Movie |
Tv Show In Film | Anger
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8.1/10
IMDbBest Actress in a Leading Role | 1977 | Faye
Best Actress in a Supporting Role | 1977 | Beatrice
Best Writing Screenplay Written Directly for the Screen | 1977
Best Actor in a Leading Role | 1977
Best Director Motion Picture | 1977 | Sidney
Best Actor in Motion Picture Drama | 1977
Best Actress in a Motion Picture Drama | 1977 | Faye
Best Screenplay Motion Picture | 1977
Best Actor | 1978
2002 | Howard
Top Ten Films | 1976
Best Actress | 1976 | Faye
Best Screenplay | 1977
Best Drama Written Directly for the Screen | 1977
Best Foreign Actress Migliore Attrice Straniera | 1977 | Faye
Motion Picture | 2018
Best Director | 1977 | Sidney
Best Picture | 1977 | Howard
Best Film Editing | 1977 | Alan
Best Actor in a Supporting Role | 1977 | Ned
Best Actor in a Leading Role | 1977 | William
Best Cinematography | 1977 | Owen
Best Motion Picture Drama | 1977
Best Screenplay | 1978
Best Actor | 1978 | William
Best Actress | 1978 | Faye
Best Direction | 1978 | Sidney
Best Sound Track | 1978 | Jack
Best Editing | 1978 | Alan
Best Supporting Actor | 1978 | Robert
Best Film | 1978
Best Screenplay | 1977
Best Supporting Actor For | 1977
Best Supporting Actor | 1977 | Robert
Best Actor | 1977 | William
Best Actress | 1977 | Faye
Favorite Movie | 1977
Best Foreign Language Film | 1978
Outstanding Directorial Achievement in Motion Pictures | 1977 | Sidney
Best Edited Feature Film | 1977 | Alan
Best Science Fiction Film | 1977
Budget 3,800,000 USD
Box Office Collection 23,700,000 USD
Peter Finch was desperate to win the role of Howard Beale once he had read the script. He even offered to pay his own airfare to New York City for the screentest. But Sidney Lumet was concerned about Finch's Australian accent. Finch won the part after sending Lumet a recording of himself reading the New York Times with a perfect American accent.
Director Sidney Lumet and screenwriter Paddy Chayefsky claimed that the film was not meant to be a satire but a reflection of what was really happening.
Faye Dunaway would later say that this was "the only film I ever did that you didn't touch the script because it was almost as if it were written in verse." She was as happy with Sidney Lumet as with the writing, describing him as "one of, if not the, most talented and professional men in the world. In the rehearsals, two weeks before shooting he blocks his scenes with his cameraman. Not a minute is wasted while he's shooting and that shows not only on the studio's budget but on the impetus of performance."
Beatrice Straight is only on-screen for five minutes and two seconds. Hers was the briefest performance ever to win an Oscar.
Peter Finch died before the Academy Awards were to take place, where he was nominated for Best Actor. He won, making him the first performer ever to receive a posthumous award at the Oscars. The second winner was fellow Australian Heath Ledger for The Dark Knight (2008).
"Howard Beale: I don't have to tell you things are bad. Everybody knows things are bad. It's a depression. Everybody's out of work or scared of losing their job. The dollar buys a nickel's worth, banks are going bust, shopkeepers keep a gun under the counter. Punks are running wild in the street and there's nobody anywhere who seems to know what to do, and there's no end to it. We know the air is unfit to breathe and our food is unfit to eat, and we sit watching our TVs while some local newscaster tells us that today we had fifteen homicides and sixty-three violent crimes, as if that's the way it's supposed to be. We know things are bad - worse than bad. They're crazy. It's like everything everywhere is going crazy, so we don't go out anymore. We sit in the house, and slowly the world we are living in is getting smaller, and all we say is, 'Please, at least leave us alone in our living rooms. Let me have my toaster and my TV and my steel-belted radials and I won't say anything. Just leave us alone.' Well, I'm not gonna leave you alone. I want you to get mad! I don't want you to protest. I don't want you to riot - I don't want you to write to your congressman because I wouldn't know what to tell you to write. I don't know what to do about the depression and the inflation and the Russians and the crime in the street. All I know is that first you've got to get mad. You've got to say, 'I'm a HUMAN BEING, God damn it! My life has VALUE!' So I want you to get up now. I want all of you to get up out of your chairs. I want you to get up right now and go to the window. Open it, and stick your head out, and yell, 'I'M AS MAD AS HELL, AND I'M NOT GOING TO TAKE THIS ANYMORE!' I want you to get up right now, sit up, go to your windows, open them and stick your head out and yell - 'I'm as mad as hell and I'm not going to take this anymore!' Things have got to change. But first, you've gotta get mad!... You've got to say, 'I'm as mad as hell, and I'm not going to take this anymore!' Then we'll figure out what to do about the depression and the inflation and the oil crisis. But first get up out of your chairs, open the window, stick your head out, and yell, and say it: "I'M AS MAD AS HELL, AND I'M NOT GOING TO TAKE THIS ANYMORE!""
"Arthur Jensen: You have meddled with the primal forces of nature, Mr. Beale, and I won't have it! Is that clear? You think you've merely stopped a business deal. That is not the case! The Arabs have taken billions of dollars out of this country, and now they must put it back! It is ebb and flow, tidal gravity! It is ecological balance! You are an old man who thinks in terms of nations and peoples. There are no nations. There are no peoples. There are no Russians. There are no Arabs. There are no third worlds. There is no West. There is only one holistic system of systems, one vast and immane, interwoven, interacting, multivariate, multinational dominion of dollars. Petro-dollars, electro-dollars, multi-dollars, reichmarks, rins, rubles, pounds, and shekels. It is the international system of currency which determines the totality of life on this planet. That is the natural order of things today. That is the atomic and subatomic and galactic structure of things today! And YOU have meddled with the primal forces of nature, and YOU... WILL... ATONE! Am I getting through to you, Mr. Beale? You get up on your little twenty-one inch screen and howl about America and democracy. There is no America. There is no democracy. There is only IBM, and ITT, and AT&T, and DuPont, Dow, Union Carbide, and Exxon. Those are the nations of the world today. What do you think the Russians talk about in their councils of state, Karl Marx? They get out their linear programming charts, statistical decision theories, minimax solutions, and compute the price-cost probabilities of their transactions and investments, just like we do. We no longer live in a world of nations and ideologies, Mr. Beale. The world is a college of corporations, inexorably determined by the immutable bylaws of business. The world is a business, Mr. Beale. It has been since man crawled out of the slime. And our children will live, Mr. Beale, to see that... perfect world... in which there's no war or famine, oppression or brutality. One vast and ecumenical holding company, for whom all men will work to serve a common profit, in which all men will hold a share of stock. All necessities provided, all anxieties tranquilized, all boredom amused. And I have chosen you, Mr. Beale, to preach this evangel. Howard Beale: Why me? Arthur Jensen: Because you're on television, dummy. Sixty million people watch you every night of the week, Monday through Friday. Howard Beale: I have seen the face of God. Arthur Jensen: You just might be right, Mr. Beale."