Movie |
Car Crash | Subconscious
Disclaimer: All content and media belong to original content streaming platforms/owners like Netflix, Disney+ Hotstar, Amazon Prime Videos, JioCinema, SonyLIV etc. 91mobiles entertainment does not claim any rights to the content and only aggregate the content along with the service providers links.
Inception is a science fiction action movie that revolves around a thief, Dom Cobb, who is hired to plant an idea in a target's subconscious mind through dream manipulation, which his firm specialises in. The film is known for its mind-bending concept and visual effects, which make it a film that you should watch before you die. Furthermore, performances by the cast including Leonardo DiCaprio and a score by Hans Zimmer are the cherry on top. Director Christopher Nolan has managed to put together a story that is so complex yet so mesmerising to watch. In fact, Inception is a mind-bending masterpiece that explores the human mind's intricacies and the depths of human consciousness. Overall, Inception is a must-watch movie that showcases Nolan's mastery of storytelling, and it is a movie that will leave you thinking and questioning long after the end credits roll. Classic Nolan.
Best Achievement in Sound Mixing | 2011 | Lora Hirschberg
Best Achievement in Sound Editing | 2011 | Richard King
Best Achievement in Cinematography | 2011 | Wally Pfister
Best Achievement in Visual Effects | 2011 | Andrew Lockley
Best Sound | 2011 | Lora Hirschberg
Best Production Design | 2011 | Larry Dias
Best Special Visual Effects | 2011 | Andrew Lockley
Best Science Fiction Actor | 2010 | Leonardo DiCaprio
Breakout Performance Male | 2010 | Tom Hardy
Best Supporting Actor | 2010 | Joseph Gordon-Levitt
Breakthrough Male Performance | 2011 | Tom Hardy
Best ScaredAsShit Performance | 2011 | Ellen Page
Best Director | 2010 | Christopher Nolan
Best Screenplay Original | 2010 | Christopher Nolan
Best Original Score | 2010 | Hans Zimmer
Best Film Editing | 2010 | Lee Smith
Best Production Design | 2010 | Guy Dyas
Best Visual Effects | 2010 | Andrew Lockley
Top Ten of the Year Audience Award | 2011 | Christopher Nolan
Best Screenplay International Competition | 2011 | Christopher Nolan
Best Film Audience Award | 2011 | Christopher Nolan
Best Editing International Competition | 2011 | Lee Smith
Best Original Screenplay | 2011 | Christopher Nolan
Best Sound Mixing | 2011 | Lora Hirschberg
Best Sound Editing | 2011 | Richard King
Best Art Direction | 2011 | Larry Dias
Best Original Screenplay | 2010 | Christopher Nolan
Best Score | 2010 | Hans Zimmer
Best Cinematography | 2010 | Wally Pfister
Best Art Direction | 2010 | Guy Dyas
Best American Film rets amerikanske film | 2011 | Christopher Nolan
Best Director | 2011 | Christopher Nolan
Best Writing | 2011 | Christopher Nolan
Best Music | 2011 | Hans Zimmer
Best Special Effects | 2011 | Andrew Lockley
Best Original Screenplay | 2010 | Christopher Nolan
Best Cinematography | 2010 | Wally Pfister
Best Art DirectionProduction Design | 2010 | Brad Ricker
Best Director | 2010 | Christopher Nolan
Best Director | 2010 | Christopher Nolan
Best Original Screenplay | 2011 | Christopher Nolan
Best International Film Beste Buitenlandse Film | 2011 | Christopher Nolan
Best Director | 2010 | Christopher Nolan
Best Screenplay Original | 2010 | Christopher Nolan
Best Cinematography | 2010 | Wally Pfister
Best Director | 2010 | Christopher Nolan
Best Screenplay Original | 2010 | Christopher Nolan
Best Director Miglior regia | 2011 | Christopher Nolan
