Movie |
Rescue | Time Manipulation
Disclaimer: All content and media belong to original content streaming platforms/owners like Netflix, Disney+ Hotstar, Amazon Prime Videos, JioCinema, SonyLIV etc. 91mobiles entertainment does not claim any rights to the content and only aggregate the content along with the service providers links.
Christopher Nolan, a highly gifted great filmmaker, had once again proven his top-class directing skills with this incredible gem of a film named Interstellar. It happens to be a great Science-Fiction saga and has managed to enter the list of the best movies ever made in Hollywood. It is not only about the space saga but also explores the beautiful relationship between a father-daughter duo. The movie is a perfect blend of science fiction and drama and, without doubt, happens to be the most interesting movie ever made. The cast members also did an incredible job at their performances and the intriguing display of time and space is what captures the attention of the viewers. The direction and the visual effects shown in the film are also top-notch. Interstellar became one of the highest-grossing movies in the history of Hollywood and received a blockbuster opening at cinema houses. It is an amazing film and should be watched once.
Best Achievement in Visual Effects | 2015 | Andrew Lockley
Best Special Visual Effects | 2015 | Andrew Lockley
2014 | Christopher Nolan
Best Director | 2015 | Christopher Nolan
Best Writing | 2015 | Jonathan Nolan
Best Music | 2015 | Hans Zimmer
Best Performance by a Younger Actor | 2015 | Mackenzie Foy
Best Production Design | 2015 | Nathan Crowley
Best Special Effects | 2015 | Andrew Lockley
Best Original Score | 2014 | Hans Zimmer
Best Musical Score | 2014 | Hans Zimmer
Film Score of the Year | 2015 | Hans Zimmer
Best Original Score | 2015 | Hans Zimmer
Top Box Office Films | 2015 | Hans Zimmer
Female's Right to Male Roles in Movies | 2014 | Jessica Chastain
For , , and | 2015 | David Oyelowo
Best Cinematography | 2014 | Hoyte van Hoytema
Best Cinematography | 2014 | Hoyte van Hoytema
Best Cinematography | 2015 | Hoyte van Hoytema
2015 | Mark Weingarten
Best Visual Effects | 2014 | Andrew Lockley
Outstanding Created Environment in a Photoreal/Live Action Feature Motion Picture | 2015 | Kirsty Clark
Best Achievement in Music Written for Motion Pictures, Original Score | 2015 | Hans Zimmer
Best Achievement in Production Design | 2015 | Gary Fettis
Best Achievement in Sound Mixing | 2015 | Mark Weingarten
Best Achievement in Sound Editing | 2015 | Richard King
Best Original Score - Motion Picture | 2015 | Hans Zimmer
Best Original Music | 2015 | Hans Zimmer
Best Production Design | 2015 | Gary Fettis
Best Cinematography | 2015 | Hoyte van Hoytema
Best Score Soundtrack for Visual Media | 2016 | Hans Zimmer
Best Actress | 2015 | Anne Hathaway
Best Director | 2015 | Christopher Nolan
Best Actor | 2015 | Matthew McConaughey
Best Supporting Actress | 2015 | Jessica Chastain
Best Editing | 2015 | Lee Smith
Best Foreign Feature Film (Årets utenlandske spillefilm) | 2015 | Christopher Nolan
2015 | Jonathan Nolan
Best Director - International Competition | 2015 | Christopher Nolan
Best Screenplay - International Competition | 2015 | Jonathan Nolan
Best Actor - International Competition | 2015 | Matthew McConaughey
Best Original Score - International Competition | 2015 | Hans Zimmer
Best Art Direction - International Competition | 2015 | Gary Fettis
Best Cinematography - International Competition | 2015 | Hoyte van Hoytema
Best Editing - International Competition | 2015 | Lee Smith
Best Motion Picture | 2014 | Lynda Obst
