Movie |
Road Trip | New York City
In 1950s New York, a department-store clerk who dreams of a better life falls for an older, married woman.
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In 1950s New York, a department-store clerk who dreams of a better life falls for an older, married woman.
Best Picture | 2016
Best Adapted Screenplay | 2016 | Phyllis
Best Cinematography | 2016 | Edward
Best Costume Design | 2016 | Sandy
Best Original Score | 2016 | Carter
Best Actress | 2016 | Rooney
Technical Achievement of the Year | 2016 | Edward
For | 2016
2016 | Rooney
2016 | Carter
2016 | Rooney
Best Original Score | 2016 | Carter
Best Screenplay Adapted | 2016 | Phyllis
Best Foreign Film | 2016
2016 | Carter
Film Composer of the Year For and | 2016
Film Composer of the Year | 2016 | Carter
Best Cinematography | 2015 | Edward
Best Costume Design | 2015 | Sandy
Best Cinematography in a Theatrical Feature Film | 2015 | Edward
Main Competition | 2015 | Edward
2015 | Rooney
2015 | Todd
2015 | Phyllis
Production Design | 2015 | Judy
Best Feature | 2015 | Todd
Best Supporting Actress | 2015 | Rooney
Best Art DirectionProduction Design | 2015 | Heather
2015 | Todd
Grand Prix | 2015 | Todd
Best Film | 2015
Best Director | 2015 | Todd
Best Screenplay | 2015 | Phyllis
Best Cinematographer | 2015 | Edward
Best Actress | 2015 | Cate
Best Supporting Actress | 2015 | Rooney
Best Adapted Screenplay | 2015 | Phyllis
Best Production Design | 2015 | Heather
Best Woman Storyteller | 2015 | Phyllis
Best Foreign Film Not in the Spanish Language Mejor Pelcula Extranjera | 2017 | Todd
Movie of the Year | 2016
Best Depiction of Nudity Sexuality or Seduction | 2016
Best Director | 2016 | Todd
Best Cinematography | 2016 | Edward
Director of the Year | 2016 | Todd
Film Performance of the Year Actress | 2016 | Cate
LGBTQ Film of the Year | 2016
Screenplay of the Year | 2016 | Phyllis
Film of the Year | 2016
Outstanding Film Wide Release | 2016
Best Music Supervision for Film Budgeted Under Million Dollars | 2016 | Randall
Best Supporting Actress | 2016 | Rooney
Best Picture | 2016
Best Actress | 2016 | Rooney
Best Director | 2016 | Todd
Best Adapted Screenplay | 2016 | Phyllis
Best Original Score | 2016 | Carter
Best Foreign Film Millor pellcula estrangera | 2017 | Todd
Best Achievement in Music Written for Motion Pictures Original Score | 2016 | Carter
Best Writing Adapted Screenplay | 2016 | Phyllis
Best Achievement in Cinematography | 2016 | Edward
Best Achievement in Costume Design | 2016 | Sandy
Best Performance by an Actress in a Supporting Role | 2016 | Rooney
Best Performance by an Actress in a Leading Role | 2016 | Cate
Best Original Score Motion Picture | 2016 | Carter
Best Motion Picture Drama | 2016
Best Performance by an Actress in a Motion Picture Drama | 2016 | Rooney
Best Director Motion Picture | 2016 | Todd
Best Production Design | 2016 | Heather
Best Costume Design | 2016 | Sandy
Best Makeup and Hair | 2016 | Patricia
Best Film | 2016 | Stephen
Best Leading Actress | 2016 | Cate
Best Supporting Actress | 2016 | Rooney
Best Adapted Screenplay | 2016 | Phyllis
Best Cinematography | 2016 | Edward
MakeupHair | 2016 | Patricia
Lead Actress | 2016 | Cate
Supporting Actress | 2016 | Rooney
Motion Picture | 2016 | Stephen
Original Score | 2016 | Carter
Director | 2016 | Todd
Adapted Screenplay | 2016 | Phyllis
Cinematography | 2016 | Edward
Production Design | 2016 | Judy
Costume Design | 2016 | Sandy
Best American Film Bedste amerikanske film | 2017 | Todd
Best Actress International Competition For | 2017
Best Actress International Competition | 2017 | Cate