Best Picture Miglior film | 2011 | Emma Thomas
Best Original Screenplay Miglior sceneggiatura originale | 2011 | Christopher Nolan
Best Original Score Miglior colonna sonora | 2011 | Hans Zimmer
Best Editing Miglior montaggio | 2011 | Lee Smith
Best Cinematography Miglior fotografia | 2011 | Wally Pfister
Best Original Screenplay | 2011 | Christopher Nolan
Best Original Screenplay | 2010 | Christopher Nolan
Best Achievement in Cinematography | 2010 | Wally Pfister
Best Film | 2011 | Christopher Nolan
Best Original Screenplay | 2010 | Christopher Nolan
Best Original Score | 2010 | Hans Zimmer
Best Cinematography | 2010 | Wally Pfister
2010 | Christopher Nolan
Best Director | 2011 | Christopher Nolan
Best Original Screenplay | 2011 | Christopher Nolan
Best Score | 2011 | Hans Zimmer
Best Original Screenplay | 2010 | Christopher Nolan
Best Action Movie | 2011 | Christopher Nolan
Best Editing | 2011 | Lee Smith
Best Sound | 2011 | Lora Hirschberg
Best Cinematography | 2011 | Wally Pfister
Best Art Direction | 2011 | Larry Dias
Best Visual Effects | 2011 | Andrew Lockley
Best Director of the Year | 2010 | Christopher Nolan
Best Foreign Language Film Nejleps zahranicn film | 2011 | Christopher Nolan
Best Writing Screenplay Written Directly for the Screen | 2011 | Christopher Nolan
Best Film Editing | 2011 | Lee Smith
Best Sound Mixing | 2011 | Lora Hirschberg
Best Sound Effects Editing | 2011 | Richard King
Best Production Design | 2011 | Brad Ricker
Best Visual Effects | 2011 | Andrew Lockley
Best Dramatic Presentation Long Form | 2011 | Christopher Nolan
Best Film | 2011 | Christopher Nolan
Original Screenplay | 2011 | Christopher Nolan
Film Editing | 2011 | Lee Smith
Sound EditingMixing | 2011 | Lora Hirschberg
Visual Effects | 2011 | Andrew Lockley
Best Director | 2010 | Christopher Nolan
Special Merit for best scene cinematic technique or other memorable aspect or moment | 2010 | Joseph Gordon-Levitt
Best Original Score | 2010 | Hans Zimmer
Best Cinematography | 2010 | Wally Pfister
Best Art Direction Production Design | 2010 | Brad Ricker
Top Box Office Films | 2011 | Hans Zimmer
Best Original Soundtrack of the Year | 2011 | Hans Zimmer
Best Original Score Feature Film | 2010 | Hans Zimmer
Score | 2022 | Hans Zimmer
Outstanding Performance by a Stunt Ensemble in a Motion Picture | 2011 | Logan Holladay
Best Stunt Coordinator andor nd Unit Director | 2011 | Tom Struthers
Best Fight | 2011 | Marvin Campbell
Best Film Editing | 2011 | Lee Smith
Best Film Editing | 2010 | Lee Smith
Best Cinematography | 2010 | Wally Pfister
Best Visual Effects | 2010 | Andrew Lockley
Outstanding Editing Feature Film | 2010 | Lee Smith
Best Sound Editing Sound Effects and Foley in a Feature Film | 2011 | Paul Berolzheimer
Best Sound Editing Music in a Feature Film | 2011 | Alex Gibson
2011 | Wally Pfister
Best Cinematography | 2010 | Wally Pfister
Outstanding Achievement in Cinematography in Theatrical Releases | 2011 | Wally Pfister
Best Fight | 2011 | Marvin Campbell
Best Production Design | 2010 | Guy Dyas
Fantasy Film | 2011 | Mark Hitchler
Outstanding Models and Miniatures in a Feature Motion Picture | 2011 | Robert Spurlock
Outstanding Visual Effects in a Visual EffectsDriven Feature Motion Picture | 2011 | Matthew Plummer
Outstanding Compositing in a Feature Motion Picture | 2011 | George Zwier
Outstanding Created Environment in a Live Action Feature Motion Picture | 2011 | Dan Neal
Best Writing Original Screenplay | 2011 | Christopher Nolan
Best Motion Picture of the Year | 2011 | Emma Thomas