Best Original Screenplay | 2014 | Jonathan Nolan
Best Production Design | 2014 | Paul Healy
Best Cinematography | 2014 | Hoyte van Hoytema
Best Director | 2014 | Christopher Nolan
Best Original Score | 2014 | Hans Zimmer
Best Cinematography | 2014 | Hoyte van Hoytema
Best Foreign Film (Mejor Película Extranjera) | 2015 | Christopher Nolan
Motion Picture | 2015 | Lynda Obst
Original Score of the Decade | 2020 | Hans Zimmer
Production Design | 2015 | Nathan Crowley
Cinematography | 2015 | Hoyte van Hoytema
Film Editing | 2015 | Lee Smith
Sound | 2015 | Mark Weingarten
Visual Effects of the Decade | 2020 | Andrew Lockley
Best Original Screenplay | 2014 | Jonathan Nolan
Best American Film (Årets amerikanske film) | 2015 | Christopher Nolan
Best Director of the Year | 2014 | Christopher Nolan
Best Film | 2014 | Christopher Nolan
Best Global Director for a Motion Picture | 2015 | Christopher Nolan
Best Dramatic Presentation - Long Form | 2015 | Jonathan Nolan
Best Foreign Hero of the Year | 2015 | Matthew McConaughey
Best Original Score | 2015 | Hans Zimmer
Best Cinematography | 2015 | Hoyte van Hoytema
Best Visual Effects | 2015 | Andrew Lockley
Film Composer of the Year For | 2015 | Hans Zimmer
Film Composer of the Year | 2015 | Hans Zimmer
Best Original Film Score of the Year | 2015 | Hans Zimmer
Best Original Score or Soundtrack | 2014 | Hans Zimmer
Best Cinematography | 2014 | Hoyte van Hoytema
Best Score | 2015 | Hans Zimmer
Best Young Actor/Actress | 2015 | Mackenzie Foy
Best Art Direction | 2015 | Gary Fettis
Best Cinematography | 2015 | Hoyte van Hoytema
Best Editing | 2015 | Lee Smith
Best Original Score (Melhor Banda Sonora) | 2015 | Hans Zimmer
Best Original Score | 2014 | Hans Zimmer
Best Youth Performance | 2014 | Mackenzie Foy
Best Art Direction | 2014 | Gary Fettis
Best Cinematography | 2014 | Hoyte van Hoytema
Best Editing | 2014 | Lee Smith
Best Original Score (Miglior colonna sonora) | 2015 | Hans Zimmer
Best Art Direction (Miglior scenografia) | 2015 | Nathan Crowley
Best Original Score for a Fantasy/Science Fiction/Horror Film | 2015 | Hans Zimmer
Best Music, Original Score | 2015 | Hans Zimmer
Best Production Design | 2015 | Gary Fettis
Best Cinematography | 2015 | Hoyte van Hoytema
Best Sound Design | 2015 | Mark Weingarten
Best Visual Effects | 2015 | Andrew Lockley
Best Music | 2014 | Hans Zimmer
Best Supporting Actress | 2014 | Mackenzie Foy
Best Cinematography | 2014 | Hoyte van Hoytema
Best Original Score | 2015 | Hans Zimmer
Best Sound Mixing | 2015 | Mark Weingarten
Best Sound Editing | 2015 | Richard King
Best Visual Effects | 2015 | Andrew Lockley
Best Original Score - Feature Film | 2014 | Hans Zimmer
Best Score | 2015 | Hans Zimmer
Actor of the Year For and | 2015 | Jessica Chastain
Actor of the Year For , , , and | 2015 | Jessica Chastain
Actor of the Year | 2015 | Jessica Chastain
Best Cinematography | 2015 | Hoyte van Hoytema
Best Original Score | 2014 | Hans Zimmer
Best Performance by a Youth in a Lead or Supporting Role - Female | 2014 | Mackenzie Foy
Best Production Design | 2014 | Gary Fettis
Best Cinematography | 2014 | Hoyte van Hoytema
Best Film Editing | 2014 | Lee Smith
Best Film Score | 2015 | Hans Zimmer
Best International Actress | 2015 | Jessica Chastain
Best Performance in a Feature Film - Supporting Young Actress | 2015 | Mackenzie Foy
Choice Movie Actress: Sci-Fi/Fantasy | 2015 | Mackenzie Foy
Outstanding Breakthrough Performance Male | 2015 | David Gyasi
Outstanding Breakthrough Performance, Male | 2015 | David Gyasi
Outstanding Achievement in Sound Mixing for Motion Pictures Live Action | 2015 | Mark Weingarten
Outstanding Achievement in Sound Mixing for Motion Pictures - Live Action | 2015 | Mark Weingarten
