Movie |
Struggle For Survival | Tragic
As the world falls, young Furiosa is snatched from the Green Place of Many Mothers into the hands of a great biker horde led by the warlord Dementus. Sweeping through the wasteland, they encounter the citadel presided over by Immortan Joe. The two tyrants wage war for dominance, and Furiosa must survive many trials as she puts together the means to find her way home.
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As the world falls, young Furiosa is snatched from the Green Place of Many Mothers into the hands of a great biker horde led by the warlord Dementus. Sweeping through the wasteland, they encounter the citadel presided over by Immortan Joe. The two tyrants wage war for dominance, and Furiosa must survive many trials as she puts together the means to find her way home.
Best Stunt Rigging | 2025 | Mick Roughan
Andrew Plain Award for Best Film Sound Editing | 2024 | Craig Beckett
Best Music Production | 2024 | Jamieson Shaw
Best Stunt Choreography | 2025 | Tim Wong
Best Stunt Coordination | 2025 | Tim Wong
Best Stunts | 2024 | Tim Wong
Best Stunt Coordination | 2025 | Guy Norris
Best Costume Design | 2024 | Jenny Beavan
Best Costume Design | 2025 | Jenny Beavan
Best Supporting Actor | 2025 | Chris Hemsworth
Best Director | 2025 | George Miller
Best Film | 2025 | Doug Mitchell
Best Actress Supporting Role | 2025 | Alyla Browne
Best Cinematography | 2025 | Simon Duggan
Best Supporting Actor | 2025 | Chris Hemsworth
Best Stunt Coordination | 2025 | Tim Wong
Best Costume Design | 2025 | Jenny Beavan
Best Special Effects | 2025 | Andrew Jackson
Best Production Design | 2025 | Colin Gibson
Best Supporting Actor International Competition | 2025 | Chris Hemsworth
Best Supporting Actor | 2024 | Chris Hemsworth
Best Picture | 2024 | George Miller
Best Editing | 2024 | Margaret Sixel
Best Cinematography | 2024 | Simon Duggan
Best Production Design | 2024 | Katie Sharrock
Best Supporting Actor of the Year | 2025 | Chris Hemsworth
Best Actress of the Year | 2025 | Anya Taylor-Joy
Best Supporting Actor | 2025 | Chris Hemsworth
Best Male Supporting Role | 2025 | Chris Hemsworth
Best Female Leading Role | 2025 | Anya Taylor-Joy
Best Director | 2025 | George Miller
Best Supporting Actor in Film | 2025 | Chris Hemsworth
Best Lead Actress in Film | 2025 | Anya Taylor-Joy
Best Film | 2025 | Doug Mitchell
Best Direction in Film | 2025 | George Miller
Best Supporting Actress in Film | 2025 | Alyla Browne
Best Actress in a Film | 2025 | Anya Taylor-Joy
Best Film Editing | 2025 | Margaret Sixel
Best Actress | 2024 | Anya Taylor-Joy
Best Director | 2024 | George Miller
Best Supporting Actress | 2024 | Alyla Browne
Best Actress | 2024 | Anya Taylor-Joy
Best Actress in an Action Movie | 2025 | Anya Taylor-Joy
Best Dramatic Presentation Long Form | 2025 | Nick Lathouris
Best Direction in Film | 2025 | George Miller
Best Direction of a Feature Film (Budget 15 M or over) | 2024 | George Miller
Best StuntMovement Choreography | 2024 | Tim Wong
Best Young ActorActress | 2025 | Alyla Browne
Best Youth Performance | 2025 | Alyla Browne
Best Stunt Coordination | 2025 | Tim Wong
Best Sound Effects | 2025 | Yulia Akerholt
Outstanding Achievement in Sound Editing Feature EffectsFoley | 2025 | Tom Heuzenroeder
Best Sound for a Feature Film | 2024 | Jamieson Shaw
Best Stunts | 2025 | Tim Wong
Best Stunts | 2025 | Tim Wong
Best Stunt Coordination | 2025 | Tim Wong
Best Stunt Work | 2025 | Tim Wong
Best Sound | 2024 | James Ashton
Best Stunt Coordinator | 2024 | Guy Norris
Best Costume Design | 2024 | Jenny Beavan
Best Makeup and Hairstyling | 2024 | Matteo Silvi
Best Sound | 2025 | James Ashton
Best Costume Design | 2025 | Jenny Beavan
Best Editing | 2025 | Margaret Sixel
Best Makeup and Hairstyling | 2025 | Matteo Silvi
Best Production Design | 2025 | Colin Gibson
Sound | 2025 | James Ashton
Best Original Score SciFiFantasy Film | 2024 | Junkie XL
Excellence in SciFiFantasy Film | 2025 | Jenny Beavan
Best Costume Design | 2024 | Jenny Beavan
Best Stunts | 2025 | Tim Wong
Best Stunt Coordinator andor 2nd Unit Director | 2025 | Tim Wong
Best Costume Design | 2025 | Jenny Beavan
Best Visual Effects | 2025 | Andrew Jackson
Best Production Design | 2025 | Colin Gibson
Best Film Editing | 2025 | Margaret Sixel
Best Edited Feature Film Drama Theatrical | 2025 | Margaret Sixel
Outstanding Editing Theatrical Feature | 2024 | Margaret Sixel
Best Editing | 2024 | Margaret Sixel
Fantasy Film | 2025 | Sophie Nash
Best Visual Effects | 2024 | Andrew Jackson
Best Visual Effects | 2024 | Andrew Jackson
Best Production Design | 2025 | Katie Sharrock
Budget 168,000,000 USD
Box Office Collection 174,287,546 USD
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Scheduled to be filmed in New South Wales in Australia. All Mad Max movies have been filmed in Australia, with the exception of Fury Road, when record rain falls transformed the normally arid desert areas into lush green growth areas.
Mad Max: Fury Road producer and first assistant director, P. J. Voeten has said of casting Chris Hemsworth, "George saw Chris [Hemsworth] initially as a courtesy and then fell in love with the idea. He's going to play totally against type, the lead baddie. Unfortunately, we've got to find all of our other characters that aren't around anymore: a new Immortan, a new Bullet Farmer, and a few others."
George Miller met with Anya Taylor-Joy immediately after seeing her performance in a rough edit of Last Night in Soho (2021), according to director Edgar Wright.
Chris Hemsworth said, "When you do an action film, a lot of the time you're trying different things, you're experimenting, and you're trying to make the sequence as impressive and as big as possible, and you have backups and other options, and that can be exhausting. What was refreshing working with George is that every frame was thought out. Every single frame was necessary. It was servicing the whole. It was part of a grander plan and a message, so there was no waste. Everything you see is essential, and means something, and supports the characters' journey, the narrative, the overall arc of the film. It was exhausting in the best way. All of us showed up and were willing to commit and throw ourselves on the line to service this journey and this film, and this series that has existed for 40-something years now."
Filming of gate scenes and sound stage scenes took place in a vacant development in Sydney (Melrose Park/ Ermington) in July- August 2022.
