Movie |
Racism | Post Traumatic Stress Disorder
In the post–World War II South, two families are pitted against a barbaric social hierarchy and an unrelenting landscape as they simultaneously fight the battle at home and the battle abroad.
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In the post–World War II South, two families are pitted against a barbaric social hierarchy and an unrelenting landscape as they simultaneously fight the battle at home and the battle abroad.
Best Ensemble Cast | 2018 | Billy
Best Adapted Screenplay | 2018 | Virgil
Drama Feature Film | 2018 | Virgil
Marquee Feature | 2017 | Virgil
Narrative Feature | 2017 | Dee
Overall Favorite | 2017 | Dee
Spotlight Film | 2017 | Christopher
Best Supporting Actress | 2017 | Mary J.
Best Adapted Screenplay | 2017 | Virgil
Best Ensemble | 2017 | Jason
Best Ensemble Performance | 2017 | Jonathan
Best Cinematographer | 2017 | Rachel
Best Adapted Screenplay | 2017 | Dee
2017 | Dee
Best Film | 2017 | Christopher
Best Director | 2017 | Dee
Best Ensemble | 2017
Top Films of the Year | 2017
Best Ensemble | 2017
Best New Media | 2017
Outstanding Supporting Actor Motion Picture | 2018 | Jason
2018 | Dee
Don LaFontaine Award for Best Voice Over | 2018
2018 | Mary J.
Best Ensemble Motion Picture | 2018
Best Achievement in Cinematography | 2018 | Rachel
Best Adapted Screenplay | 2018 | Virgil
Best Performance by an Actress in a Supporting Role | 2018 | Mary J.
Best Achievement in Music Written for Motion Pictures (Original Song) | 2018
Best Original Song Motion Picture | 2018 | Raphael
Best Performance by an Actress in a Supporting Role in a Motion Picture | 2018 | Mary J.
Outstanding Supporting Actress Motion Picture | 2018 | Mary J.
Outstanding Motion Picture | 2017 | Tim
Outstanding Director Motion Picture | 2018 | Dee
Outstanding Screenplay Motion Picture | 2018 | Virgil
Best Art Direction International Competition | 2019
Best Cinematography International Competition | 2019 | Rachel
Best Ensemble International Competition | 2019 | Lucy
Outstanding Performance by a Female Actor in a Supporting Role | 2018 | Mary J.
Outstanding Performance by a Cast in a Motion Picture | 2018 | Carey
Best Supporting Actress | 2018 | Mary J.
Outstanding Achievement in Cinematography in Theatrical Releases | 2018 | Rachel
Best Supporting Actress | 2018 | Mary J.
Best Adapted Screenplay | 2018 | Dee
Best Cinematography | 2018 | Rachel
2018 | Mary J.
Best Supporting Actress | 2018 | Mary J.
Best Acting Ensemble | 2018
Best Adapted Screenplay | 2018 | Virgil
Best Cinematography | 2018 | Rachel
Best Supporting Actress | 2018 | Carey
Best Performance by an Actress in a Supporting Role | 2018 | Carey
Film Performance of the Year Supporting Actress | 2018 | Mary J.
Best Adapted Screenplay | 2018 | Dee
Best Cinematography | 2018 | Rachel
Best Original Song | 2018
Best Ensemble | 2018
Best Drama TV Spot | 2018
Best Independent TV Spot | 2018
Best Drama Poster | 2018
Best SongRecording Created for a Film | 2018 | Raphael
Best Period andor Character Makeup Television MiniSeries or Motion Picture Made for Television | 2018
Best Period andor Character Hair Styling Television MiniSeries or Motion Picture Made for Television | 2018 | Dana
Best Adapted Screenplay | 2018 | Dee
Best Supporting Actress | 2018 | Mary J.
Outstanding Locations in a Period Film | 2018 | Imre
Best Cinematography | 2018 | Rachel
Best Supporting Actress | 2018 | Mary J.
Best Adapted Screenplay | 2018 | Dee
Best Picture | 2018 | Tim
Best Breakthrough Performance Female | 2018 | Mary J.
