Show
Coupling is a British television sitcom written by Steven Moffat that aired on BBC2 from May 2000 to June 2004. Produced by Hartswood Films for the BBC, the show centres on the dating and sexual adventures and mishaps of six friends in their thirties, often depicting the three women and the three men each talking among themselves about the same events, but in entirely different terms. The series was inspired by Moffat's relationship with producer Sue Vertue, to the extent that they gave their names to two of the characters. Coupling is an example of the "group-genre", an ensemble show that had proven popular at the time. Critics compared the show to the American sitcoms Friends and Seinfeld. The critical reaction was largely positive, and the show was named "Best TV Comedy" at the 2003 British Comedy Awards. The show debuted to unimpressive ratings, but its popularity soon increased and by the end of the third series the show had achieved decent ratings in the UK. The series began airing on PBS stations and on BBC America in the United States in late 2002 and quickly gained a devoted fanbase there as well. The show is syndicated around the world. Short-lived American and Greek adaptations were briefly produced in 2003 and 2007 respectively.
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Coupling is a British television sitcom written by Steven Moffat that aired on BBC2 from May 2000 to June 2004. Produced by Hartswood Films for the BBC, the show centres on the dating and sexual adventures and mishaps of six friends in their thirties, often depicting the three women and the three men each talking among themselves about the same events, but in entirely different terms. The series was inspired by Moffat's relationship with producer Sue Vertue, to the extent that they gave their names to two of the characters. Coupling is an example of the "group-genre", an ensemble show that had proven popular at the time. Critics compared the show to the American sitcoms Friends and Seinfeld. The critical reaction was largely positive, and the show was named "Best TV Comedy" at the 2003 British Comedy Awards. The show debuted to unimpressive ratings, but its popularity soon increased and by the end of the third series the show had achieved decent ratings in the UK. The series began airing on PBS stations and on BBC America in the United States in late 2002 and quickly gained a devoted fanbase there as well. The show is syndicated around the world. Short-lived American and Greek adaptations were briefly produced in 2003 and 2007 respectively.
Best Lighting Photography and Camera Lighting for Multicamera | 2004
Best TV Comedy | 2001
The main characters are called Steve and Susan, after the writer Steven Moffat and producer Sue Vertue (who are married).
When Richard Coyle read for the part of Jeff, he spoke in a Welsh accent. The character wasn't written Welsh, but the producers liked it and hired him. It wasn't until well into the second series that they realized that Coyle was not Welsh, just putting it on for the show. When Welsh actor Richard Mylan was cast as Oliver, he had to put off his accent in order to make the character less similar to Jeff.
Ben Miles (Patrick) insisted that his character drink Guinness because it is impossible to fake in the studio.
Though it's never brought up on the show, Steve is a professional writer. The character of Steve is based on the show's writer, Steven Moffat.
NBC's adaptation of the show was considered such a sure thing that when the second season UK original was released on DVD in the States it featured a sticker reading "The original UK version of the SMASH NBC hit!". Unfortunately the DVD came out the very same week that the US version was canceled.
"Jeff: When God made the arse, he didn't say, 'Hey, it's just your basic hinge, let's knock off early.' He said, 'Behold ye angels, I have created the arse. Throughout the ages to come, men and women shall grab hold of these, and shout my name!"
"Steve: What is this? Susan: It's a cushion. Steve: Right. Yes. Thank you for that. Very informative. [to Jeff] Steve: You got any of these? Jeff: No. Steve: Of course you haven't. [to shop assistant] Steve: You - are you married? Living with anyone? Junior Shop Assistant: No. Steve: Got any of these? Junior Shop Assistant: No. Steve: Of course not. Okay! [to the women] Steve: You bring these things into our homes. They sit on our chairs. They watch our televisions. Now, I just need to know, on behalf of all men everywhere, I just need to ask, please... What are they for? I mean, look at them! Look at the chubby little bastards! Just sitting around everywhere! What are they, pets for chairs? [to shop assistants] Steve: Come on, you sell them. What are they for? Junior Shop Assistant: Well... Senior Shop Assistant: You sit on them. Steve: Ah! Ha ha ha! You see, that's where you're wrong! Nobody sits on them. Okay, watch this. Here's the cushion. I'm putting it on the sofa. Now watch me. I'm stting down. And what do I do on my final approach? I - oh! - move the cushion! You see? It's not involved! It's not part of the whole sitting process. It just lies there. It's fat litter! It's a sofa parasite! Jane: It's, you know... padding. Steve: Oh, padding! Now, that's interesting, Jane. See, I like padding. If I was, say, an American Football player, and all those big bastards running at me, I would say "give me some of that padding and be quick about it." If my job involved bouncing down jagged rocks I would say "in view of those jagged rocks down there, I'll have some of that padding, thank you very much." But Susan, Sally, Jane, this is a sofa. It is designed by clever scientists in such a way as to shield the unprotected user from the risk of skin abrasions, serious head trauma, and, of course... [drops behind sofa, then sticks head out] Steve: Daleks. Trust me girls, trust me on this one: you do not need padding to tackle upholstery. So please - once and for all, tell me why on Earth you would want me to sit on one of these? Susan: Because, if you pressed it firmly against your bottom, it might stop you talking!"