Best Achievement in Music Written for Motion Pictures Original Score | 2011 | Hans Zimmer
Best Achievement in Art Direction | 2011 | Larry Dias
Best Director Motion Picture | 2011 | Christopher Nolan
Best Screenplay Motion Picture | 2011 | Christopher Nolan
Best Original Score Motion Picture | 2011 | Hans Zimmer
Best Screenplay Original | 2011 | Christopher Nolan
Best Film | 2011 | Emma Thomas
Best Editing | 2011 | Lee Smith
Best Cinematography | 2011 | Wally Pfister
Best Score Soundtrack Album for a Motion Picture Television or Other Visual Media | 2011 | Hans Zimmer
Ensemble Cast | 2011 | Ken Watanabe
Director | 2011 | Christopher Nolan
Motion Picture | 2011 | Emma Thomas
Motion Picture of the Decade | 2020 | Emma Thomas
Director of the Decade | 2020 | Christopher Nolan
Original Screenplay of the Decade | 2020 | Christopher Nolan
Original Score of the Decade | 2020 | Hans Zimmer
Original Score | 2011 | Hans Zimmer
Film Editing of the Decade | 2020 | Lee Smith
Cinematography | 2011 | Wally Pfister
Art Direction | 2011 | Larry Dias
Production Design of the Decade | 2020 | Larry Dias
Visual Effects of the Decade | 2020 | Andrew Lockley
Unforgettable Moment | 2011 | Ellen Page
Best Jaw Dropping Moment | 2011 | Ellen Page
Best Line from a Movie | 2011 | Tom Hardy
Best Kiss | 2011 | Ellen Page
Best Fight | 2011 | Joseph Gordon-Levitt
Favorite OnScreen Team | 2011 | Dileep Rao
Best Actor | 2011 | Leonardo DiCaprio
Best Ensemble | 2011 | Dileep Rao
Actor of the Year | 2011 | Leonardo DiCaprio
Actor of the Year For | 2011 | Leonardo DiCaprio
Best Cinematography | 2011 | Wally Pfister
Best Actor | 2011 | Leonardo DiCaprio
Best Supporting Actor | 2011 | Tom Hardy
Best Actress | 2011 | Ellen Page
Best Production Design | 2011 | Guy Dyas
Best Actor | 2010 | Leonardo DiCaprio
Best Director | 2010 | Christopher Nolan
Best Screenplay | 2010 | Christopher Nolan
Best Score | 2010 | Hans Zimmer
Best Art Direction | 2010 | Guy Dyas
Best International Actor | 2011 | Leonardo DiCaprio
Best Actor in a Supporting Role in a Feature Film | 2011 | Cillian Murphy
Best International Film | 2011 | Christopher Nolan
Best Actor in a Motion Picture Drama | 2010 | Leonardo DiCaprio
Best Screenplay Original | 2010 | Christopher Nolan
Best Director | 2010 | Christopher Nolan
Best Actress in a Supporting Role | 2010 | Marion Cotillard
Best Film Editing | 2010 | Lee Smith
Best Sound Mixing Editing | 2010 | Lora Hirschberg
Best Visual Effects | 2010 | Andrew Lockley
Breakthrough Performance of the Year | 2010 | Tom Hardy
Best Screenplay of the Year | 2010 | Christopher Nolan
Best Supporting Actor of the Year | 2010 | Joseph Gordon-Levitt
Best Supporting Actress of the Year | 2010 | Marion Cotillard
British Supporting Actor of the Year | 2011 | Tom Hardy
Director of the Year | 2011 | Christopher Nolan
British Director of the Year | 2011 | Christopher Nolan
Best Breakthrough Performance Male | 2011 | Tom Hardy
Best Director | 2011 | Christopher Nolan
Best Picture | 2011 | Emma Thomas
Best Music Original Score | 2011 | Hans Zimmer
Best Cinematography | 2011 | Wally Pfister
Best Director | 2010 | Christopher Nolan
Best ScreamPlay | 2010 | Christopher Nolan
Best Cameo | 2010 | Michael Caine
Best Supporting Actress | 2010 | Marion Cotillard
Best Science Fiction Actress | 2010 | Ellen Page
Best European Film Millor Pellcula Europea | 2011 | Christopher Nolan
Best Motion Picture | 2010 | Emma Thomas
Best Achievement in Directing | 2010 | Christopher Nolan
Best Original Score | 2010 | Hans Zimmer
Best Achievement in Film Editing | 2010 | Lee Smith