Best Ensemble | 2018 | Jason
Best Writing Screenplay Based on Material from Another Medium | 2018 | Dee
Best Cinematography | 2018 | Rachel
Film | 2018
Adapted Screenplay | 2018 | Dee
Outstanding Independent Motion Picture | 2018
Outstanding Writing in a Motion Picture | 2018 | Dee
Outstanding Directing in a Motion Picture | 2018 | Dee
Outstanding Motion Picture | 2017 | Christopher
Best Motion Picture | 2018
Best Actress in a Supporting Role | 2018 | Mary J.
Best Director | 2018 | Dee
Best Movie | 2018
Best Ensemble | 2018
Best Ensemble | 2018
Best Motion Picture | 2017 | Tim
Best Adapted Screenplay | 2017 | Dee
Best Cast Ensemble | 2017 | Jason
Best Cinematography | 2017 | Rachel
Best Original Song | 2017
Best Supporting Actress | 2017 | Mary J.
Best Supporting Actor | 2017 | Jason
Best Adapted Screenplay | 2017 | Dee
Best Cinematography | 2017 | Rachel
2017 | Dee
Best Supporting Actress | 2017 | Mary J.
Best Supporting Actress | 2017 | Mary J.
Breakthrough Actor | 2017 | Mary J.
Best Original Score Feature Film | 2017
Best Supporting Actor | 2017 | Jason
Best Supporting Actress | 2017 | Mary J.
Best Female Director | 2017 | Dee
Best Cinematography | 2017 | Rachel
Best Adapted Screenplay | 2017 | Dee
Best Supporting Actress | 2017 | Mary J.
Best Supporting Actress | 2017 | Mary J.
Best Cinematography | 2017 | Rachel
Best Ensemble | 2017
Best Supporting Actress | 2017 | Mary J.
Best Adapted Screenplay | 2017 | Dee
Best Screenplay Adapted | 2017 | Virgil
Best Adapted Screenplay | 2017 | Virgil
Best Adapted Screenplay | 2017 | Dee
Best Director | 2017 | Dee
Best Supporting Actor | 2017 | Jason
Best Supporting Actress | 2017 | Mary J.
Best Acting Ensemble | 2017
Best Picture | 2017 | Christopher
Best Screenplay Adapted from Other Material | 2017 | Dee
Best Original Song | 2017
Best Ensemble Acting | 2017
Budget 10,000,000 USD
For her work on the film, Rachel Morrison became the first woman ever to be nominated for the Academy Award for Best Cinematography.
Director Dee Rees shared photographs from the film's era with Carey Mulligan as part of her preparation, and she was drawn to a particular one of a woman with a really short fringe (bangs) who looked so awkward to her, which she thought reflected her character Laura. Thus, she cut her hair in a similar style for the film.
"Mudbound" became the first non-documentary feature film distributed primarily by a streaming service (Netflix) to be nominated in major categories at the Academy Awards or in any category for that matter. This feat challenges the Academy's years long bias against the non-theatrical distribution model of Netflix and other streaming platforms.
Mary J. Blige had an Aunt who was very much like her character Florence, who had worked for (and raised a bunch of kids in) a white family who loved her. Additionally, the experiences of her grandmother helped her in playing the role.
The film premiered at the 2017 Sundance Film Festival, where it received a standing ovation.
"Hap Jackson: [narrating] What good is a deed? My grandfathers and great uncles, grandmothers and great aunts, father and mother, broke, tilled, thawed, planted, plucked, raised, burned, broke again. Worked this land all they life, this land that never would be theirs. They worked until they sweated. They sweated until they bled. They bled until they died. Died with the dirt of this same 200 acres under their fingernails. Died clawing at the hard, brown back that would never be theirs. All their deeds undone. Yet this man, this place, this law... say you need a deed. Not deeds."
"Jamie McAllan: You ever miss it sometimes? Being over there. I don't mean being shot at, but sometimes, I actually miss it. Ronsel Jackson: Yeah, me, too. Over there, I was a liberator. People lined up in the streets waiting for us. Throwing flowers and cheering. And here I'm just another nigger pushing a plow."
