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War In Europe | 101st Parachute Division
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Band Of Brothers is based on historian Stephen E. Ambrose's 1992 novel of the same name. And, much like the book, this too is an inspiring war story set during the Second World War. The series shows a dramatised history of certain soldiers chronicling the highlights of the epic war. And, with people like Steven Spielberg and Tom Hanks, the movie is nothing less of superb. The battle scenes, especially, which are the highlight of a good war movie, are spectacular. They are kept to be as close to reality as possible, which makes them gory in certain scenes. One of the best HBO original series in a long time, Band of Brothers strikes a nice balance. A balance between classic documentary style storytelling and dramatic feature filmmaking. With a big budget and shoot at exotic locations, the series is well worth your time. And, that is not just if you are a war movie buff.
Outstanding Producer of LongForm Television | 2002 | Tony To
Best Direction of a Motion Picture or Miniseries | 2002 | David Leland
Best Music in a Motion Picture or Miniseries | 2002 | Michael Kamen
Best New Theme Song in a Motion Picture or Miniseries | 2002 | Michael Kamen
Television Cable | 2002 | Erik Bork
Outstanding Miniseries | 2002 | Erik Bork
Outstanding Directing for a Miniseries Movie or a Dramatic Special | 2002 | David Leland
Outstanding Sound Editing for a Miniseries Movie or a Special | 2002 | Andy Kennedy
Outstanding Casting for a Miniseries Movie or a Special | 2002 | Gary Davy
Outstanding Single Camera Sound Mixing for a Miniseries or a Movie | 2002 | Mark Taylor
Outstanding Single Camera Picture Editing for a Miniseries Movie or a Special | 2002 | Frances Parker
Best Performance by an Actor in a Supporting Role in a Series Miniseries or a Motion Picture Made for Television | 2002 | David Schwimmer
TV Series and Serials Actor | 2002 | Damian Lewis
TV Series and Serials Music | 2002 | Michael Kamen
2001 | Martin Hume
2002 | Michael Kamen
Best Casting for TV Miniseries | 2002 | Cami Patton
Adapted Long Form | 2003 | Bruce C. McKenna
Best Visual Effects Digital | 2002 | Angus Bickerton
Outstanding Sound Mixing for Television MOWs and MiniSeries | 2002 | David Stephenson
Best Edited Episode from a Television MiniSeries | 2002 | Frances Parker
Best Performance by an Actor in a Miniseries or a Motion Picture Made for Television | 2002 | Damian Lewis
Best Performance by an Actor in a Supporting Role in a Series Miniseries or Motion Picture Made for Television | 2002 | Ron Livingston
Best Writing of a Motion Picture or Miniseries | 2002 | Erik Bork
Best Actor in a Motion Picture or Miniseries | 2002 | Damian Lewis
Outstanding Writing for a Miniseries Movie or a Dramatic Special | 2002 | Erik Bork
Outstanding Hairstyling for a Miniseries Movie or a Special | 2002 | Paula Price
Outstanding Special Visual Effects for a Miniseries Movie or a Special | 2002 | Ken Dailey
Outstanding Main Title Design | 2002 | Michael Riley
Outstanding Stunt Coordination | 2002 | Greg Powell
Outstanding Makeup for a Miniseries Movie or a Special Prosthetic | 2002 | Duncan Jarman
Outstanding Art Direction for a Miniseries Movie or a Special | 2002 | Anthony Pratt
Outstanding Cinematography for a Miniseries or a Movie | 2002 | Remi Adefarasin
Outstanding Makeup for a Miniseries Movie or a Special NonProsthetic | 2002 | Liz Tagg
Outstanding Single Camera Picture Editing for a Miniseries Movie or a Special | 2002 | Billy Fox
Outstanding Single Camera Sound Mixing for a Miniseries or a Movie | 2002 | David Stephenson
Best Performance by an Actor in a Miniseries or a Motion Picture Made for Television | 2002 | Damian Lewis
Best overall dubbing of a TV series | 2003 | Francesco Pannofino
Minute Category | 2002 | Bruce C. McKenna
Prior to production, the various directors were told that the actors were in contact with the veterans they were playing. If the actors said that the veterans disapproved or disagreed with something in the script, it would have to be changed. Many of the actors frequently got themselves taken out of certain scenes after the respective veterans said they weren't there for the event in question.
Donald Malarkey is seen meeting an American-born German POW who had lived in Oregon, Malarkey's home state, but whose family had returned to Germany before the war. That incident actually happened, but with one crucial difference. In the film, Malarkey hadn't known the man back in Oregon. In real life, the two had actually worked across the street from each other for years.
Almost all the main actors were cast because of their close physical resemblance to the real-life soldiers they were portraying.
Tom Hanks, Steven Spielberg, and Stephen Ambrose showed each of the scripts around to real-life soldiers of Easy Company to guarantee authenticity.
At the time, with a budget of $104 million, which eventually rose to $120 million, this was the most expensive television drama ever made.
"2nd Lt. George Rice: Looks like you guys are going to be surrounded. Richard Winters: We're paratroopers, Lieutenant. We're supposed to be surrounded."
"Richard Winters: Captain Sobel, we salute the rank, not the man."
