Movie |
Grief | London, England
One night in his near-empty tower block in contemporary London, Adam has a chance encounter with a mysterious neighbor Harry, which punctures the rhythm of his everyday life. As a relationship develops between them, Adam is preoccupied with memories of the past and finds himself drawn back to the suburban town where he grew up, and the childhood home where his parents appear to be living, just as they were on the day they died, 30 years before.
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![Official Trailer [Audio Described]](https://img.youtube.com/vi/1SMz_C9lI1o/mqdefault.jpg)
One night in his near-empty tower block in contemporary London, Adam has a chance encounter with a mysterious neighbor Harry, which punctures the rhythm of his everyday life. As a relationship develops between them, Adam is preoccupied with memories of the past and finds himself drawn back to the suburban town where he grew up, and the childhood home where his parents appear to be living, just as they were on the day they died, 30 years before.
LGBTQ Screenplay of the Year | 2024 | Andrew
Film of the Year | 2024
LGBTQ Film of the Year | 2024
Best Lead Performance Male | 2024 | Andrew
Best Supporting Performance | 2023 | Paul
Best Screenplay | 2023 | Andrew
Top Ten Independent Films | 2023
Best Film | 2023 | Andrew
Screenwriting | 2023 | Andrew
Actor of the Year | 2024 | Andrew
Best Actor | 2024 | Andrew
Best Performance by a Male Actor in a Motion Picture Drama | 2024 | Andrew
Outstanding British Film of the Year | 2024 | Andrew
Best Director | 2024 | Andrew
Best Screenplay (Adapted) | 2024 | Andrew
Best Supporting Actress | 2024 | Claire
Best Supporting Actor | 2024 | Paul
Best Adapted Screenplay | 2024 | Andrew
Outstanding Film Wide Release | 2024
Best Feature | 2024
Best Lead Performance | 2024 | Andrew
Best Director | 2024 | Andrew
Film of the Year | 2024
Screenwriter of the Year | 2024 | Andrew
Supporting Actress of the Year | 2024 | Claire
Supporting Actor of the Year | 2024 | Paul
Best Actor | 2024 | Andrew
Best Performance in a Supporting Role | 2024 | Jamie
Best Performance by an Ensemble Cast | 2024
Best Adapted Screenplay | 2024 | Andrew
Best Actor | 2024 | Andrew
Best Actor | 2024 | Andrew
Best Adapted Screenplay | 2024 | Andrew
Best Actor | 2024 | Andrew
Best Actor | 2024 | Andrew
Best Picture | 2024
Best Actor | 2024 | Andrew
Best Supporting Actress | 2024 | Claire
Best Adapted Screenplay | 2024 | Andrew
Best Ensemble Cast | 2024 | Andrew
Best Film | 2024 | Andrew
Best Lead Actor in Film | 2024 | Andrew
Best Music Supervision for Film Budgeted Under 25 Million Dollars | 2024 | Connie
Best Music Supervision for a Trailer (Film) | 2024
Best Actor in a Horror Movie | 2024 | Andrew
Best Independent Film | 2024
Best Lead Performance | 2024 | Andrew
Best Lead Actor | 2024 | Andrew
Best Lead Actor Film | 2024 | Andrew
Best Supporting Actor Film | 2024 | Paul
Best International Film | 2024 | Peter
(director) | 2024 | Andrew
Best Lead Performance | 2023 | Andrew
Best Supporting Performance | 2023 | Claire
Best Casting | 2023 | Kathleen
Main Competition | 2023 | Andrew
Best Actor | 2023 | Andrew
Best Actor | 2023 | Andrew
Best International Feature | 2023
Outstanding Supporting Performance | 2023 | Claire
Best Screenplay | 2023 | Andrew
Outstanding Lead Performance | 2023 | Andrew
Best Picture | 2023
Outstanding Lead Performance | 2023 | Andrew
Best Adapted Screenplay | 2023 | Andrew
Best Male Lead | 2023 | Andrew
Best Picture | 2023
Best Actor | 2023 | Andrew
Best Adapted Screenplay | 2023 | Andrew
Actor of the Year | 2023 | Andrew
Box Office Collection 14,864,960 USD
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Andrew Haigh's childhood home served as the filming location for the house Adam finds his parents in.
[Jamie Bell, recalling a scene in the film that reminded him of his own parenthood as a father of three]: "When I tell Adam it's time to go now, Andrew reaches out and puts his hand on my mouth to stop me from speaking. My four-year-old does that. She thinks, if you don't speak it, it won't happen. It's a moment that wasn't in the script. That was just Andrew being brilliant. And you immediately go, 'OK, I'm going to hold his hand now, because that hand is precious to me.' It fuels you, and that's what's wonderful about working with great actors."
[Director Andrew Haigh on using the song "The Power of Love" by Frankie Goes To Hollywood]: "The idea that I used to love that song as an 11-year-old queer kid living in suburban England and that I could put it in a film years and years later, now being very open about my sexuality, is something I never thought would actually be a possibility," Haigh says. "And I can make a film with queer content -- again, something I never thought would be a possibility. And I'm in a relationship, which is, again, something I never thought would be a possibility. I was like, Fuck it, that's going at the end of the film. There was no way I was not doing that. I wouldn't even care if nobody liked it."
Jamie Bell wore brown contact lenses to closer resemble Andrew Scott's eyes.
Loosely adapted from the novel Strangers by Taichi Yamada, a book which also inspired the 1988 film The Discarnates (1988).
