 | Wes Anderson
Best Foreign Film Miglior Film Straniero | 2014 | Wes Anderson
Best Original Screenplay | 2015 | Hugo Guinness
Best Original Screenplay | 2015 | Hugo Guinness
Screenwriter of the Year | 2015 | Wes Anderson
Best Screenplay | 2014 | Wes Anderson
Best Original Screenplay | 2015 | Wes Anderson
Best Screenplay Original | 2015 | Hugo Guinness
Best Makeup and Hairstyling | 2015 | Frances Hannon
Best Costume Design | 2015 | Milena Canonero
Best Production Design | 2015 | Anna Pinnock
Best Original Screenplay | 2014 | Wes Anderson
Best Cinematography | 2014 | Robert D. Yeoman
2015 | Wes Anderson
Best Foreign Film Millor pellcula estrangera | 2015 | Wes Anderson
Best Screenplay | 2015 | Wes Anderson
Film Composer of the Year | 2014 | Alexandre Desplat
Film Composer of the Year For and | 2014 | Alexandre Desplat
Best Original Film Score of the Year | 2014 | Alexandre Desplat
The SIREN Award for Best Composition in a Feature Film | 2015 | Alexandre Desplat
Best Original Score | 2015 | Alexandre Desplat
Best Production Design | 2015 | Anna Pinnock
Best Original Score for a Comedy Film | 2015 | Alexandre Desplat
Best Score Soundtrack for Visual Media | 2015 | Randall Poster
Best Original Score | 2015 | Alexandre Desplat
Outstanding Achievement in Casting Studio or Independent Feature Comedy | 2015 | Henry Russell Bergstein
Best Ensemble Cast | 2015 | Alexandra Montag
Best Edited Feature Film Comedy or Musical | 2015 | Barney Pilling
Period Film | 2015 | Jay Clarke
Best Period andor Character Makeup Feature Films | 2015 | Julie Dartnell
Best Period andor Character Hair Styling Feature Films | 2015 | Julie Dartnell
Best Costume Design (Migliori Costumi) | 2014 | Milena Canonero
Best Costume Design Migliori Costumi For | 2014 | Milena Canonero
Costume Designer of the Year | 2014 | Milena Canonero
Best Costume Design International Competition | 2015 | Milena Canonero
Best Art Direction International Competition | 2015 | Adam Stockhausen
Best Costume Design | 2015 | Milena Canonero
Best Art Direction | 2015 | Anna Pinnock
Best Costume Design | 2015 | Milena Canonero
Best Art Direction Production Design | 2015 | Stephan O. Gessler
Best Costume Design | 2014 | Milena Canonero
Best Production Design | 2014 | Anna Pinnock
Excellence in Period Film | 2015 | Milena Canonero
Best Costume Design | 2014 | Milena Canonero
Best Production Design | 2014 | Anna Pinnock
Best Production Design | 2014 | Adam Stockhausen
Best Art Direction | 2014 | Anna Pinnock
Best Art Direction | 2014 | Adam Stockhausen
Best Production Design | 2014 | Adam Stockhausen
Outstanding Locations in a Period Film | 2015 | Klaus Große Darrelmann
Best Achievement in Directing | 2015 | Wes Anderson
Best Writing Original Screenplay | 2015 | Hugo Guinness
Best Motion Picture of the Year | 2015 | Jeremy Dawson
Best Achievement in Film Editing | 2015 | Barney Pilling
Best Achievement in Cinematography | 2015 | Robert D. Yeoman
Best Performance by an Actor in a Motion Picture Comedy or Musical | 2015 | Ralph Fiennes
Best Director Motion Picture | 2015 | Wes Anderson
Best Screenplay Motion Picture | 2015 | Wes Anderson
Best Leading Actor | 2015 | Ralph Fiennes
Best Film | 2015 | Jeremy Dawson
Best Editing | 2015 | Barney Pilling
Best Cinematography | 2015 | Robert D. Yeoman
Best Sound | 2015 | Christopher Scarabosio
Ensemble Cast | 2015 | Tom Wilkinson
Ensemble of the Decade | 2020 | Tom Wilkinson
Lead Actor | 2015 | Ralph Fiennes
Director | 2015 | Wes Anderson
Motion Picture | 2015 | Jeremy Dawson
Original Score | 2015 | Alexandre Desplat
MakeupHair of the Decade | 2020 | Frances Hannon
MakeupHair | 2015 | Frances Hannon
Costume Design of the Decade | 2020 | Milena Canonero
Cinematography | 2015 | Robert D. Yeoman
Outstanding Performance by a Cast in a Motion Picture | 2015 | Tom Wilkinson
Best Ensemble | 2014 | Tom Wilkinson
Best Actor | 2014 | Ralph Fiennes
Best Director | 2014 | Wes Anderson
Best Original Screenplay | 2014 | Hugo Guinness
Best Score | 2014 | Alexandre Desplat
Best Editing | 2014 | Barney Pilling
Best Acting Ensemble | 2014 | Tom Wilkinson
Best Original Screenplay | 2014 | Wes Anderson
Best Youth Performance | 2014 | Tony Revolori
Best Cinematography | 2014 | Robert D. Yeoman
Best Ensemble Acting | 2014 | Tom Wilkinson