Best American Film rets amerikanske film | 2017 | Todd
Best Foreign Language Film | 2017 | Todd
Best Actress in a Foreign Film Millor actriu en pellcula estrangera | 2017 | Cate
2016 | Todd
Outstanding Performance by a Female Actor in a Leading Role | 2016 | Cate
Outstanding Performance by a Female Actor in a Supporting Role | 2016
Best Film | 2016 | Christine
Best Direction | 2016 | Todd
Best Screenplay | 2016 | Phyllis
Best Grownup Love Story | 2016 | Rooney
Best Picture | 2016
Best Director | 2016 | Todd
Best Actress | 2016 | Cate
Best Supporting Actress | 2016 | Rooney
Best Film Music or Score | 2016 | Carter
Best Woman Screenwriter | 2016 | Phyllis
Outstanding Achievement in Cinematography in Theatrical Releases | 2016 | Edward
Best Film Score | 2016 | Carter
Best Original Score | 2016 | Carter
Feature | 2016 | Craig
Best Film | 2016 | Todd
Outstanding Achievement in Casting Studio or Independent Feature Drama | 2016 | Jodi
Best Director | 2016 | Todd
Best Actress | 2016 | Cate
Best Supporting Actress | 2016 | Rooney
Actor of the Year For and | 2016
Best Score | 2016 | Carter
Actor of the Year | 2016 | Cate
Best Editing | 2016 | Affonso
Best Cinematography | 2016 | Edward
Best Production Design | 2016 | Judy
Narrative Content Feature Live Action | 2016
Most Valuable Film of the Year | 2016 | Todd
Cinema for Peace Award for the Most Valuable Film of the Year | 2016 | Todd
Excellence in Period Film | 2016 | Sandy
Best Picture | 2016
Best Actress | 2016 | Cate
Best Supporting Actress | 2016 | Rooney
Best Director | 2016 | Todd
Best Cinematography | 2016 | Edward
Best Art Direction | 2016 | Heather
Best Costume Design | 2016 | Sandy
Best Hair Makeup | 2016
Best Score | 2016 | Carter
Best Foreign Film Miglior Film Straniero | 2016 | Todd
Best Actress | 2015 | Cate
Best Costume Design | 2016 | Sandy
Best Feature | 2016 | Stephen
Best Director | 2016 | Todd
Best Screenplay | 2016 | Phyllis
Best Female Lead | 2016 | Rooney
Film Performance of the Year Actress | 2016 | Rooney
Visually Striking Film of the Year | 2016
Best Picture | 2016
Best Actress | 2016 | Rooney
Best Cinematography | 2016 | Edward
Best Production Design | 2016 | Jesse
Best Leading Voice Actress | 2016 | Emanuela
Best Foreign Film Bsta utlndska film | 2016 | Todd
Best Period andor Character Makeup FeatureLength Motion Picture | 2016 | Patricia
Best Period andor Character Hair Styling FeatureLength Motion Picture | 2016 | Kay
Outstanding Color Grading Feature Film | 2016
Best Actress | 2016 | Cate
Best Cinematography | 2016 | Edward
Best Editing | 2016 | Affonso
Best Ensemble | 2016
Best Production Design | 2016 | Judy
Best Original Score for a Drama Film | 2016 | Carter
Best Actress | 2016 | Cate
Best Director | 2016 | Todd
Best Film Editing | 2016 | Affonso
Best Makeup and Hairstyling | 2016
Best Ensemble Cast | 2016
Best Production Design | 2016 | Judy
Best Supporting Actress | 2016 | Rooney
Best International Actress | 2016 | Cate
Best International Actress | 2016 | Cate
Film of the Year | 2016
Actress of the Year | 2016 | Rooney
Director of the Year | 2016 | Todd
Screenwriter of the Year | 2016 | Phyllis
Technical Achievement of the Year | 2016 | Carter
Best Film | 2016
Best Narrative Film | 2016
Best Director | 2016 | Todd
Best Actress | 2016 | Cate
Best Supporting Actress | 2016 | Rooney
Best Adapted Screenplay | 2016 | Phyllis
Best Film | 2016
Best Picture | 2016 | Christine
Best Actress | 2016 | Rooney
Best Casting | 2016 | Laura
Best Director | 2016 | Todd
Best Writing Screenplay Based on Material from Another Medium | 2016 | Phyllis
