Movie |
Black Hole | Artificial Intelligence
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Christopher Nolan, a highly gifted great filmmaker, had once again proven his top-class directing skills with this incredible gem of a film named Interstellar. It happens to be a great Science-Fiction saga and has managed to enter the list of the best movies ever made in Hollywood. It is not only about the space saga but also explores the beautiful relationship between a father-daughter duo. The movie is a perfect blend of science fiction and drama and, without doubt, happens to be the most interesting movie ever made. The cast members also did an incredible job at their performances and the intriguing display of time and space is what captures the attention of the viewers. The direction and the visual effects shown in the film are also top-notch. Interstellar became one of the highest-grossing movies in the history of Hollywood and received a blockbuster opening at cinema houses. It is an amazing film and should be watched once.
Best Achievement in Visual Effects | 2015 | Ian
Best Special Visual Effects | 2015 | Paul J.
Best Special Effects - International Competition | 2015
Best Sound - International Competition | 2015
Best Sci-Fi/Horror Movie | 2015
Best Special Effects (Melhores Efeitos Especiais) | 2015
For , , and | 2015
Best Original Score | 2015 | Hans
Film Score of the Year | 2015 | Hans
Best Special Effects (Migliori effetti speciali) | 2015
Best Foreign Film | 2015
Best Cinematography | 2015 | Hoyte van
Best Foreign Drama of the Year | 2015
2015 | Mark
Outstanding Created Environment in a Photoreal/Live Action Feature Motion Picture | 2015 | Kirsty
Assistant Location Manager of the Year - Feature | 2014
Assistant Location Manager of the Year Feature | 2014
Best Musical Score | 2014 | Hans
Best Visual Effects | 2014
Best Visual Effects | 2014 | Scott R.
Best Visual Effects | 2014
Worst Film | 2014
Female's Right to Male Roles in Movies | 2014 | Jessica
Best Science Fiction Film | 2015
Best Production Design | 2015 | Nathan
Best Special Effects | 2015 | Scott R.
Best Performance by a Younger Actor | 2015 | Mackenzie
Best Writing | 2015 | Jonathan
Best Music | 2015 | Hans
Movie of the Year | 2015
Top Box Office Films | 2015 | Hans
Best Achievement in Production Design | 2015 | Nathan
Best Achievement in Sound Editing | 2015 | Richard
Best Achievement in Sound Mixing | 2015 | Gregg
Best Achievement in Music Written for Motion Pictures, Original Score | 2015 | Hans
Best Original Score - Motion Picture | 2015 | Hans
Best Cinematography | 2015 | Hoyte van
Best Original Music | 2015 | Hans
Best Production Design | 2015 | Gary
Best Score Soundtrack for Visual Media | 2016 | Hans
Original Score of the Decade | 2020 | Hans
Visual Effects of the Decade | 2020 | Scott R.
Cinematography | 2015 | Hoyte van
Motion Picture | 2015 | Emma
Film Editing | 2015 | Lee
Production Design | 2015 | Nathan
Sound | 2015 | Mark
Best DVD/Blu-Ray Collection For , , , , and | 2018
Best DVDBluRay Collection | 2018
Best Supporting Actress | 2015 | Jessica
Best Actress | 2015 | Anne
Best Actor | 2015 | Matthew
Best Director | 2015 | Christopher
Best Editing | 2015 | Lee
Best Editing | 2014 | Lee
Best Youth Performance | 2014 | Mackenzie
Best Original Score | 2014 | Hans
Best Art Direction | 2014 | Gary
Best Cinematography | 2014 | Hoyte van
Best Cinematography | 2015 | Hoyte van
Best Foreign Feature Film (Årets utenlandske spillefilm) | 2015 | Christopher
Fantasy Film | 2015 | Gary
Best Film Score | 2015 | Hans
Best Foreign Film | 2015
Outstanding Breakthrough Performance Male | 2015 | David
Outstanding Breakthrough Performance, Male | 2015 | David
Best Cinematography | 2015 | Hoyte van
Best Score | 2015 | Hans
Actor of the Year For and | 2015
Actor of the Year For , , , and | 2015
Actor of the Year | 2015 | Jessica
Outstanding Achievement in Sound Mixing for Motion Pictures Live Action | 2015 | Thomas J.
Outstanding Achievement in Sound Mixing for Motion Pictures - Live Action | 2015 | Mary Jo
Best Director - International Competition | 2015 | Christopher
Best Actor - International Competition | 2015 | Matthew
Best Screenplay - International Competition | 2015 | Jonathan
Best Cinematography - International Competition | 2015 | Hoyte van
Best Editing - International Competition | 2015 | Lee
Best Original Score - International Competition | 2015 | Hans
Best Art Direction - International Competition | 2015 | Gary
Best Foreign Film (Mejor Película Extranjera) | 2015 | Christopher
Excellence in Contemporary Film | 2015 | Mary
Best Young Actor/Actress | 2015 | Mackenzie
Best Cinematography | 2015 | Hoyte van
Best Art Direction | 2015 | Gary
Best Editing | 2015 | Lee
Best Visual Effects | 2015
Best Score | 2015 | Hans
Best Original Score (Melhor Banda Sonora) | 2015 | Hans
Best Production Values (Melhores Valores de Produção) | 2015
Best American Film (Årets amerikanske film) | 2015 | Christopher
Best Cinematography | 2015 | Hoyte van
Best Science-Fiction/Horror Film | 2015
Best Director | 2015 | Christopher
Best Sci-Fi/Fantasy | 2015
Feature Film | 2015
Visually Striking Film of the Year | 2015
Best Drama TV Spot | 2015
Best Music Supervision for a Trailer | 2015
Best Contemporary Makeup - Feature Films | 2015 | Jay
Best Contemporary Hair Styling - Feature Films | 2015 | Jose
Best Global Director for a Motion Picture | 2015 | Christopher
Best Dramatic Presentation - Long Form | 2015 | Christopher
Best Original Score for a Fantasy/Science Fiction/Horror Film | 2015 | Hans
Best Original Score | 2015 | Hans
Best Sound Mixing | 2015 | Mark
Best Sound Editing | 2015 | Richard
Best Visual Effects | 2015 | Scott R.