Best Director | 2014 | Wes Anderson
Best Screenplay Written Directly for the Screen | 2014 | Wes Anderson
Best Performance by a Youth in a Lead or Supporting Role Male | 2014 | Tony Revolori
Best Actor in a Leading Role | 2014 | Ralph Fiennes
Best Director | 2014 | Wes Anderson
Best Original Screenplay | 2014 | Hugo Guinness
Best Motion Picture | 2014 | Jeremy Dawson
Best Original Score | 2014 | Alexandre Desplat
Best Cinematography | 2014 | Robert D. Yeoman
Best Actor in a Comedy Movie | 2015 | Ralph Fiennes
Best Actor | 2015 | Ralph Fiennes
Best Director | 2015 | Wes Anderson
Best Original Screenplay | 2015 | Hugo Guinness
Best Young ActorActress | 2015 | Tony Revolori
Best Cinematography | 2015 | Robert D. Yeoman
Best Actor | 2014 | Ralph Fiennes
Best Supporting Actress | 2014 | Tilda Swinton
Best Supporting Actress For and | 2014 | Tilda Swinton
Best Director | 2014 | Wes Anderson
Best Actor | 2015 | Ralph Fiennes
Best Actor | 2015 | Ralph Fiennes
Actor of the Year For and | 2015 | Tilda Swinton
Best Director | 2015 | Wes Anderson
Best Original Screenplay | 2015 | Wes Anderson
Best Actor of the Year | 2014 | Ralph Fiennes
Best Director of the Year | 2014 | Wes Anderson
Best Screenplay of the Year | 2014 | Wes Anderson
Best Actor | 2015 | Ralph Fiennes
Best Director | 2015 | Wes Anderson
Best Music Original Score | 2015 | Alexandre Desplat
Best Film Editing | 2015 | Barney Pilling
Best Actor in a Leading Role | 2015 | Ralph Fiennes
Best Director | 2015 | Wes Anderson
Best Original Screenplay | 2015 | Wes Anderson
Best Film Editing | 2015 | Barney Pilling
Best Actor | 2014 | Ralph Fiennes
Best Director | 2014 | Wes Anderson
Best Editing | 2014 | Barney Pilling
Best Actor Melhor Actor | 2015 | Ralph Fiennes
Best Original Screenplay Melhor Argumento Original | 2015 | Hugo Guinness
Best Original Score Melhor Banda Sonora | 2015 | Alexandre Desplat
Best Actor | 2015 | Ralph Fiennes
Best Director | 2015 | Wes Anderson
Best Original Screenplay | 2015 | Hugo Guinness
Best Cinematography | 2015 | Robert D. Yeoman
Best Actor International Competition | 2015 | Ralph Fiennes
Best Actor | 2014 | Ralph Fiennes
Best Supporting Actress | 2015 | Tilda Swinton
Best Supporting Actress For and | 2015 | Tilda Swinton
Best Young Actress | 2014 | Saoirse Ronan
Young British Performer of the Year | 2015 | Saoirse Ronan
Director of the Year | 2015 | Wes Anderson
Technical Achievement of the Year | 2015 | Adam Stockhausen
Best Director | 2015 | Wes Anderson
Best Director | 2014 | Wes Anderson
Best Original Score | 2014 | Alexandre Desplat
Most Promising Performer | 2014 | Tony Revolori
Best Editing | 2014 | Barney Pilling
Best Picture | 2015 | Jeremy Dawson
Best Director | 2015 | Wes Anderson
Best Writing Original Screenplay | 2015 | Wes Anderson
Best Film Music or Score | 2015 | Alexandre Desplat
Best Director Miglior regia | 2015 | Wes Anderson
Best Picture Miglior film | 2015 | Wes Anderson
Best Makeup Miglior trucco | 2015 | Frances Hannon
Best Original Screenplay | 2014 | Wes Anderson
Best Director | 2014 | Wes Anderson
Best Music | 2014 | Alexandre Desplat
Best Supporting Actor | 2014 | Tony Revolori
Best Cinematography | 2014 | Robert D. Yeoman
Best Writing | 2015 | Wes Anderson
Best Performance by a Younger Actor | 2015 | Tony Revolori
Best Production Design | 2015 | Adam Stockhausen
Best Foreign Film Meilleur film tranger | 2015 | Wes Anderson
Best Feature | 2014 | Jeremy Dawson
2014 | Wes Anderson
Best ForeignLanguage Film Melhor Filme Estrangeiro | 2015 | Wes Anderson
Best Film | 2015 | Jeremy Dawson
Best Direction | 2015 | Wes Anderson
Best Screenplay | 2015 | Wes Anderson
Best Film | 2014 | Wes Anderson
Best Director | 2014 | Wes Anderson
Best Director | 2014 | Wes Anderson
Best Screenplay Original | 2014 | Hugo Guinness
Best Cinematography | 2014 | Robert D. Yeoman
Best American Film rets amerikanske film | 2015 | Wes Anderson
Best Director | 2014 | Wes Anderson
Best Original Score or Soundtrack | 2014 | Alexandre Desplat
Best Editing | 2014 | Barney Pilling
Best Cinematography | 2014 | Robert D. Yeoman
Best Director | 2014 | Wes Anderson
Best Screenplay | 2014 | Wes Anderson
Best Original Screenplay | 2015 | Hugo Guinness
Best Original Score | 2015 | Alexandre Desplat