Best Director | 2010 | Christopher Nolan
Best Foreign Feature Film rets utenlandske spillefilm | 2011 | Christopher Nolan
Best ForeignLanguage Film Melhor Filme Estrangeiro | 2011 | Christopher Nolan
Best Motion Picture | 2010 | Emma Thomas
Best Performance by an Actress in a Supporting Role | 2010 | Marion Cotillard
Best Picture | 2011 | Emma Thomas
Best Director | 2011 | Christopher Nolan
Best Writing Original Screenplay | 2011 | Christopher Nolan
Best Film Music or Score | 2011 | Hans Zimmer
Best Cinematography | 2011 | Wally Pfister
Best Director | 2010 | Christopher Nolan
Best Director | 2011 | Christopher Nolan
Best Foreign Film | 2011 | Christopher Nolan
Best Foreign Film Meilleur film tranger | 2011 | Christopher Nolan
Best Screenplay Original | 2011 | Christopher Nolan
Best Director | 2011 | Christopher Nolan
Best Score | 2011 | Hans Zimmer
Best Director | 2010 | Christopher Nolan
Best Original Screenplay | 2010 | Christopher Nolan
Best Music | 2010 | Hans Zimmer
Best Director | 2011 | Christopher Nolan
Best Original Score | 2011 | Hans Zimmer
Best Film Editing | 2011 | Lee Smith
Best Cinematography | 2011 | Wally Pfister
Best Director | 2010 | Christopher Nolan
Best Original Screenplay | 2010 | Christopher Nolan
Best Cinematography | 2010 | Wally Pfister
Best NonEuropean Director Regista del Miglior Film NonEuropeo | 2011 | Christopher Nolan
Best Screenplay | 2011 | Christopher Nolan
Best Foreign Film Mejor Pelcula Extranjera | 2011 | Christopher Nolan
Best Foreign Film Miglior Film Straniero | 2011 | Christopher Nolan
Outstanding Directorial Achievement in Motion Pictures | 2011 | Christopher Nolan
Best Director | 2010 | Christopher Nolan
Best Screenplay | 2010 | Christopher Nolan
Best Cinematography | 2010 | Wally Pfister
Best American Film Bedste amerikanske film | 2011 | Christopher Nolan
Best Film | 2010 | Christopher Nolan
Best Screenplay | 2010 | Christopher Nolan
Best Director | 2010 | Christopher Nolan
Best Foreign Language Film | 2011 | Christopher Nolan
Best Director | 2010 | Christopher Nolan
Best Screenplay Original | 2010 | Christopher Nolan
Best Editing | 2010 | Lee Smith
Best Production Design | 2010 | Guy Dyas
Best Foreign Film English Language | 2011 | Christopher Nolan
Best Director | 2011 | Christopher Nolan
Outstanding Producer of Theatrical Motion Pictures | 2011 | Emma Thomas
Best Actress | 2010 | Marion Cotillard
Best Supporting Actress Miglior attrice non protagonista | 2011 | Marion Cotillard
Best Original Score | 2011 | Hans Zimmer
Best Editing | 2011 | Lee Smith
Best Production Design | 2011 | Guy Dyas
2011 | Hans Zimmer
Soundtrack Composer of the Year | 2011 | Hans Zimmer
Soundtrack Composer of the Year For and | 2011 | Hans Zimmer
Film Score of the Year | 2011 | Hans Zimmer
Best Original Score for an ActionAdventureThriller Film | 2011 | Hans Zimmer
Outstanding Achievement in Casting Big Budget Feature Drama | 2011 | John Papsidera
Best Specialty Stunt | 2011 | Mark Rayner
Best Edited Feature Film Dramatic | 2011 | Lee Smith
Best Film Editing | 2010 | Lee Smith
Outstanding Sound Feature Film | 2010 | Lora Hirschberg
Outstanding Achievement in Sound Mixing for Motion Pictures | 2011 | Lora Hirschberg
Best Sound Editing Dialogue and ADR in a Feature Film | 2011 | Hugo Weng
Best Cinematography in a Theatrical Feature Film | 2010 | Wally Pfister
Main Competition | 2010 | Wally Pfister
2010 | Wally Pfister
Excellence in Contemporary Film | 2011 | Jeffrey Kurland
Best dubbing mixing | 2011 | Alessandro Checcacci
Budget 160,000,000 USD