Best Production Design | 2014 | Nathan Crowley
Best Cinematography | 2014 | Hoyte van Hoytema
Best Art Direction/Production Design | 2014 | Gary Fettis
Fantasy Film | 2015 | Travis Witkowski
Best Production Design | 2015 | Gary Fettis
Best Cinematography | 2015 | Hoyte van Hoytema
Best Cinematography | 2014 | Hoyte van Hoytema
Outstanding Virtual Cinematography in a Photoreal/Live Action Motion Media Project | 2015 | Dorian Knapp
Outstanding Visual Effects in a Visual Effects-Driven Photoreal/Live Action Feature Motion Picture | 2015 | Andrew Lockley
Best Cinematography | 2015 | Hoyte van Hoytema
Outstanding Editing - Feature Film | 2015 | Lee Smith
Outstanding Sound - Feature Film | 2015 | Mark Weingarten
Best Actor in a Feature Film Supporting/Principal Role | 2015 | Liam Dickinson
Best Sound Editing - Sound Effects and Foley in an English Language Feature | 2015 | Ken J. Johnson
Best Sound Editing - Music in a Feature Film | 2015 | Alex Gibson
Best Contemporary Makeup - Feature Films | 2015 | Jay Wejebe
Best Contemporary Hair Styling - Feature Films | 2015 | Patricia DeHaney
Location Professional of the Year - Studio Feature Film | 2014 | Mandi Dillin
Location Professional of the Year Studio Feature Film | 2014 | Mandi Dillin
Excellence in Contemporary Film | 2015 | Mary Zophres
Budget 165,000,000 USD
Box Office Collection 701,729,206 USD
Amazon Music
Apple Music
Gaana
Jio Saavn
Spotify
Wynk
Youtube Music
To create the wormhole and black hole, Dr. Kip Thorne collaborated with Visual Effects Supervisor Paul J. Franklin and his team at Double Negative. Thorne provided pages of deeply sourced theoretical equations to the team, which then created new CGI software programs based on these equations to create accurate computer simulations of these phenomena. Some individual frames took up to one hundred hours to render, and ultimately the whole CGI program reached to eight hundred terabytes of data. The resulting visual effects provided Thorne with new insight into the effects of gravitational lensing and accretion disks surrounding black holes, and led to him writing two scientific papers, one for the astrophysics community, and one for the computer graphics community.
Early in pre-production, Dr. Kip Thorne laid down two guidelines to strictly follow: nothing would violate established physical laws, and that all the wild speculations would spring from science, and not from the creative mind of a screenwriter. Writer, Producer, and Director Christopher Nolan accepted these terms, as long as they did not get in the way of the making of the movie. That did not prevent clashes, though; at one point Thorne spent two weeks talking Nolan out of an idea about travelling faster than light.
According to Dr. Kip Thorne, the largest degree of creative license in this movie are the clouds of the ice planet, which are structures that probably go beyond the material strength which ice would be able to support.
Composer Hans Zimmer was instructed by Christopher Nolan to make a unique score: "it's time to reinvent. The endless string ostinatos need to go by the wayside, the big drums are probably in the bin." Nolan did not provide Zimmer a script or any plot details for writing music for the film, and instead gave the composer "one page of text" that "had more to do with Zimmer's story than the plot of the movie."
Steven Spielberg, who was attached to direct this movie in 2006, and hired Jonathan Nolan to write the screenplay, chose other projects instead. In 2012, after Spielberg's departure, Jonathan Nolan suggested the project to his brother Christopher Nolan.