Best Director International Competition | 2015 | Wes Anderson
Best Screenplay International Competition | 2015 | Wes Anderson
Best Original Score International Competition | 2015 | Alexandre Desplat
Best MakeUp International Competition | 2015 | Mark Coulier
Best Editing International Competition | 2015 | Barney Pilling
Best Cinematography International Competition | 2015 | Robert D. Yeoman
Best Original Screenplay | 2014 | Hugo Guinness
Best Director | 2015 | Wes Anderson
Best Picture | 2015 | Jeremy Dawson
Best Breakthrough Performance Male | 2015 | Tony Revolori
Best Youth Performance | 2015 | Tony Revolori
2014 | Jeremy Dawson
Outstanding Directorial Achievement in Feature Film | 2015 | Wes Anderson
Best Director | 2015 | Wes Anderson
Best Screenplay | 2015 | Hugo Guinness
Best Cinematography | 2015 | Robert D. Yeoman
2014 | Wes Anderson
2015 | Wes Anderson
Best Original Screenplay | 2015 | Hugo Guinness
Best Original Score | 2015 | Alexandre Desplat
Best Cinematography | 2015 | Robert D. Yeoman
Outstanding Producer of Theatrical Motion Pictures | 2015 | Jeremy Dawson
Best Director | 2014 | Wes Anderson
Film Director of the Year | 2015 | Wes Anderson
Best Use of Music in a Film | 2015 | Alexandre Desplat
Best Production Design | 2015 | Adam Stockhausen
Best Cinematography | 2015 | Robert D. Yeoman
Best Musical Score | 2014 | Alexandre Desplat
Film Score of the Year | 2015 | Alexandre Desplat
Best Original Score | 2015 | Alexandre Desplat
Best Film Editing | 2015 | Barney Pilling
Best Sound Editing Dialogue and ADR in an English Language Feature | 2015 | Christopher Scarabosio
Outstanding Achievement in Cinematography in Theatrical Releases | 2015 | Robert D. Yeoman
Best Cinematography in a Theatrical Feature Film | 2014 | Robert D. Yeoman
Best Cinematography | 2014 | Robert D. Yeoman
Excellence in Sound for a Feature Film | 2015 | Christopher Scarabosio
Outstanding Supporting Visual Effects in a PhotorealLive Action Feature Motion Picture | 2015 | Jan Burda
Budget 30,000,000 USD
Box Office Collection 174,600,318 USD
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The scene in which Ludwig (Harvey Keitel) says "Good luck, kid!" before slapping Zero (Tony Revolori) across the face was shot forty-two times until Wes Anderson was satisfied. Keitel actually slapped Revolori each time.
Tilda Swinton spent five hours in the make-up chair to play eighty-four-year-old dowager Madame D. "We're not usually working with a vast, Bruckheimer-type budget on my films, so often we're trying a work-around", said Wes Anderson. "But for the old-age make-up, I just said, 'let's get the most expensive people we can'."
According to writer, producer, and director Wes Anderson, the cast stayed in the same hotel, the Hotel Börse in Görlitz, Germany during principal photography. He insisted all make-up and costume fittings happen in the hotel lobby to speed up filming. The owner of the hotel appeared in this movie as an extra working the front desk of The Grand Budapest Hotel. After filming ended for the day, the crew often returned to find him at the front desk of their own hotel.
As an example of how important attention to detail is in movies, graphic designer Annie Atkins stated in interviews that they had created a prop notebook for M. Gustave (Ralph Fiennes) to use. However, Fiennes immediately noticed that the notebook had no lines in it. After arguing that an organized and meticulous man as his character, M. Gustave, would always prefer lines to write on, the design department got him a notebook with lines. Atkins later stopped using this example when she learned that journalists had completely missed her point, and were instead writing about Fiennes' alleged diva behavior on the set.
This was the highest-grossing independent movie of 2014, and the highest-grossing limited-release movie of 2014.
"M. Gustave: You see, there are still faint glimmers of civilization left in this barbaric slaughterhouse that was once known as humanity. Indeed that's what we provide in our own modest, humble, insignificant... oh, fuck it."
"M. Gustave: [to Mme. Céline's corpse] You're looking so well, darling, you really are... they've done a marvelous job. I don't know what sort of cream they've put on you down at the morgue, but... I want some."
