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Psychotherapy
Some of literature's most terrifying characters, including Dr. Frankenstein, Dorian Gray, and iconic figures from the novel Dracula are lurking in the darkest corners of Victorian London. Penny Dreadful is a frightening psychological thriller that weaves together these classic horror origin stories into a new adult drama.
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Some of literature's most terrifying characters, including Dr. Frankenstein, Dorian Gray, and iconic figures from the novel Dracula are lurking in the darkest corners of Victorian London. Penny Dreadful is a frightening psychological thriller that weaves together these classic horror origin stories into a new adult drama.
Best TV Actress | 2014 | Eva Green
Best TV Actress | 2016 | Eva Green
Best Make Up and Hair Design | 2015 | Nick Dudman
Best Original Music | 2015 | Abel Korzeniowski
Production Design | 2015 | Jonathan McKinstry
Best Actress in a Supporting Role in Drama | 2016 | Sarah Greene
Best Actor in a Supporting Role in a Series Miniseries or Motion Picture Made for Television | 2015 | Rory Kinnear
Best Episode in a TV Series | 2017 | John Logan
Best Editing in Hour Scripted | 2017 | Aaron Marshall
Best Sound Editing Short Form Dialogue and ADR in Television | 2017 | David McCallum
Best Pilot | 2015 | Xavi Giménez
Best TV | 2015 | Jonathan McKinstry
Best Performance by an Actress in a Television Series Drama | 2016 | Eva Green
Best Female Performance Horror Series | 2016 | Eva Green
Best Horror Series | 2015 | John Logan
Best TV Actress | 2017 | Eva Green
Best TV Actor | 2016 | Josh Hartnett
Best TV Supporting Actress | 2016 | Billie Piper
Best TV Supporting Actor | 2016 | Rory Kinnear
Best TV MakeupCreature FX | 2015 | Nick Dudman
Best Actress in a Series Drama | 2015 | Eva Green
Best Actress in a Supporting Role in a Series MiniSeries or Motion Picture Made for Television | 2016 | Helen McCrory
Best TV Actress | 2016 | Eva Green
Best Actress in a Drama Series | 2015 | Eva Green
Outstanding Special Visual Effects | 2016 | Kyle Yoneda
Outstanding Original Main Title Theme Music | 2015 | Abel Korzeniowski
Outstanding Music Composition for a Series Original Dramatic Score | 2016 | Abel Korzeniowski
Outstanding Hairstyling for a SingleCamera Series | 2016 | Orla Carrol
Outstanding Makeup for a SingleCamera Series NonProsthetic | 2016 | Katia Sisto
Outstanding Prosthetic Makeup for a Series Limited Series Movie or a Special | 2016 | Nick Dudman
Outstanding Production Design for a Narrative Contemporary or Fantasy Program One Hour or More | 2016 | Jonathan McKinstry
Outstanding Supporting Visual Effects in a Visual EffectsDriven PhotorealLive Action Broadcast Program | 2015 | Sarah McMurdo
Outstanding Supporting Visual Effects in a Photoreal Episode | 2016 | Sarah McMurdo
Outstanding Supporting Visual Effects in a Visual EffectsDriven PhotorealLive Action Broadcast Program For | 2015 | Sarah McMurdo
Best Sound Editing Short Form Sound Effects and Foley in Television | 2015 | David Rose
Best Sound Editing Short Form Dialogue and ADR in Television | 2015 | David McCallum
Best Original Score for a Television Series | 2015 | Abel Korzeniowski
Main Title TV Show Digital Series | 2014 | Abel Korzeniowski
Best Music in a Series | 2016 | Abel Korzeniowski
Best Cinematography in a Television Drama | 2015 | P.J. Dillon
2015 | P.J. Dillon
Screenplay | 2014 | John Logan
Episodic | 2014 | Juan Antonio Bayona
Best Television Presentation | 2016 | John Logan
Best Director Drama | 2016 | Brian Kirk
Outstanding Achievement in Cinematography in Regular Series for NonCommercial Television | 2017 | John Conroy
Make Up Hair Design | 2016 | Nick Dudman
Best Make up and Hair Design | 2015 | Nick Dudman
Costume Design | 2015 | Gabriella Pescucci
Best Special Makeup Effects Television and New Media Series | 2016 | Nick Dudman
Best Period andor Character Hair Styling Television and New Media Series | 2017 | Alexis Continente
Outstanding Prosthetic Makeup for a Series Limited Series Movie or a Special | 2017 | Nick Dudman
Outstanding Prosthetic Makeup for a serieslimited series movie or a special | 2015 | Nick Dudman
Outstanding Period Television Series | 2016 | Gabriella Pescucci
Picture Editing Television Series | 2017 | Geoff Ashenhurst
The language used in season two (Verbis Diabolo) is a fictional amalgam of Aramaic, Ancient Greek, Latin, and an obscure Arabic dialect called (in phonetic English) "Kan Allah Musali-Algins."The language, Verbis Diabolo was created specifically for the show by the curator of the London Historical Societies Emeritus Professor of ancient languages.
Penny Dreadful is an old term used during the nineteenth century to refer to cheap popular serial literature, and it could be interchangeable with penny blood, penny awful, or penny horrible. It means a story published in weekly parts, with the cost of one (old) penny. The main plot of these stories were typically sensational, focusing on the adventures of detectives, criminals, or supernatural entities.
As creator John Logan had never written a television series before, he did not produce a speculative script, but instead wrote the first two episodes directly. When he had the opportunity to pitch it to Showtime, he also wrote a forty-page "bible" exploring the characters and story, with the network eventually buying the show.
Sarah Greene stated in an interview, that the make-up for Hecate and the other witches' Nightcomer forms consists of several different pieces, which take several hours to apply. She stated that the breasts and genital regions are fake, and are part of the prosthetic. However, Greene forgot the instructions not to drink alcohol before putting on the make-up, as sweating alcohol would negate the adhesive used. Once while shooting in the make-up, her chest-piece fell off.
The séance back-bending scene was filmed in three different segments: the first was on set with Eva Green standing on the table; the second was filmed in a studio where the actress bent her body as far back as the stuntmen deemed safe; the third was Eva bent all the way back in a contraption, the last was filmed in front of a greenscreen. The post-production team then combined all three segments into one.
"John Clare: True evil is, above all things, seductive. When the Devil knocks at your door... he doesn't have cloven hooves. He is beautiful, and offers you your heart's desire in whispered airs. Like a siren, beckoning you to ruinous shores"
