Movie |
Sensuality | Reflective
Yusuke Kafuku, a stage actor and director, still unable, after two years, to cope with the loss of his beloved wife, accepts to direct Uncle Vanja at a theater festival in Hiroshima. Directed by Ryusuke Hamaguchi.
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Yusuke Kafuku, a stage actor and director, still unable, after two years, to cope with the loss of his beloved wife, accepts to direct Uncle Vanja at a theater festival in Hiroshima. Directed by Ryusuke Hamaguchi.
Best International Feature Film | 2022
Best Motion Picture NonEnglish Language | 2022
Best Film Not in the English Language | 2022
Best NonEnglish Language Film | 2022
Top Ten Foreign Language Film | 2022
Best Foreign Language Film | 2022
Best Foreign Language Film | 2022
Best Foreign Language Film | 2022
Best Achievement in Directing | 2022 | Ryusuke
Best Adapted Screenplay | 2022
Best International Film | 2022 | Ryusuke
NonEnglish Language Film of the Year | 2022
Best Foreign Film | 2022
International Feature | 2022
Best International Film | 2022
Best Foreign Language Film | 2022
Best Adapted Screenplay | 2022
Best Picture | 2022
Best Director | 2022 | Ryusuke
Best Adapted Screenplay | 2022
Best NonEnglish Language Film | 2022
Best Film | 2022 | Ryusuke
Best Foreign Film | 2022
Best International Film | 2022
Best Film | 2022
Best Screenplay | 2022
Best Actor | 2022 | Hidetoshi
Best Director For | 2022
Best Director | 2022 | Ryusuke
Best Foreign Language Film | 2022
Best Foreign Language Film | 2022
Best Foreign Language Film | 2022
Best Film Not in the English Language | 2022
Best Foreign Language Film | 2022
2022 | Ryusuke
2022 | Ryusuke
Best Motion Picture International Film | 2022
Best Picture | 2022
Best Director | 2022 | Ryusuke
Best Screenplay | 2022
Best Film Not in the English Language | 2022 | Ryusuke
Best Supporting Actress | 2022 | Toko
Best Director | 2022 | Ryusuke
Best Screenplay | 2022
Best Actor | 2022 | Hidetoshi
Best Cinematography | 2022 | Hidetoshi
Best Foreign Language Film | 2021
Best Film | 2021
Best Actor | 2021 | Hidetoshi
Best Director | 2021 | Ryusuke
Best Screenplay | 2021
Competition | 2021 | Ryusuke
2021 | Ryusuke
Best Foreign Language Film | 2021
Best International Feature | 2021 | Ryusuke
Jury Prize | 2021 | Ryusuke
Best Foreign Language Film | 2021
Best Feature Film | 2021 | Ryusuke
Best Film | 2021 | Ryusuke
Best International Feature | 2021
Best Foreign Film | 2021
Best Adapted Screenplay | 2021
Best Film | 2021
Best Foreign Language Film | 2021
Best Foreign Language Film | 2021
Best Foreign Language Film | 2021
Best International Film | 2021
Best Foreign Language Film | 2021
Best Foreign Film | 2022
Best Motion Picture of the Year | 2022
Best Achievement in Directing | 2022 | Ryusuke
Best Adapted Screenplay | 2022
Best Screenplay International Competition | 2023
Best Film International Competition | 2023 | Ryusuke
Best Actor International Competition | 2023 | Hidetoshi
Best Editing International Competition | 2023
Best Screenplay | 2023
Best Film | 2023
Best Director | 2023 | Ryusuke
Best Actor | 2023 | Hidetoshi
Best Supporting Actor | 2023 | Masaki
Best Screenwriter | 2023
Best Editor | 2023
Best Composer | 2023 | Eiko
Best Sound | 2023
Best NonAmerican Film Bedste ikkeamerikanske film | 2023 | Ryusuke
Best NonEnglish Language Film rets ikkeengelsksprogede film | 2023 | Ryusuke
Best Foreign Film | 2023 | Ryusuke
Best Foreign Film | 2022
Best Film | 2022
Best International Film | 2022
Best Foreign Film Meilleur film tranger | 2022 | Ryusuke
Best Foreign Film Miglior Film Straniero | 2022 | Ryusuke
Best International Feature | 2022
Best Motion Picture of the Year | 2022 | Ryusuke
Best Performance by an Actor in a Supporting Role | 2022 | Hidetoshi
Best Performance by an Actress in a Supporting Role | 2022 | Reika
Best Cinematography | 2022 | Hidetoshi
Best Film Editing | 2022
Best Production Design | 2022
