It's All True

It's All True

Movie

  • :
  • Genre(s): Documentary
  • Language(s): English
  • Director(s): Orson Welles, Norman Foster, Richard Wilson, Bill Krohn, Myron Meisel See all Crew
  • Cast(s): Miguel Ferrer, Orson Welles, Carmen Miranda, Grande Otelo, Manuel Jacaré Olimpio Meira See all Cast & Crew
  • Duration: 1h 29min
  • Music: Jorge Arriagada
  • Award(s): Monitor 1993 (Won)
    Golden Satellite 2005 (Nominated) Awards List
  • Similar To: The Plastic Detox, Queen of Chess
  • Story:
    A documentary about Orson Welles's unfinished three-part film about South America.
    Full Story

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It's All True - Cast

It's All True - Crew

It's All True - IMAGE GALLERY

STORY

Story
A documentary about Orson Welles's unfinished three-part film about South America.

AWARDS

Won
Monitor Award

Best Documentary | 1993

One Future Prize Award

1994 | Orson

(director) | 1994 | Orson

Special Citation Award

1994 | Richard

LAFCA Award

Best DocumentaryNonFiction Film | 1993 | Richard

Nominations
Golden Satellite Award

Best Documentary DVD | 2005

NSFC Award

Best Documentary | 1994

TRIVIA

Trivia

Though the filmed footage was edited and released, as of today there is reportedly a very large amount of footage not used still in the UCLA archives that is slowly becoming damaged for lack of preservation.

The black-and-white portions of this film were filmed in 1942, when Orson Welles was asked by Nelson Rockefeller to make a "goodwill" film documentary about South America. RKO assumed Welles' film would resemble an innocuous travelogue; instead, he began to film a documentary about ordinary daily life in Brazil. Legends (ultimately proved untrue) sprang up about Welles' riotous behavior in Brazil, and RKO pulled the plug on the film after a fatal accident involving fishermen. For years, the original footage was considered lost, but what was left was eventually found in the Paramount stock footage library and edited into this 1993 release.

Welles died in 1985 without seeing the surviving footage from "It's All True."

Most of the Technicolor footage from "The Story of the Samba" sequence was thrown into Santa Monica Bay in the 1960s because the combustible nitrate film had deteriorated to a point where it represented a storage hazard.

A story segment that Welles originally planned involved a profile of Louis Armstrong to be filmed in New Orleans. It was the only segment of the four parts that Welles never filmed any footage of.