Movie |
Japan | Island
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Best VocalMotion Capture Performance | 2019 | Bryan Cranston
Outstanding Achievement for Voice Acting in an Animated Feature Production | 2019 | Bryan Cranston
Best Voice Performance | 2018 | Bryan Cranston
Headliners | 2018 | Wes Anderson
Best Animated Film International Competition | 2019 | Wes Anderson
Best Animated Feature | 2018 | Wes Anderson
Best Director | 2018 | Wes Anderson
Audience Award | 2018 | Wes Anderson
Best Animated Film | 2018 | Wes Anderson
Best Original Score | 2018 | Alexandre Desplat
Best Original Score Animated Film | 2018 | Alexandre Desplat
Best Musical Score | 2018 | Alexandre Desplat
Outstanding Achievement in Sound Mixing for Motion Pictures Animated | 2019 | Christopher Scarabosio
Outstanding Achievement in Casting Animation Feature | 2019 | Douglas Aibel
Animated Film | 2019 | Curt Enderle
Best Art Direction | 2018 | Curt Enderle
Best Animated Feature Film | 2019 | Jeremy Dawson
Best Achievement in Music Written for Motion Pictures Original Score | 2019 | Alexandre Desplat
Best Original Score Motion Picture | 2019 | Alexandre Desplat
Best Animated Featured Film | 2019 | Jeremy Dawson
Original Music | 2019 | Alexandre Desplat
Voice Acting | 2018 | Edward Norton
Best Voice or Motion Capture Performance | 2019 | Bryan Cranston
Best Animated Feature | 2019 | Jeremy Dawson
Best Performance in an Animation or a Video Game | 2019 | Bryan Cranston
Best Animation | 2019 | Wes Anderson
Best Visual Design | 2019 | Curt Enderle
Best VoiceOver Performance | 2019 | Bryan Cranston
Best Animated Picture | 2019 | Jeremy Dawson
Best Music Original Score | 2019 | Alexandre Desplat
Best VocalMotion Capture Performance | 2018 | Bryan Cranston
Best Animated Female | 2019 | Greta Gerwig
Family Feature Film | 2019 | Kunichi Nomura
Best Original Screenplay | 2019 | Kunichi Nomura
Best Original Score | 2019 | Alexandre Desplat
Best Animated Feature Film | 2019 | Wes Anderson
Best Animated Film | 2019 | Jeremy Dawson
Best Animated Feature | 2019 | Jeremy Dawson
Best Original Score | 2019 | Alexandre Desplat
Animated Feature | 2019 | Wes Anderson
Animated Feature of the Decade | 2020 | Jeremy Dawson
Original Score | 2019 | Alexandre Desplat
Best Animated Feature | 2018 | Wes Anderson
Best Original Screenplay | 2018 | Wes Anderson
Best Animated Film | 2019 | Wes Anderson
Best Original Score | 2019 | Alexandre Desplat
Best Production Design | 2019 | Adam Stockhausen
Best Original Screenplay | 2018 | Wes Anderson
Best Film | 2018 | Wes Anderson
Best Original Screenplay | 2018 | Wes Anderson
Best Production Design | 2018 | Adam Stockhausen
Best Original Score | 2018 | Alexandre Desplat
Best Production Design | 2018 | Adam Stockhausen
Best Original Score | 2019 | Alexandre Desplat
Best Original Music International Competition | 2019 | Alexandre Desplat
Best Original Music International Competition For | 2019 | Alexandre Desplat
Best Art Direction International Competition | 2019 | Adam Stockhausen
Film Composer of the Year | 2018 | Alexandre Desplat
Film Composer of the Year For and | 2018 | Alexandre Desplat
Best Score | 2018 | Alexandre Desplat
Best Original Score for an Animated Film | 2019 | Alexandre Desplat
Best Original Score | 2019 | Alexandre Desplat
Best Original Score | 2019 | Alexandre Desplat
Best Original Score | 2019 | Alexandre Desplat
Best Score | 2018 | Alexandre Desplat
Best Score | 2019 | Alexandre Desplat
Outstanding Achievement for Character Animation in an Animated Feature Production | 2019 | Jason Stalman
Outstanding Achievement for Production Design in an Animated Feature Production | 2019 | Adam Stockhausen
Best Edited Animated Feature Film | 2019 | Andrew Weisblum
Outstanding Visual Effects in an Animated Feature | 2019 | Tim Ledbury
Outstanding Achievement in Sound Editing Music Score for Feature Film | 2019 | Yann McCullough
Outstanding Achievement in Sound Editing Sound Effects Foley Dialogue and ADR for Animated Feature Film | 2019 | Christopher Scarabosio
Best Production Design | 2019 | Adam Stockhausen
Budget 62,770,198 USD
Box Office Collection 64,337,744 USD
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The hair of the dogs is made out of alpaca wool.
Writer and director Wes Anderson hosted a competition for someone to be a member of the voice cast for this film. The only requirement was that they donated ten dollars or more to the Film Foundation, a non-profit founded by Martin Scorsese, which specializes in the preservation and restoration of film around the world.
The title "Isle of Dogs" is a play on words. Said quickly and fluidly it sounds like "I love dogs." However, the play on words only works in English and loses that meaning in the Japanese pronunciation of the kanji, "Inu ga shima."
The movie was influenced by the work of Akira Kurosawa and Rankin-Bass stop-motion Christmas specials.
As of 2018, since his debut film Bottle Rocket (1996), director Wes Anderson had used one cinematographer for his live-action films (Robert D. Yeoman), and one for his stop-motion films (Tristan Oliver).
"Nutmeg: Will you help him, the little pilot? Chief: Why should I? Nutmeg: Because he's a twelve year old boy, dogs love those."
"Duke: I wish somebody spoke his language."