Favorite Actor | 2022 | Hidetoshi
Film of the Year | 2022
Director of the Year | 2022 | Ryusuke
Screenplay of the Year | 2022
Best Adapted Screenplay | 2022
Best Foreign Language Film | 2022
Best Director | 2022 | Ryusuke
Best Actor | 2022 | Hidetoshi
Best Supporting Actress | 2022
Best Ensemble | 2022
Best Picture | 2022
Best Actor | 2022 | Hidetoshi
Best Supporting Actor | 2022 | Masaki
Best Supporting Actress | 2022 | Toko
Best Ensemble Cast | 2022
Best Film Editing | 2022
Best Adapted Screenplay | 2022
Outstanding Locations in a Contemporary Film | 2022
Best Director | 2022 | Ryusuke
Best Director | 2022 | Ryusuke
Best Actor | 2022 | Hidetoshi
Best Adapted Screenplay | 2022
Best Picture | 2022
Best Foreign Language Film | 2022 | Ryusuke
Best Foreign Language Film | 2022
Best Picture | 2022
Best Director | 2022 | Ryusuke
Best Adapted Screenplay | 2022
Best Actor | 2022 | Hidetoshi
Best Film Editing | 2022
Best Director | 2022 | Ryusuke
Best Performance by an Actor | 2021 | Hidetoshi
Achievement in Directing | 2021 | Ryusuke
Best Film | 2021
Best Film | 2021
Best Film | 2021 | Ryusuke
Best Picture | 2021
Best Director | 2021 | Ryusuke
Best Actor | 2021 | Hidetoshi
Best Adapted Screenplay | 2021
Best Editing | 2021
Best Feature | 2021 | Ryusuke
Best Foreign Language Film | 2021
Best Picture | 2021
Best Actor | 2021 | Hidetoshi
Best Supporting Actor | 2021 | Masaki
Best Supporting Actress | 2021 | Toko
Best Director | 2021 | Ryusuke
Best ForeignLanguage Film | 2021
Best Film Not in the English Language | 2021
Best Picture | 2021
Best Adapted Screenplay | 2021
Best Film | 2021 | Ryusuke
Best Foreign Film by or About Women | 2021
Budget 1,300,000 USD
Box Office Collection 15,356,046 USD
The film was originally set in Busan, South Korea, but was changed to Hiroshima, due to the COVID-19 pandemic.
It's based on the short story of the same name by Haruki Murakami from his 2014 short story collection "Men Without Women," though the director acknowledged that he also took inspiration from two other stories of the eight in the collection: "Scheherazade" and "Kino."
In an interview published in "The Boston Globe" on January 16, 2022, director Ryusuke Hamaguchi said that when filming either Hidetoshi Nishijima or Toko Miura in the car alone facing the camera, he would have the other actor stand next to the camera so that they feel they were still working together.
Ryûsuke Hamaguchi and Takamasa Oe became the first Japanese to win the Best Screenplay Award at Cannes.
Tôko Miura, playing the chauffeur, did not drive in real life and did not even hold a driver's license when she was cast.
"Kôshi Takatsuki: But even if you think you know someone well, even if you love that person deeply, you can't completely look into that person's heart. You'll just feel hurt. But if you put in enough effort, you should be able to look into your own heart pretty well. So in the end, what we should be doing is to be true to our hearts and come to terms with it in a capable way. If you really want to look at someone, then your only option is to look at yourself squarely and deeply."
"Lee Yoon-a: [in her role as Sonya in the "Uncle Vanya" play; using Korean Sign Language] We'll live through the long, long days, and through the long nights. We'll patiently endure the trials that fate sends our way. Even if we can't rest, we'll continue to work for others both now and when we have grown old. And when our last hour comes we'll go quietly. And in the great beyond, we'll say to Him that we suffered, that we cried, that life was hard. And God will have pity on us. Then you and I we'll see that bright, wonderful, dreamlike life before our eyes. We shall rejoice, and with tender smiles on our faces, we'll look back on our current sorrow. And then at last, we shall rest. I believe it. I strongly believe it from the bottom of my heart. When that time comes, we shall rest."