Best Music Original Score | 2016 | Carter
Best Cinematography | 2016 | Edward
Best Production Design | 2016 | Heather
Best Costume Design | 2016 | Sandy
Best Actress in a Motion Picture | 2016 | Cate
Best Actress in a Supporting Role | 2016 | Rooney
Best Motion Picture | 2016
Best Film Editing | 2016 | Affonso
Best Picture | 2016
Best Director | 2016 | Todd
Best Actress | 2016 | Rooney
Best Cinematography | 2016 | Edward
Best Production Design | 2016 | Heather
Best Costume Design | 2016 | Sandy
Best Makeup and Hairstyling | 2016 | Jerry
Best Music Original Score | 2016 | Carter
Feature Film | 2016 | Craig
Best Adapted Screenplay | 2016 | Phyllis
Best Feature | 2015 | Todd
Best Picture | 2015
Best Director | 2015 | Todd
Best Actress | 2015 | Rooney
Best Adapted Screenplay | 2015 | Phyllis
Best Score | 2015
Best Film | 2015
Best Motion Picture | 2015 | Stephen
Best Director | 2015 | Todd
Best Actress in a Leading Role | 2015 | Rooney
Best Adapted Screenplay | 2015 | Phyllis
Best Cinematography | 2015 | Edward
Best Production Design | 2015 | Heather
Best Makeup Hairstyling | 2015
Best Original Score | 2015 | Carter
Best Film | 2015
Best Screenplay | 2015 | Phyllis
Best International Independent Film | 2015
Best Picture | 2015
Best Director | 2015 | Todd
Best Actress | 2015 | Cate
Best Cinematography | 2015 | Edward
Best Original Score | 2015 | Carter
Best Art DirectionProduction Design | 2015
Best Picture | 2015
Best Actress | 2015 | Cate
Best Director | 2015 | Todd
Best Cinematography | 2015 | Edward
Best Director | 2015 | Todd
Best Cinematography | 2015 | Edward
Best Score | 2015 | Carter
Best Film | 2015
Best Actress | 2015 | Cate
Best Supporting Actress | 2015 | Rooney
Best Adapted Screenplay | 2015 | Phyllis
Best Supporting Actress of the Year | 2015 | Rooney
2015 | Stephen
Best Feature | 2015 | Stephen
Best Screenplay | 2015 | Phyllis
Best Actress | 2015 | Cate
Best Original Score Feature Film | 2015 | Carter
Best Picture | 2015
Best Film | 2015
Best Director | 2015 | Todd
Best Lead Actress | 2015 | Rooney
Best Supporting Actress | 2015 | Rooney
Best Screenplay | 2015 | Phyllis
Best Editing | 2015 | Affonso
Best Actress | 2015 | Cate
Best Supporting Actress | 2015 | Rooney
Best Adapted Screenplay | 2015 | Phyllis
Best Director | 2015 | Todd
Best Cinematography | 2015 | Edward
Best Production Design | 2015 | Judy
Best Actress | 2015 | Cate
Best Actress in a Leading Role | 2015 | Cate
Best Picture | 2015
Best Director | 2015 | Todd
Best Actress | 2015 | Rooney
Best Cinematography | 2015 | Edward
Best Screenplay Adapted | 2015 | Phyllis
Best Picture | 2015
Best Director | 2015 | Todd
Best Actress | 2015 | Cate
Best Supporting Actress | 2015 | Rooney
Best Cinematography | 2015 | Edward
Best Art Direction | 2015 | Judy
Best Score | 2015 | Carter
Best Actress | 2015 | Cate
Best Supporting Actress | 2015 | Rooney
Best Screenplay Adapted or Original | 2015 | Phyllis
Best Film | 2015
Best Actress | 2015 | Rooney
Best Supporting Actress | 2015 | Rooney
Best Director | 2015 | Todd
Best Screenplay | 2015 | Phyllis
Best Director | 2015 | Todd
Best Actress | 2015 | Cate
Best Supporting Actress | 2015 | Rooney
Best Adapted Screenplay | 2015 | Phyllis
Best Production Design | 2015 | Heather
Best Cinematography | 2015 | Edward
Best Original Score | 2015 | Carter
Best Movie About Women | 2015
Best Actress | 2015 | Cate
Best Female Images in a Movie | 2015
Womens WorkBest Ensemble | 2015
Budget 11,800,000 USD
Box Office Collection 40,272,135 USD