Best Original Score (Miglior colonna sonora) | 2015 | Hans
Best Art Direction (Miglior scenografia) | 2015 | Nathan
Best International Actress | 2015 | Jessica
Best Sound Editing - Music in a Feature Film | 2015 | Ryan
Best Sound Editing - Sound Effects and Foley in an English Language Feature | 2015 | Scott
Best Music, Original Score | 2015
Best Cinematography | 2015
Best Sound Mixing | 2015
Best Sound Effects Editing | 2015
Best Visual Effects | 2015
Best Movie Trailer | 2015
Best Foreign Hero of the Year | 2015 | Matthew
Best Cinematography | 2015 | Hoyte van
Best Visual Effects | 2015 | Scott R.
Best Original Score | 2015 | Hans
2015 | Jonathan
Best Cinematography | 2015 | Hoyte van
Best Visual Effects | 2015 | Scott R.
Best Music, Original Score | 2015 | Hans
Best Production Design | 2015 | Gary
Best Sound Design | 2015 | Richard
Choice Movie Actress: Sci-Fi/Fantasy | 2015 | Mackenzie
Best Actor in a Feature Film Supporting/Principal Role | 2015 | Liam
Outstanding Visual Effects in a Visual Effects-Driven Photoreal/Live Action Feature Motion Picture | 2015 | Scott R.
Outstanding Virtual Cinematography in a Photoreal/Live Action Motion Media Project | 2015 | Dorian
Outstanding Compositing in a Photoreal/Live Action Feature Motion Picture | 2015
Best Original Film Score of the Year | 2015 | Hans
Film Composer of the Year For | 2015
Film Composer of the Year | 2015 | Hans
Best Performance in a Feature Film - Supporting Young Actress | 2015 | Mackenzie
Best Motion Picture | 2014 | Emma
Best Original Screenplay | 2014 | Jonathan
Best Production Design | 2014 | Paul
Best Cinematography | 2014 | Hoyte van
Best Sound | 2014
Location Professional of the Year - Studio Feature Film | 2014 | Mandi
Location Professional of the Year Studio Feature Film | 2014 | Mandi
Best Director | 2014 | Christopher
Best Art DirectionProduction Design | 2014
Best Art Direction/Production Design | 2014
Best Cinematography | 2014 | Hoyte van
Best Original Score | 2014 | Hans
Best Cinematography | 2014 | Hoyte van
Best Art Direction/Production Design | 2014 | Gary
Favorite Movie of the Year | 2014
Best Director of the Year | 2014 | Christopher
Most Overrated Movie of the Year | 2014
Most Underrated Movie of the Year | 2014
Trippiest Movie of the Year | 2014
Best Sci-Fi Movie of the Year | 2014
Best Special Effects of the Year | 2014
Best Music in a Movie | 2014
Favorite Movie Poster of the Year | 2014
Best Trailer of the Year | 2014
Best Original Score - Feature Film | 2014 | Hans
Best Horror or Sci-Fi Film | 2014
Best Original Score | 2014 | Hans
Best Cinematography | 2014 | Hoyte van
Best Film Editing | 2014 | Lee
Best Production Design | 2014 | Gary
Best Performance by a Youth in a Lead or Supporting Role - Female | 2014 | Mackenzie
Best Film | 2014 | Christopher
Best Original Screenplay | 2014 | Jonathan
Best Supporting Actress | 2014 | Mackenzie
Best Cinematography | 2014 | Hoyte van
Best Music | 2014 | Hans
Best Foreign Film | 2014
Budget 165,000,000 USD
Box Office Collection 701,729,206 USD
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To create the wormhole and black hole, Dr. Kip Thorne collaborated with Visual Effects Supervisor Paul J. Franklin and his team at Double Negative. Thorne provided pages of deeply sourced theoretical equations to the team, which then created new CGI software programs based on these equations to create accurate computer simulations of these phenomena. Some individual frames took up to one hundred hours to render, and ultimately the whole CGI program reached to eight hundred terabytes of data. The resulting visual effects provided Thorne with new insight into the effects of gravitational lensing and accretion disks surrounding black holes, and led to him writing two scientific papers, one for the astrophysics community, and one for the computer graphics community.
Early in pre-production, Dr. Kip Thorne laid down two guidelines to strictly follow: nothing would violate established physical laws, and that all the wild speculations would spring from science, and not from the creative mind of a screenwriter. Writer, Producer, and Director Christopher Nolan accepted these terms, as long as they did not get in the way of the making of the movie. That did not prevent clashes, though; at one point Thorne spent two weeks talking Nolan out of an idea about travelling faster than light.
According to Dr. Kip Thorne, the largest degree of creative license in this movie are the clouds of the ice planet, which are structures that probably go beyond the material strength which ice would be able to support.
Composer Hans Zimmer was instructed by Christopher Nolan to make a unique score: "it's time to reinvent. The endless string ostinatos need to go by the wayside, the big drums are probably in the bin." Nolan did not provide Zimmer a script or any plot details for writing music for the film, and instead gave the composer "one page of text" that "had more to do with Zimmer's story than the plot of the movie."
Steven Spielberg, who was attached to direct this movie in 2006, and hired Jonathan Nolan to write the screenplay, chose other projects instead. In 2012, after Spielberg's departure, Jonathan Nolan suggested the project to his brother Christopher Nolan.
