Movie |
Guitar | Composer
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Best Documentary | 2012
Outstanding Directing for Nonfiction Programming | 2012 | Martin
Outstanding Nonfiction Special | 2012 | Margaret
Best Documentary Feature | 2012
Best Sound Editing Sound Effects Foley Dialogue ADR and Music in a Feature Documentary | 2012 | Jennifer
Top Five Documentaries | 2011
Best Documentary Film | 2012 | Martin
Best Limited Series | 2012 | Martin
Best NonFiction Program | 2012
Outstanding Directorial Achievement in Documentary | 2012 | Martin
Best Sound Editing | 2012
Best Edited Documentary | 2012 | David
Outstanding Sound Mixing for Nonfiction Programming | 2012 | Tom
Outstanding Sound Editing for Nonfiction Programming Single or MultiCamera | 2012 | Philip
Outstanding Picture Editing for Nonfiction Programming | 2012 | David
Outstanding Cinematography for Nonfiction Programming | 2012
Best International Documentary Film | 2011 | Martin
Harrison's widow, Olivia, who collaborated on the film, has said: "I almost don't want people to see it. It's like showing everybody into your most private place."
For decades, with his legacy in mind, Harrison had been saving photographs, letters and memorabilia as well as his film footage of interviews he had recorded.
Olivia Harrison chose Martin Scorsese to direct this documentary about George after she had seen his 2005 Bob Dylan documentary, American Masters: No Direction Home: Bob Dylan (2005).
Martin Scorsese met George Harrison first when Scorsese, Jack Nicholson and Robbie Robertson knocked on Harrison's door in a frantic moment during the filming of "The Last Waltz (1978)" in the late '70s, and then again in the early '90s.
The film contains previously unseen private letters, home movie footage and intimate personal recollections of George Harrison.
