Movie |
Boy Band | Based On Real Person
Follow Robbie Williams’ journey from childhood, to being the youngest member of chart-topping boyband Take That, through to his unparalleled achievements as a record-breaking solo artist – all the while confronting the challenges that stratospheric fame and success can bring.
Disclaimer: All content and media belong to original content streaming platforms/owners like Netflix, Disney+ Hotstar, Amazon Prime Videos, JioCinema, SonyLIV etc. 91mobiles entertainment does not claim any rights to the content and only aggregate the content along with the service providers links.
Follow Robbie Williams’ journey from childhood, to being the youngest member of chart-topping boyband Take That, through to his unparalleled achievements as a record-breaking solo artist – all the while confronting the challenges that stratospheric fame and success can bring.
Best Supporting Actor in Film | 2025 | Damon Herriman
Best Film | 2025 | Michael Gracey
Best Lead Actor in Film | 2025 | Jonno Davies
Best Direction in Film | 2025 | Michael Gracey
Best Supporting Actor | 2025 | Damon Herriman
Best Sound for a Feature Film | 2025 | Ryan Cole
Best Direction in Film | 2025 | Michael Gracey
Best Achievement in Visual Effects | 2025 | Keith Herft
Best Original Song Motion Picture | 2025 | Robbie Williams
Best Achievement in Special Visual Effects | 2025 | Keith Herft
Best StuntMovement Choreography | 2024 | Ashley Wallen
Best VocalMotion Capture Performance | 2024 | Robbie Williams
Best Special Effects | 2024 | Scott McIntyre
Best Supporting Actor in Film | 2025 | Damon Herriman
Best Lead Actor in Film | 2025 | Jonno Davies
Best Screenplay in Film | 2025 | Simon Gleeson
Best Music Themed Film Biopic or Musical | 2024 | Michael Gracey
Best Original Song Feature Film | 2024 | Robbie Williams
Best Sound Editing | 2025 | Ryan Cole
Best Actress Supporting Role | 2025 | Kate Mulvany
Best Actor | 2025 | Jonno Davies
Best Cinematography | 2025 | Erik Wilson
Best Screenplay | 2025 | Simon Gleeson
Best Supporting Actress in Film | 2025 | Kate Mulvany
Outstanding Achievement in Music Editing Feature Motion Picture | 2025 | Craig Beckett
Best Voice ActingAnimatedDigital Performance | 2025 | Robbie Williams
Best Motion Capture Performance | 2024 | Jonno Davies
Best Hybrid Performance | 2025 | Robbie Williams
Best NonLiveAction Performance | 2025 | Jonno Davies
Outstanding Original Song for a Comedy or Musical Visual Media Production | 2025 | Robbie Williams
Feature Film Original | 2025 | Simon Gleeson
Best Visual Effects | 2025 | Keith Herft
Outstanding Visual Effects in a Photoreal Feature | 2025 | Keith Herft
Outstanding CG Cinematography | 2025 | Blair Burke
Best Visual Effects | 2025 | Keith Herft
Best Visual Effects | 2025 | Keith Herft
Best Visual Effects | 2025 | Keith Herft
Outstanding Achievement for Character Animation in a Live Action Production | 2025 | Shaun Freeman
Best Music Supervision for Major Budget Film | 2025 | Jordan Carroll
Budget 110,000,000 USD
Box Office Collection 22,549,151 USD
The film arose from multiple interview recordings filmmaker Michael Gracey made with Robbie Williams during the course of a year and a half in Williams' recording studio in Los Angeles, in the United States. Although the interviews weren't originally for a film, as Gracey "just wanted to capture [Williams] in his own voice telling his story," the majority of Williams' voiceover in the film is from those recordings.
Securing permission to shoot the lavish dance sequence on Regent Street in London took a year and an half as the British Crown Estate owns it. Two nights before filming was scheduled, after spending an entire week in rehearsal, Queen Elizabeth II passed away and the shoot had to be postponed. Everyone had to be paid anyway, including shop owners and crew, and production insurance didn't cover the losses due to death of a monarch. Producers had to raise additional funds to shoot the sequence, which filmed five months later.
The poster for the film replicates the same photo utilized for the cover of Robbie Williams' 1997 debut solo album, Life Thru A Lens.
Robbie Williams attended the Benelux premiere in Amsterdam on 10 December 2024. Before the movie started, he did a live interview with Gerard Ekdom, a well-known radio personality from The Netherlands. When asked by Gerard what the audience could expect, Robbie said; "I'm showing everything in this movie except my hemorrhoids." Robbie also warned the audience about being portrayed by a monkey: "the first five minutes you'll think, 'wtf?' But after eight minutes, you'll be completely okay with it."
The song "Forbidden Road" received a nomination for Best Original Song at the 82nd Golden Globe Awards. The song was also shortlisted for the Academy Award for Best Original Song at the 97th Academy Awards, but was disqualified from consideration due to the song incorporating material from an already existing song. Per the rules of the Academy of Motion Picture Arts and Sciences, songs under consideration for nominations must be completely original and contain absolutely no material from existing songs.
