Movie |
Boys' Love (bl)
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2009 | Francis Xavier
Best Performance by an Actor in a Supporting Role Drama Musical or Comedy | 2009 | Coco
Feature Film | 2009 | Francis Xavier
Digital Movie Editor of the Year | 2009 | Francis Xavier
Best Actor | 2008 | Baron
Best Supporting Actor Pinakamahusay na Pangalawang Aktor | 2009 | Coco
Best Editing | 2009
Best Director | 2009
Best Original Screenplay | 2009
Best Cinematography | 2009
Best Motion Picture Drama | 2009
Digital Movie Production Designer of the Year | 2009
Digital Movie Director of the Year | 2009
Movie Actor of the Year | 2009
Digital Movie Original Screenplay of the Year | 2009
Digital Movie of the Year | 2009
Best Production Design Pinakamahusay na Disenyong Pamproduksiyon | 2009
Best Cinematography Pinakamahusay na Sinematograpiya | 2009
Best Direction Pinakamahusay na Direksyon | 2009
Best Supporting Actress Pinakamahusay na Pangalawang Aktres | 2009
Best Actor Pinakamahusay na Pangunahing Aktor | 2009
Best Picture Pinakamahusay na Pelikula | 2009
Best Film | 2008 | Francis Xavier
2008 | Francis Xavier
The film won the Audience Award in Black Movie Film Festival 2009 held in Geneva, Switzerland. The director of the film receives 5000 Swiss francs.
The film was nominated for the Sutherland Trophy in The Times BFI London Film Festival in 2008.
In the 11th Festival de Cine Asiatico de Barcelona (Barcelona Asian Film Festival 2009), the film won the D-Cinema Award "for developing an original and sharp critic to the media which entertains and makes you think, going beyond its political and format boundaries." The D-Cinema award is given to the most innovative and experimental Asian film shot in digital format.
The film is based on the grand prize winning screenplay "Jay" in the 2007 Cinemanila-FDCP Scriptwriting Contest.
The pink chick burial sequence was not originally part of the screenplay. It was included for thematic point after the pink chick was accidentally killed when the coffin's head panel closed down. This can be seen in the sequence when Jay Santiago, with Carlo the cameraman behind the coffin, is arranging the first meeting of Edward Navarro and Luzviminda Mercado in the wake for television exploitation.
