Dial M for Murder

Dial M for Murder

Movie |

Theft | The Perfect Crime

  • Duration: 1h 44min
  • Music: Oliver S. Garretson,Robert G. Wayne Songs List
  • Award(s): NYFCC 1954 (Won)
    BAFTA Film 1955 (Nominated) Awards List
  • Similar To: Ballad of a Small Player, Coup!
  • Story:
    An ex-tennis pro carries out a plot to have his wife murdered after discovering she is having an affair, and assumes she will soon leave him for the other man anyway. When things go wrong, he improvises a new plan—to frame her for murder instead.
    Full Story
8.2/10
IMDb

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Videos: Trailers, Teasers, Featurettes

Dial M For Murder - Cast

Dial M For Murder - Crew

STORY AND RATINGS

Story
An ex-tennis pro carries out a plot to have his wife murdered after discovering she is having an affair, and assumes she will soon leave him for the other man anyway. When things go wrong, he improvises a new plan—to frame her for murder instead.
Ratings

8.2/10

IMDb

90%

Rotten Tomatoes

AWARDS

Won
NYFCC Award

Best Actress | 1954 | Grace Kelly

Best Actress For and | 1954 | Grace Kelly

NBR Award

Best Actress | 1954 | Grace Kelly

Best Actress For and | 1954 | Grace Kelly

IFMCA Award

Best Archival Release of an Existing Score ReRelease or ReRecording | 2020 | William T. Stromberg

Nominations
BAFTA Film Award

Best Foreign Actress | 1955 | Grace Kelly

DGA Award

Outstanding Directorial Achievement in Motion Pictures | 1955 | Alfred Hitchcock

Bambi Award

Best Actress International | 1955 | Grace Kelly

BOX OFFICE

Budget 1,400,000 USD

Box Office Collection 3,000,000 USD

MUSIC

  • #
  • Title
  • Duration
  • Listen
  • 1
  • Main Title (Film Version) / Margot And Mark (Love Theme)
  • 06:49
  • 2
  • Green Curtains And White Gloves
  • 02:08
  • 3
  • Hidden Key / Swann The Intruder
  • 09:10
  • 4
  • Dial M For Murder
  • 03:03
  • 5
  • Forensics / The Stocking / Intermission Card - Version II
  • 06:49
  • 6
  • Lighter Fluid
  • 01:16
  • 7
  • Meet Inspector Hubbard
  • 01:34
  • 8
  • Interrogation / Trial / Margot's Last Chance
  • 07:17
  • 9
  • Confession / Margot Returns / The Truth
  • 08:50
  • 10
  • The Key
  • 02:00
  • 11
  • Hubbard's Theory And End Title
  • 03:45
  • 12
  • Suite from Strangers On A Train
  • 08:19
  • 13
  • Main Title (Original Version) from Dial M For Murder
  • 01:10
  • 14
  • Intermission Card - Version I from Dial M For Murder
  • 00:20
  • 15
  • Dial
  • 02:23
Listen Songs On
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TRIVIA AND POPULAR DIALOGUES

Trivia

Sir Alfred Hitchcock had chosen a very expensive robe for Grace Kelly to wear when she answered the phone. Kelly balked and said that no woman would put on such a robe just to answer the ringing telephone while she was asleep alone; she would answer it in her nightgown. Hitchcock agreed to do it her way and liked the way the rushes turned out, and he allowed Kelly to make all costume decisions for herself in their subsequent movies together.

Sir Alfred Hitchcock wanted Cary Grant to star, but Warner Brothers felt that he would be miscast as a villain.

Warner Bros. insisted on shooting the movie in 3-D, although the craze was fading and Sir Alfred Hitchcock was sure the movie would be released flat. Hitchcock wanted the first shot to be that of a close-up of a finger dialing the letter M on a rotary dial telephone, but the 3-D camera would not be able to focus such a close-up correctly. Hitchcock ordered a giant finger made from wood with a proportionally large dial built in order to achieve the effect.

John Williams won the 1953 Tony Award (Broadway) for Best Featured Actor in a Play for "Dial M for Murder" as Inspector Hubbard. He re-created the role in this movie.

Sir Alfred Hitchcock made a special effort to shoot scenes indoors, almost exclusively. Only a few brief shots, usually involving Chief Inspector Hubbard, take place outside. Hitchcock believed the decision to shoot most scenes indoors would create a sense of claustrophobia.

Sir Alfred Hitchcock had chosen a very expensive robe for Grace Kelly to wear when she answered the phone. Kelly balked and said that no woman would put on such a robe just to answer the ringing telephone while she was asleep alone; she would answer it in her nightgown. Hitchcock agreed to do it her way and liked the way the rushes turned out, and he allowed Kelly to make all costume decisions for herself in their subsequent movies together.

Sir Alfred Hitchcock wanted Cary Grant to star, but Warner Brothers felt that he would be miscast as a villain.

Warner Bros. insisted on shooting the movie in 3-D, although the craze was fading and Sir Alfred Hitchcock was sure the movie would be released flat. Hitchcock wanted the first shot to be that of a close-up of a finger dialing the letter M on a rotary dial telephone, but the 3-D camera would not be able to focus such a close-up correctly. Hitchcock ordered a giant finger made from wood with a proportionally large dial built in order to achieve the effect.

John Williams won the 1953 Tony Award (Broadway) for Best Featured Actor in a Play for "Dial M for Murder" as Inspector Hubbard. He re-created the role in this movie.

Sir Alfred Hitchcock made a special effort to shoot scenes indoors, almost exclusively. Only a few brief shots, usually involving Chief Inspector Hubbard, take place outside. Hitchcock believed the decision to shoot most scenes indoors would create a sense of claustrophobia.

Popular Dialogues

"Tony Wendice: How do you go about writing a detective story? Mark Halliday: Well, you forget detection and concentrate on crime. Crime's the thing. And then you imagine you're going to steal something or murder somebody. Tony Wendice: Oh, is that how you do it? It's interesting. Mark Halliday: Yes, I usually put myself in the criminal's shoes and then I keep asking myself, uh, what do I do next? Margot Mary Wendice: Do you really believe in the perfect murder? Mark Halliday: Mmm, yes, absolutely. On paper, that is. And I think I could, uh, plan one better than most people; but I doubt if I could carry it out. Tony Wendice: Oh? Why not? Mark Halliday: Well, because in stories things usually turn out the way the author wants them to; and in real life they don't... always. Tony Wendice: Hmm. Mark Halliday: No, I'm afraid my murders would be something like my bridge: I'd make some stupid mistake and never realize it until I found everybody was looking at me."

"Tony Wendice: It's funny to think that just a year ago, I sat in that Knightsbridge Pub actually planning to murder her. And I might have done it, if I hadn't seen something that changed my mind. C.A. Swan: Well? What did you see? Tony Wendice: I saw you."