Movie |
Alien Invasion | Monster
When legions of monstrous creatures, known as Kaiju, started rising from the sea, a war began that would take millions of lives and consume humanity's resources for years on end. To combat the giant Kaiju, a special type of weapon was devised: massive robots, called Jaegers, which are controlled simultaneously by two pilots whose minds are locked in a neural bridge. But even the Jaegers are proving nearly defenseless in the face of the relentless Kaiju. On the verge of defeat, the forces defending mankind have no choice but to turn to two unlikely heroes—a washed-up former pilot (Charlie Hunnam) and an untested trainee (Rinko Kikuchi)—who are teamed to drive a legendary but seemingly obsolete Jaeger from the past. Together, they stand as mankind's last hope against the mounting apocalypse.
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![Pacific Rim - Con Footage [HD]](https://img.youtube.com/vi/zA92Rw6kNWw/mqdefault.jpg)
![Pacific Rim - Official Trailer 1 [HD]](https://img.youtube.com/vi/A85EtOalcsM/mqdefault.jpg)
![Pacific Rim - Official Main Trailer [HD]](https://img.youtube.com/vi/5guMumPFBag/mqdefault.jpg)
When legions of monstrous creatures, known as Kaiju, started rising from the sea, a war began that would take millions of lives and consume humanity's resources for years on end. To combat the giant Kaiju, a special type of weapon was devised: massive robots, called Jaegers, which are controlled simultaneously by two pilots whose minds are locked in a neural bridge. But even the Jaegers are proving nearly defenseless in the face of the relentless Kaiju. On the verge of defeat, the forces defending mankind have no choice but to turn to two unlikely heroes—a washed-up former pilot (Charlie Hunnam) and an untested trainee (Rinko Kikuchi)—who are teamed to drive a legendary but seemingly obsolete Jaeger from the past. Together, they stand as mankind's last hope against the mounting apocalypse.
Best Global New Performer in a Motion Picture | 2014 | Charlie
Best Global Director for a Motion Picture | 2014 | Guillermo del
Visual Effects of the Year | 2013 | John
Outstanding Visual Effects Feature Film | 2013
Best Action Film | 2013
Best HorrorSciFi Film | 2013
Outstanding Visual Effects Feature Film | 2013
Outstanding Achievement in Animated Effects in a Live Action Production | 2014 | Ryan
Best Special Visual Effects | 2014 | Nigel
Best Visual Effects | 2014 | Hal T.
Best Science Fiction Film | 2014
Best Director | 2014 | Guillermo del
Best Production Design | 2014 | Carol
Best Editing | 2014 | John
Best Special Effects | 2014
Outstanding Achievement in Character Animation in a Live Action Production | 2014
Best Special Effects Sound or Visual International Competition | 2014 | John
Best Visual Effects | 2014
Best ScienceFictionHorror Film | 2014
Best SciFiFantasy | 2014
Visual Effects | 2014 | Nigel
Best Dramatic Presentation Long Form | 2014
Best Visual Effects | 2014 | Nigel
Best Special Effects Migliori effetti speciali | 2014
Best International Actor | 2014 | Idris
Best Sound Effects Editing | 2014 | Scott Martin
Best Visual Effects | 2014 | Hal T.
Best Movie Trailer | 2014
Outstanding Visual Effects in a Visual EffectsDriven Feature Motion Picture | 2014 | Hal T.
Outstanding Animated Character in a Live Action Feature Motion Picture | 2014
Outstanding Virtual Cinematography in a Live Action Feature Motion Picture | 2014
Outstanding Models in a Feature Motion Picture | 2014
Outstanding FX and Simulation Animation in a Live Action Feature Motion Picture | 2014
Outstanding Created Environment in a Live Action Feature Motion Picture | 2014
Best Visual Effects | 2013
Most Overrated Movie of the Year | 2013
Most Underrated Movie of the Year | 2013
Best SciFi Movie of the Year | 2013
Best Special Effects of the Year | 2013
Best Action Sequence of the Year | 2013
Best Line of the Year | 2013
2013 | Guillermo del
Best Film | 2013 | Guillermo del
Best Visual Effects | 2013 | Hal T.
Choice Summer Movie ActionAdventure | 2013
Budget 180,000,000 USD
Box Office Collection 411,000,000 USD
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Approximately a hundred Kaijus and a hundred Jaegers were designed, but only a fraction of them appeared in the film. Every week, the filmmakers held a vote for their favorites.
(At around 1 hour, 25 minutes) The inside of the building that Gipsy's fist smashes through was created using miniatures. Many of the components of the office cubicles were made using 3-D printers. The lighting was practical and done to scale. Once the set was ready, a large green mandrel was rammed through it. This was digitally replaced with Gipsy's fist.
According to Travis Beacham, in an earlier version of the script Mako and Raleigh spoke two different languages for a majority of the film. After connecting as pilots, they slowly began to understand one another, and before the end they heard each other speaking in their own respective languages. The only remnant of a language barrier is when Raleigh speaks to Mako in Japanese, and she is surprised he knows her home language.
Screenwriter Travis Beacham also wrote the graphic novel Pacific Rim: Tales from Year Zero. Released along with the movie, "Tales from Year Zero" serves as a prologue to the film and is set twelve years before its events.
Though the giant monsters were always intended to be computer generated, all of their designs were expanded from the notion that they could be "worn as suits," like in traditional kaiju films.
"Stacker Pentecost: Today. Today... At the edge of our hope, at the end of our time, we have chosen not only to believe in ourselves, but in each other. Today there is not a man nor woman in here that shall stand alone. Not today. Today we face the monsters that are at our door and bring the fight to them! Today, we are *canceling* the apocalypse!"
"Herc Hansen: Now, you and I are the only thing standin' between that ugly bastard and a city of 2 million people! Now we have a choice here: we either sit and wait, or we take these flare guns and do something really stupid."
