Movie |
Gay | Escapism
Teenager Owen is just trying to make it through life in the suburbs when his classmate Maddy introduces him to a mysterious late-night TV show — a vision of a supernatural world beneath their own. In the pale glow of the television, Owen’s view of reality begins to crack.
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Teenager Owen is just trying to make it through life in the suburbs when his classmate Maddy introduces him to a mysterious late-night TV show — a vision of a supernatural world beneath their own. In the pale glow of the television, Owen’s view of reality begins to crack.
Best American Feature Film | 2024 | Jane Schoenbrun
Best Original Screenplay | 2025 | Jane Schoenbrun
Best Sound Design | 2025 | Tim Korn
Best Original Screenplay | 2024 | Jane Schoenbrun
LGBTQ Screenplay of the Year | 2025 | Jane Schoenbrun
Best Picture | 2025 | Emma Stone
Best Director | 2025 | Jane Schoenbrun
Best Screenplay | 2025 | Jane Schoenbrun
Best Feature | 2025 | Emma Stone
Best Supporting Performance | 2025 | Brigette Lundy-Paine
Best Lead Performance | 2025 | Justice Smith
Best Screenplay | 2025 | Jane Schoenbrun
Best Director | 2025 | Jane Schoenbrun
Best Independent Film | 2025 | Emma Stone
Best Original Screenplay | 2025 | Jane Schoenbrun
Best Music Supervision for Low Budget Film | 2025 | Jessica Berndt
Best Music Supervision in Low Budget Film | 2025 | Jessica Berndt
Best Supporting Performance | 2024 | Brigette Lundy-Paine
Most Promising Performer | 2024 | Brigette Lundy-Paine
Best Director | 2024 | Jane Schoenbrun
Outstanding Supporting Performance | 2024 | Brigette Lundy-Paine
Outstanding Lead Performance | 2024 | Justice Smith
Best Director | 2024 | Jane Schoenbrun
Best Breakthrough Performance | 2025 | Brigette Lundy-Paine
Best Director | 2025 | Jane Schoenbrun
Film Performance of the Year | 2025 | Justice Smith
Director of the Year | 2025 | Jane Schoenbrun
Screenplay of the Year | 2025 | Jane Schoenbrun
LGBTQ Screenplay of the Year | 2025 | Jane Schoenbrun
Best Lead Performance | 2024 | Justice Smith
Best Original Screenplay | 2024 | Jane Schoenbrun
Best Director | 2024 | Jane Schoenbrun
Film Performance | 2025 | Justice Smith
Best Actor in a Horror Movie | 2025 | Justice Smith
Longs mtrages amricains | 2024 | Jane Schoenbrun
Best Film in ZabaltegiTabakalera Competition | 2024 | Jane Schoenbrun
Feature Film | 2024 | Jane Schoenbrun
Best Film | 2024 | Jane Schoenbrun
Best Dramatic Presentation Long Form | 2025 | Jane Schoenbrun
Best Feature Film | 2024 | Jane Schoenbrun
Best Original Screenplay | 2024 | Jane Schoenbrun
Best Screenplay | 2025 | Jane Schoenbrun
Best Feature Film | 2024 | Jane Schoenbrun
Outstanding Independent Film | 2025 | Jane Schoenbrun
Film Forward Competition | 2024 | Jane Schoenbrun
Best Picture | 2024 | Jane Schoenbrun
Festival Favorites | 2024 | Jane Schoenbrun
Budget 10,000,000 USD
Box Office Collection 5,396,508 USD
The Pink Opaque, the fictional television series in the film, was inspired by shows such as The Secret World of Alex Mack (1994), Buffy the Vampire Slayer (1997) and Are You Afraid of the Dark? (1990).
The font used in the credits for the Pink Opaque is the same font used in the opening credits for Buffy the Vampire Slayer
Just like the rest of the film, The Pink Opaque segments that appear throughout the film were also shot in 35mm, but later transferred to both VHS and Betamax in post-production to create the show's different period-specific degradations.
One of the two main characters of the Pink Opaque is named Tara in reference to the character Tara Maclay from Buffy the Vampire Slayer. The actor who played Tara Maclay, Amber Benson, appears in this movie.
Multiple 90s stars are included in the film. Michael C. Maronna and Danny Tamberelli, known for the Nickelodeon series The Adventures of Pete & Pete (1992), show up for a brief moment. Fred Durst, lead vocalist of Limp Bizkit, also has a fairly significant role in the film. In an interview with Vulture, writer/director Jane Schoenbrun said their inclusions were less about reverence and more about being "haunted" by these familiar faces. They reference these faces being ingrained in their subconscious as a child of the 90s, and how they found it interesting to bring these faces back to the screen after so much time.