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The character of Carol Aird was inspired by Virginia Kent Catherwood (1915-1966), a Philadelphia socialite six years older than Patricia Highsmith with whom the author had a love affair in the 1940s. Catherwood lost custody of her daughter after her homosexuality was used against her with a taped recording of a lesbian liaison she had in a hotel room. ("'Instantly, I love her': the affairs that inspired Carol". The Telegraph, 28 November 2015)
Although Cate Blanchett and Rooney Mara weren't required to be on the other end of the line whenever they talk on the phone, they offered to do so to help each other out. Thus whenever Carol and Therese talk to each other on the phone, Blanchett and Mara are really on the other end of the line.
Rooney Mara has been a big fan of Cate Blanchett since she was 13 years old and described the experience working with Blanchett as "beyond a dream come true."
The movie is set between Christmas season 1952 and early 1953. In the New York Times office scene with Therese and photo editors the calendar on the wall is for the month of "April 1953", and in the note Carol wrote to Therese she asks her if they could meet that evening, "Friday, April 17". This lets the audience know that 3-½ months have passed since Carol and Therese were last together.
The novel "The Price of Salt" was inspired by a blonde woman in a mink coat (Mrs. E.R. Senn, née Kathleen Wiggins) who ordered a doll from Patricia Highsmith when she was working as a temporary salesgirl in the toy section of Bloomingdale's in New York City during the 1948 Christmas season. Highsmith recalled feeling "odd and swimmy in the head, near to fainting, yet at the same time uplifted, as if I had seen a vision." She completed the outline for the story in about two hours that same night, likely under the influence of chicken pox which she discovered she had the next day. Highsmith wrote in the Afterword for the 1990 new edition of the novel: "One of the small runny-nosed children there must have passed on the germ, but in a way the germ of a book too: fever is stimulating to the imagination." She completed "The Price of Salt" by 1951.
"Carol Aird: [while driving back to Chicago] What are you thinking? You know how many times a day I ask you that? Therese Belivet: Sorry. What am I thinking? I'm thinking that I'm utterly selfish. Carol Aird: Don't do this. You had no idea. How could you have known? Therese Belivet: And I should have said "No" to you but I never say "No". And it's selfish because... because I just take everything and I don't know anything. And I don't know what I want. How could I when all I ever do is say "Yes" to everything? [turns head and cries] Carol Aird: [pulls car to side of road and stops, moves close to Therese and caresses her face] I took what you gave willingly. It's not your fault, Therese."
"Carol Aird: Dearest. There are no accidents and he would have found us one way or another. Everything comes full circle. Be grateful it was sooner rather than later. You'll think it harsh of me to say so, but no explanation I offer will satisfy you. Please don't be angry when I tell you that you seek resolutions and explanations because you're young. But you will understand this one day. And when it happens, I want you to imagine me there to greet you, our lives stretched out ahead of us, a perpetual sunrise. But until then, there must be no contact between us. I have much to do, and you, my darling, even more. Please believe that I would do anything to see you happy. So, I do the only thing I can... I release you. [Letter from Carol to Therese, heard in Carol's voice]"