Box Office Collection 825,532,764 USD
Apple Music
Gaana
Jio Saavn
Spotify
Youtube Music
In an interview with "Entertainment Weekly", writer, producer, and director Christopher Nolan explained that he based roles of the Inception team similar to roles that are used in filmmaking, Cobb is the director, Arthur is the producer, Ariadne is the production designer, Eames is the actor, Saito is the studio, and Fischer is the audience. "In trying to write a team-based creative process, I wrote the one I know", said Nolan.
In an effort to combat confusion, television broadcasts in Japan include text in the upper-left corner of the screen to remind viewers in which level of the dream a specific scene takes place.
In spite of this movie's extensive surreal effects sequences, the majority of visual effects throughout the movie, such as the Penrose stairs, rotating hallway, mountain avalanche, and zero-gravity sequences, were created through practical methods, not through the use of computer graphics imagery. This movie only has around five hundred visual effects shots, as opposed to most other visual effects epics, which can have upwards of two thousand visual effects shots.
Christopher Nolan has said that the snow-based third-level dream was inspired by his favorite James Bond movie On Her Majesty's Secret Service (1969).
According to cinematographer Wally Pfister, Warner Bros. executives approached Christopher Nolan about making this movie in 3D, but he refused the idea, claiming "it will distract the storytelling experience of Inception."
In an interview with "Entertainment Weekly", writer, producer, and director Christopher Nolan explained that he based roles of the Inception team similar to roles that are used in filmmaking, Cobb is the director, Arthur is the producer, Ariadne is the production designer, Eames is the actor, Saito is the studio, and Fischer is the audience. "In trying to write a team-based creative process, I wrote the one I know", said Nolan.
In an effort to combat confusion, television broadcasts in Japan include text in the upper-left corner of the screen to remind viewers in which level of the dream a specific scene takes place.
In spite of this movie's extensive surreal effects sequences, the majority of visual effects throughout the movie, such as the Penrose stairs, rotating hallway, mountain avalanche, and zero-gravity sequences, were created through practical methods, not through the use of computer graphics imagery. This movie only has around five hundred visual effects shots, as opposed to most other visual effects epics, which can have upwards of two thousand visual effects shots.
Christopher Nolan has said that the snow-based third-level dream was inspired by his favorite James Bond movie On Her Majesty's Secret Service (1969).
According to cinematographer Wally Pfister, Warner Bros. executives approached Christopher Nolan about making this movie in 3D, but he refused the idea, claiming "it will distract the storytelling experience of Inception."
"Cobb: What is the most resilient parasite? Bacteria? A virus? An intestinal worm? An idea. Resilient... highly contagious. Once an idea has taken hold of the brain it's almost impossible to eradicate. An idea that is fully formed - fully understood - that sticks; right in there somewhere."
"Cobb: I need to get home. That's all I care about right now. Ariadne: Why can't you go home? Cobb: Because they think I killed her. Ariadne: [silence] Cobb: Thank you. Ariadne: For what? Cobb: For not asking whether I did."
