Movie
Disclaimer: All content and media belong to original content streaming platforms/owners like Netflix, Disney+ Hotstar, Amazon Prime Videos, JioCinema, SonyLIV etc. 91mobiles entertainment does not claim any rights to the content and only aggregate the content along with the service providers links.
Best ForeignLanguage Film | 2013
Best Make Up | 2011
After Dark Competition | 2011 | Adrián García
Midnight Feature | 2011 | Adrián García
Budget 430,000 USD
In a 2012 interview with Fangoria, Adrian Garcia Bogliano spoke about shooting the ending and the type of camera used for the movie: "...the only moment where we actually destroyed something was when the neighbors are smashing the wall, but that particular shot was done at a different place; that was actually a wall in the middle of nowhere. But you know, I think it works. The big scene at the end, with the slow motion and everything, was pretty dangerous, I have to say [laughs]. It was the only way we could do it; we couldn't build that part of the house on a set. Actually, I wanted to run the whole climax of the film twice as long as it does now; I wanted it to be like this abstract work of art. But we didn't have time; we had to shoot all that in one day. With the Phantom camera we used, you need time to prepare every shot; you need at least half an hour between one shot and another. It takes time. If you watch the movie, it doesn't look like a static film, but I think there are probably 10 or 15 camera movements in the whole thing. We didn't have cranes, nothing. Steadicam? Forget about it. So the only thing I asked from the beginning was to have the Phantom, and they gave it to us for just one day. And we realized you need a certain amount of lighting-a hell of a lot of lighting, actually-to illuminate a shot with the Phantom; because of the speed, it needs much more light. So our DP had to put every single lamp we had all together for every shot. We had just enough light to be able to shoot with the Phantom."
